We offer both traditional and self-publishing services, with preference to young, previously unpublished writers, a bias we are deeply proud of.

We also discover, develop and promote young literary talents through several youth-targeted initiatives, prestigious writing competitions and other recreational activities.

No Upcoming Events Found

READY TO PUBLISH?

OUR CSR PROJECTS

We organize some of Nigeria’s most prestigious poetry competitions — GREEN AUTHOR PRIZE, BRIGITTE POIRSON POETRY PRIZE, ALBERT JUNGERS POETRY PRIZE and ERIATA ORIBHABOR POETRY PRIZE, and run youth-targeted programmes with the overall aim of promoting literary excellence in Nigeria.

LATEST UPDATES

GET NEWS, LECTURES, REVIEWS, ESSAYS AND OTHER RECENT UPDATES FROM WORDS RHYMES & RHYTHM ....

WHO IS TO BLAME FOR A BADLY PUBLISHED BOOK: AUTHOR, EDITOR OR PUBLISHER?

REVIEW: ‘SEVEN FLOWERS OF GRATITUDE’ POETS HELP US COME TO TERMS WITH THE ISSUES AND SUFFERINGS OF THE CORONAVIRUS PANDEMIC

REVIEW: FAITH’S CHAPBOOK ‘LAGOS DOESN’T SLEEP’ DRAWS INSPIRATION FROM WHAT IS FAMILIAR

THE CHANGING NARRATIVE OF TOUCH: A REVIEW OF DONNA OGUNNAIKE’S SPOKEN WORD PIECE ‘TOUCH’

“FACEBOOK IS NOT A SAFE PLACE TO POST YOUR POEMS” & OTHER ISSUES FOR NIGERIAN POETS

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [JUNE/JULY 2020] — ‘MOTHER TONGUE’

OSADOLOR, BEN & OLADIMEJI WIN BPPC APRI/MAY 2020

WHY POETS TAKE SNIPER: AN ESSAY ABOUT SUICIDE AMONG WRITERS (by Sa’id Sa’ad Abubakar)

ON NIGERIAN WRITERS, DEPRESSION & SUICIDE…

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [APRIL/MAY 2020] — ‘COVID-19’

IBE, OLADIMEJI OGEDENGBE WIN BPPC FEBRUARY/MARCH 2020

DAVID OKAFOR WINS ERIATA ORIBHABOR POETRY PRIZE 2019, NNADI SAMUEL & OJO TAIYE EMERGE RUNNER-UPs

EOPP 2019: TOP 20 SHORTLISTED POETS

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [FEBRUARY/MARCH 2020] — ‘FRIENDSHIP’

IQUO DIANAABASI & IFEANYICHUKWU PETER TO JUDGE EOPP 2019

SALIHU MAHE’S CHAPBOOK WINS GREEN AUTHOR PRIZE 2019

EMMANUEL FAITH WINS ALBERT JUNGERS POETRY PRIZE 2019

ALBERT JUNGERS POETRY PRIZE 2019: OGEDENGBE, OLADIMEJI, EMMANUEL ON 3-MAN SHORTLIST

#FOW2019: PARTICIPATION GUIDE

REVIEW: MAHE’S POETRY DROPS ‘NECESSARY MEANINGS’ IN LITTLE LINES & ENTHRALS READERS WITH CAREFULLY CHOSEN DICTION

PRESS RELEASE: NATURE MEETS CREATIVITY AS FEAST OF WORDS 2019 HOLDS 7TH DECEMBER AT ADO-AWAYE SUSPENDED LAKE

ADO-AWAYE MOUNTAIN & SUSPENDED LAKE: A VISIT TO THE VENUE OF THE FEAST OF WORDS 2019

OAU POET, ANUOLUWA OLUSEGUN SONEYE, WINS BPPC SEPTEMBER 2019

REVIEW: TERENCE J. WALTER ‘INVESTED A LOT OF CREATIVITY’ IN ‘A POLICEMAN’S LOT’

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [SEPTEMBER 2019] ‘WOMEN, POWER, SOCIETY’

ONDO POET OGUNMOLU ESTHER WINS BPPC AUGUST 2019

CALL FOR ENTRIES: ERIATA ORIBHABOR POETRY PRIZE (EOPP 2019)

NIGERIAN POETRY: IS THERE AN INFERIOR MENTALITY PROBLEM (commentary by Eriata Oribhabor)

THE ERIATA ORIBHABOR TRIOLOGY: OF TRUTHS WALKING ACROSS VARIED BORDERS, MERGING PATCHES OF BEAUTY INTO FULL-BLOWN GARDENS

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [AUGUST 2019] ‘BACK TO THE ROOTS’

