POETICS OF SELFLESSNESS & SOCIAL CHANGE: ERIATA ORIBHABOR IS THE SELFLESS ‘MERCHANT OF POETRY’ IN NIGERIA’S ART INDUSTRY | A CỌ́N-SCÌÒ PACESETTER PROFILE

For Oribhabor, “everyone is an opportunity requiring opportunities to blossom,” and he’s ready to provide these opportunities even when funding and support are not there. He doesn’t mind taking from his personal pockets to encourage young poets, who he believes still have the energy and can afford the selflessness required to use poetry for social change, and he has been doing just that, always thinking of innovative ways to support young and aspiring poets.

THE FEMINIST BURDEN: ATTAINING INDEPENDENCE ON THE WINGS OF UNAPOLOGETIC REBELLION | a Review Of Ukamaka Olisakwe’s “Ogadinma Or, Everything Will Be All Right” by Ehi-kowoicho Ogwiji

Ukamaka explores feminism and its subsets—the resoluteness of cultures around the world to commoditize and possess women, and female complicity in patriarchy, among others. I consider Ogadinma a very important story because of how it zooms in on areas of feminism that we barely talk about.

“AT THE FOREFRONT OF MY INTENTIONS AS A WRITER IS A NEED TO ENTERTAIN”: A CỌ́N-SCÌÒ MAGAZINE INTERVIEW WITH OTHUKE OMINIABOHS

At the forefront of my intentions is a need to entertain. Of course to whom much is given, much is expected in return. This means I do not write in a vacuum, or rather I do not ‘entertain’ in a vacuum. There is so much to be said, so many questions to be asked, ills to be addressed . . . so much that even a thousand books will still not be enough to cover it all. So I write, first to entertain, and in the same vein, to question/address whatever pressing concerns there may be.

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