Brilliantly written with language rich in figurative expressions and devices and stories hard to forget, ‘The Wig and the Streets’ is a testament to Ayoola’s mastery of good storytelling.
dispossessed, with lush imageries and original and witty metaphors presents us with the chronicles of Eze’s growth as a poet, his intellectual maturation and the heights of his social consciousness.
They merged all the way from my childhood and became the flame in my rocket today. It is only natural that, like murals, their portraits keep surfacing in my works, and yet, they leave me whole, undefiled, true, the writer child they had raised.
It is easier for people to hold on and keep on giving their all when they know they have an army of supporters solidly behind them. Through the Ebedi Residency, which has become a comfortable home for many Nigerian writers, Okediran contributes his quota to the growth of “the community” he advocates for.
Having had her imagination shaped from a young age by African stories, Brigitte Poirson has contributed immensely to the shaping of literature in the country in over a decade of active support. Her mark on Nigerian literature will remain indelible for generations to come.
For Oribhabor, “everyone is an opportunity requiring opportunities to blossom,” and he’s ready to provide these opportunities even when funding and support are not there. He doesn’t mind taking from his personal pockets to encourage young poets, who he believes still have the energy and can afford the selflessness required to use poetry for social change, and he has been doing just that, always thinking of innovative ways to support young and aspiring poets.
King Olulu remains a pacesetter in the Nigerian poetry and spoken-word performance business. His works and their fruits speak for themselves, and it is only fitting that his name is etched in the good books of history.
Feminism is advocacy for equality. The idea that it is a battle against a certain gender is disingenuous…people who hold onto these ideas, who underpin feminism with such harmful connotations, do not want to have an honest conversation.
I look up nude men on Google. A gathering pulls inside me, dies as quickly as it started. I try nude women. I soak in their fullness and curves. I wait, for the heady momentum of arousal. The fire in my chest rather grows hotter—I close the tab.
Ukamaka explores feminism and its subsets—the resoluteness of cultures around the world to commoditize and possess women, and female complicity in patriarchy, among others. I consider Ogadinma a very important story because of how it zooms in on areas of feminism that we barely talk about.