HUSSANI ABDULRAHIM WINS BPPC JULY 2019

REVIEW: ADETISOLA ‘GIVES IT ALL’ IN 1001 SINGING SUCCESS SECRETS; IT IS ‘ENGAGING AND CONVERSATIONAL’

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [JULY 2019] ‘EXPRESS YOURSELF’

AKOR AGADA NATHANIEL IS BPPC JUNE 2019 WINNER

NIGERIAN STUDENTS POETRY PRIZE (NSPP) 2019 – OKOYE, OKPARA, OGWIJI EMERGE WINNERS

MY TWO CENTS ON KUKOGHO’S ‘WE WHO SOWED HURT AND BEADED PAINS’ (a review by Kingsley Dominic)

REVIEW OF JOSEPH WODO’S ‘STIMULATING’ POETRY COLLECTION ‘AS I STROKE MY CHIN HAIRS’

TALK ABOUT NIGERIAN BOOKS, DO IT FOR THE CULTURE (a commentary by Kukogho Iruesiri Samson)

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [JUNE 2019] ‘VISION 2050’

IFEANYICHUKWU PETER EZE’S ‘KILL’ WINS BPPC MAY 2019

BECOME AN AUTHOR: WRITE, EDIT, PUBLISH & SHARE WITH THE WORLD

THE PROBLEM WITH NIGERIAN WRITING: THERE IS NO MARKET FOR WHAT WE WRITE (A COMMENTARY BY DIKE CHUKWUMERIJE)

ATTEND THE BENUE BOOK AND ARTS FESTIVAL 2019

REVIEW: PANSHAK HAGGAI’S STORM IN A POT IS ‘WORTH READING’, HAS ‘AMAZING PLOT TWISTS’

I AM JUST A BOY, I AM NOT A BURDEN (AN ESSAY BY JOHN CHIZOBA VINCENT)

ON REPUTATION, LIFE & DEATH (AN ESSAY BY OPPONG CLIFFORD BENJAMIN)

CHUKWUEMEKA AKACHI: AN AFRICAN KNOWS NO DEPRESSION – (COMMENTARY BY OPPONG CLIFFORD BENJAMIN)

ADENIYI’S ‘THE EFFECTUAL, FERVENT PRAYER’ IS PURPOSEFUL, NOT PATRONISING & FOR THOSE WILLING TO TREAD THE PATH OF RIGHTEOUSNESS

REVIEW: THE ILLUMINANT’S LESSONS LEAVE LASTING IMPRESSIONS & REMIND OF THE SURREALISM OF EXISTENCE

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [MAY 2019] ‘EXPRESS YOUR RAGE’

EFE-KHAESE RINSE DESMOND WINS BPPC APRIL 2019

ENTER FOR THE 2019 SHORT STORY DAY AFRICA PRIZE [PRESS RELEASE]

7 RECOMMENDED NIGERIAN POETRY EVENTS IN 2019 (AS COMPILED BY PRECIOUS OKEKE)

REVIEW: EMMANUEL FAITH LAYS BARE THE MYSTERIES OF THE CORPORATE WORLD IN CHRONICLES OF AN INTERN, ‘A BIBLE FOR INTERNS’

REVIEW: OYINDAMOLA SUCCESSFULLY DROPS MEANINGS IN ‘BUT HERE YOU ARE’

REVIEW: TUKUR’S ‘A BOY’S TEARS ON EARTH’S TONGUE’ COMMUNICATES IN CLEAR AND PRECISE DICTION

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [APRIL 2019] ‘HUMAN HERITAGE’

OTUBELU CHINAZOM CHUKWUDI IS WINNER BPPC MARCH 2019

WEARING MY FATHER’S THOUGHTS ABOUT TRADITION & IGBO CULTURE (an essay by John Chizoba Vincent)

REVIEW: OKORIE’S THE MEN THAT COULDN’T LOVE ME ‘TORTURES THE READER WHILE CREATIVELY EXPLORING UNREQUITED LOVE’

CALL FOR SUBMISSIONS: ‘IMOMOTIMI’ – THE GABRIEL OKARA ANTHOLOGY

EZENWA-OHAETO, DIPE JOLAADE & NOME PATRICK WIN ERIATA ORIBHABOR POETRY PRIZE 2018

EZENWA-OHAETO REACHED A HEIGHT OF HONESTY, PASSION AND VULNERABILITY IN ‘I BURN INCENSES BEFORE SLEEP’: A REVIEW OF EOPP 2018 WINNING POEM BY OYINDAMOLA SHOOLA

OYEDOKUN IBUKUN STEPHEN WINS BPPC FEBRUARY 2019

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [MARCH 2019] ‘RHYME FOR CHILDREN’

