I look up nude men on Google. A gathering pulls inside me, dies as quickly as it started. I try nude women. I soak in their fullness and curves. I wait, for the heady momentum of arousal. The fire in my chest rather grows hotter—I close the tab.
Some nights, I am a wanderer. Clutched to my bed yet my mind breaking borders like nocturnal birds. Tonight, I peep through the window to see the sky– starless, moonless, with no glee except the sheen of a stray cat’s eyes.
Somehow, I’m tired. I don’t even want to prove anyone right or wrong anymore. A simple step in front of another took me out of the chair of boredom and desperation, and straight through the doors onto the sunny passage.
Nigerian literature is not in the state that it ought to be, given the enormous Nigerian population; we need to do more. We need to develop a conscious policy towards enhancing the results achieved by our books out there in the market across the world.
Haiku originates from Japan and there, it is their oral form and usually in a sequence or linked verse form (called renga, renku or haikai no renga) up to 100 verses and more. The introductory verse to the sequence is the hokku which is now called haiku.
The fault for a badly written book lies with the writer while the fault for a badly published book belongs to the publisher’ while the shame is a joint venture. A respectable publisher should never knowingly publish a bad book.
It is time for our poets to realize that a boy is not always a butterfly & our mothers are not all moons. Poetry is first an expression of self before anything. Be original.
One finds a poet who sounds less like his environment or the rest of his remaining works. One finds a horde of clannish poets who have resumed trapping their styles in the net of the other. One finds a literary community that has forgotten to produce the spirit-immersed poetry, the kind that broadly establishes the contaminant emotive will; not the kind that breeds a hive of self-importance—tributes and odes to self—that which undermines the vicarious role of pathos.
“Touch” is a word, and in a larger sense of it – it is a language portraying relationship. Various cultures speak this language, it mirrors the relationship between the virus and human interactions. In Nigeria, amidst our diverse cultural beliefs and traditions, every ethnic group understands the underlying power of touch; from pouring libations to the gods, to exchange of greetings and other realities captured in this performance piece by Donna Ogunnaike called “Touch”