ORÍ is a success, bringing attention to a long-present but less-celebrated genre of spoken word poetry in Nigeria.
Medicine: Journaling as Therapy and a Journey to Well-being | a CỌ́N-SCÌÒ essay by Edwin Mamman
Journal writing has profound benefits. For some it boosts confidence, for others it provides relief for the loneliness epidemic plaguing society today.
My Progenitor’s Tongue As a Fireplace Where Hyperbole Singes the Feathers of Euphemism | a CỌ́N-SCÌÒ essay by Taofeek Ayeyemi “Aswagaawy”
In Yoruba, language lifts rocks and holds down birds; offers shelter to feelings, so wide that it becomes scary to stay in.
For Fathers Who Went Like This: A Poetic Journey Through Pain, History, and Hope | a CỌ́N-SCÌÒ review of Adedayo Agarau’s ‘For Boys Who Went’ by Tola Ijalusi
For Boys Who Went may challenge readers with its coarse literary style, which lends the poems a rich and raw intensity. While its expression can feel unrefined at times, the profound impact of its message on the reader’s mind makes it a collection worth revisiting—an offering both thought-provoking and unforgettable.
“The Future of African Poetry Fills Me With So Much Urgency…“ | A CỌ́N-SCÌÒ Magazine Interview with Adedayo Agarau
The future of African poetry fills me with so much urgency. My vision for the future is practical: more African-led publishing houses, more translation projects between African languages, and more platforms for critical dialogue.
Childhood Trauma & Creativity: Navigating The Ethical Tightrope of Personal Writing | a CỌ́N-SCÌÒ essay by Kukogho Samson
Self-censorship is painful, excruciating, debilitating… It feels like a betrayal of self, an abuse of my creative impulse, and self-entrapment in a cycle of doubt and frustration.
A Jealous Thing: Some Words About Writing | An essay by Moses Eduek
If anything, I only pity him. Writing is a jealous thing. It wants all of you and its rewards come sporadically, sometimes without promise or structure.
T&Cs of (un)Loving | a CỌ́N-SCÌÒ review of ‘How to Fall in Love Again’ anthology by Michael Chukwuka
The collection demonstrates the practicality of opening yourself to the ultimate possibilities of love even when it is scary. If you think not loving is beautiful, have you ever been truly loved or truly loved?
WARFARE ON PAPER | a CỌ́N-SCÌÒ review of Peter Okonkwo’s ‘How the Demons Leave’ by Jide Badmus
Although How the Demons Leave offers some clarity, it gathers its own clouds of mysteries. Why are these spiritual forces devoted to destroying man? Why does it seem the malevolent spirits are more potent, more active than the beneficent forces?
“The Writer’s Primary Duty Is To Write And Be True To The Story Or Subject Of Their Writing“ | A CỌ́N-SCÌÒ Magazine Interview with Iquo DianaAbasi
For this kind of social engineering to happen, there must first be an alteration or elevation of thought and consciousness; and how better to achieve this than with written work or literature in general?