THE SPRINNG LITERARY MOVEMENT OFFERS MENTORSHIP OPPORTUNITY TO ERIATA ORIBHABOR POETRY PRIZE APPLICANTS

REVIEW: IKWUEMESIBE’S ‘THE BIG MAN’ DOMESTICATES THEMES AND DICTION TO SUIT HIS READERS

SHORTLIST: ERIATA ORIBHABOR POETRY PRIZE 2018

AGARAU, OYINDAMOLA TO JUDGE ERIATA ORIBHABOR POETRY PRIZE 2018

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST[FEBRUARY 2019] ‘THE FEAT’

A COMPENDIUM OF NIGERIA’S LITERARY FEATS AND DEFEATS IN 2018 BY IZUNNA OKAFOR

WHAT IS THE PROBLEM WITH NIGERIAN LITERATURE: A TREATISE BY HILLARY UGO UZOMBA

 4 SIMPLE HABITS THAT CAN MAKE YOU A SUCCESSFUL WRITER

9 MUST-FOLLOW NEW YEAR RESOLUTIONS FOR NIGERIAN WRITERS & READERS

CALL FOR ENTRIES: ERIATA ORIBHABOR POETRY PRIZE (EOPP 2018)

REVIEW: OPIGO RECONSTRUCTS DECADES OF HISTORY IN THE SONG OF OUR FATHER AND HE DOES IT SO COMPREHENSIVELY…IT IS A NETWORK OF PROSE AND POETRY AND DRAMA

MYSTERIES IN WRITING: DARE TO BE DIFFERENT WITH A DIFFERENCE

REVIEW: GARKO’S WHEN DAY BREAKS FEELS CO-AUTHORED BY AUTHOR AND READER; THE ELEGANT POEMS ‘LEAVE THE READER BEGGING FOR MORE’

REVIEW: DURU’S ‘THE TRUE MASTERSHIP OF YOUR BEING’ IS A COMPREHENSIVE BOOK ON LIFE AND LIVING, AN ENCYCLOPEDIA OF VIRTUE AND MORALITY

THE PROBLEM WITH SILENCE: FESTIVAL POETRY CALABAR 2018 TO EXAMINE THE ROLES OF POETS IN CRISIS PERIODS

REVIEW: THE VOICE OF THE VOICELESS’ COURAGEOUS VERSES PRICKS THE READER’S CONSCIENCE

FEAST OF WORDS 2018: THANK YOU FOR BEING THERE

IKWUEMESIBE WINS WRR NIGERIAN TEACHERS AWARD 2018

AJPP: AIRE JOSHUA OMOTAYO WINS ALBERT JUNGERS POETRY PRIZE 2018

FEAST OF WORDS 2018: SCHEDULE OF EVENTS

WE SHOULD ALL BE WRITERS: FACEBOOK WRITERS’ PHENOMENON

IQUO, OPPONG, EZE, AGARAU, BADMUS & MADUWUBA: 6 WRITERS FOR FOW 2018

WRITING IS NOT FOR LITTLE CHILDREN: A TREATISE BY JOHN CHIZOBA VINCENT

FEAST OF WORDS 2018: WE ARE LOOKING FOR BOOK DONORS

‘TELLING OUR STORIES’: FEAST OF WORDS 2018 HOLDS DEC 1 IN IBADAN

TRANSFORMING NIGERIA AND ITS POLITY: THE LAW AS AN EFFECTIVE TOOL, an essay by Adedimeji Quayyim Abdul-Hafeez

AJPP 2018 SHORTLIST: WHO WILL WIN ALBERT JUNGERS POETRY PRIZE?

BRIGITTE POIRSON POETRY CONTEST: IMO POET, NWAGBO BRUNO, WINS BPPC SEPTEMBER 2018

REVIEW: ‘UNALLOYED’ IS AN ACCOMMODATING AND EMPATHIC PAINKILLER, A PERFECT READ FOR YOUTHS, COUPLES, AND EVEN LOVERS

REVIEW: NWODIBO’S POEMS IN ‘ECHOES FROM NIGERIA’ ARE HIGHLY READABLE, RELEVANT TO INDIVIDUALS AND THE NIGERIAN NATION

WORLD MENTAL HEALTH DAY: 8 Ways Reading Can Boost Your Mental Health

REVISITING BIAFURU: OUR STORY OF MISERY AND SURVIVAL

WHY I WRITE: WRITING IS EVERYTHING by Ruth Dahiru

REVIEW: SARAH ALUKO PASSIONATELY PENNED ‘FIRSTBORN’ TO PERFECTION

STORYTELLING IS IMPORTANT

THE IMPORTANCE OF POETRY AND GREAT LITERATURE

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2018 [SEPTEMBER] ‘NIGERIA 2019: OF THUMBS & PVCs’

BRIGITTE POIRSON POETRY CONTEST: KINGSLEY DOMINIC IS BPPC AUGUST 2018 WINNER

REVIEW: PREPARE TO BE “AROUSED AND ENTHRALLED” WITH SIGNIFICANTLY “SUBLIME AND GRACEFUL EXPRESSIONS” IN OGAR’S ‘FIRST LIGHT’

REVIEW: ‘A WALK IN HER SHOES’ IS UNPRETENTIOUS, “EMINENTLY READABLE AND RELATABLE” WITH DIVERSE PERSPECTIVES

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2018 [AUGUST] ‘JOURNEYING’

BRIGITTE POIRSON POETRY CONTEST: OGEDENGBE TOLULOPE WINS BPPC JULY 2018

15 IMPORTANT WRITING ‘FACTS’ YOU PROBABLY HAVEN’T NOTICED

REVIEW: ‘LET ME RUN MAD TODAY’ WILL NEVER BE A BORING READ FOR ANY LOVER OF POETRY, ART AND LITERATURE

REVIEW: IN ‘HEELS ON STEEL’ DARA PORTRAYS THE DIFFERENT FACETS OF GENDER IN THE SOCIETY

REVIEW: ‘EVEN THE RICH BEG’ IS A MOVING STORY OF PAIN AND PASSION, POVERTY AND WEALTH…

REVIEW: ‘WHEN GOD FALL’S IN LOVE’ IS RECOMMENDED FOR PEOPLE TRYING TO MAKE SENSE OF THEIR PLACE IN THE WORLD AND UNDERSTAND GOD

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2018 [JULY] ‘OF POETS AND IDEOLOGIES’

BRIGITTE POIRSON POETRY CONTEST: AKOR AGADA NATHANIEL IS BPPC JUNE 2018 WINNER

HUSSAINI ABDULRAHIM WINS WRR 100-WORDS CONTEST

REVIEW: ‘BLACK ROSE IS A SOULFUL MEDITATION OF LOVE AND ROMANCE, A FEMINIST MUSING’

WIN N5,000 WITH 100 WORDS POEM, ESSAY OR SHORT STORY

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2018 [JUNE] ‘FIGHTING PERSONAL DEMONS’

BRIGITTE POIRSON POETRY CONTEST GHANA’S ALHASSAN RABIU WINS BPPC MAY 2018

REVIEW: IN ‘REBIRTH’ JULIANA BARES ALL HER TRUTHS FOR OTHERS TO LEARN

ALL ABOUT KUKOGHO IRUESIRI SAMSON, WINNER GT BANK 2018 DUSTY MANUSCRIPT CONTEST

THE CONCEPT OF GODHOOD IN POETS: HOW POETS BECOME GODS an essay by Aremu Adams Adebisi

REVIEW: BRIGHT IGBINIGUN DISTINGUISHES HIMSELF IN ‘I MUST RETURN HOME’

REVIEW: PAMILERIN ‘GIVES A VOICE TO STRANGE THOUGHTS’ IN MEMOIR OF CRUSHED PETALS

PAINSTAKING REALITY VS. HEARTWARMING CLICHÉS: A WRITER’S IMAGINATION MUST NOT ALWAYS BE SHAPED BY LIFE’S SAD REALITIES’ by OMOTAYO KOLEOSHO

GREEN AUTHOR PRIZE: WRR PUBLISHES 8 NEW NIGERIAN AUTHORS

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2018 [MAY] ‘THE COUNTRY OF MY DREAM’

BRIGITTE POIRSON POETRY CONTEST 2018: YABATECH POET OLAJUWON JOSEPH WINS BPPC APRIL 2018

CHIMAMANDA’S AMERICANAH IS AN ENCHANTING TALE, ENCIRCLING EVERYDAY’S LIFE

REVIEW: OKPARANTA’S ‘UNDER THE UDALA TREES’ IS A TIMELY GIFT TO THE WHOLE WORLD

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2018 [APRIL] ‘MY AFRICAN HERO-INE’

BRIGITTE POIRSON POETRY CONTEST 2018: LAGOS POET TUKUR LOBA RIDWAN IS MARCH BPPC WINNER

MAKERI’S ‘LITERARY SAFARI’ ‘RISING AFRICAN PATRIOTS’ STIMULATES PRIDE AND DIGNITY OF AFRICAN IDENTITY

REVIEW: ‘THROUGH THE HORIZON’ BY FADEMI IS AN APPLAUDABLE COLLECTION WITH HEART TOUCHING POEMS

REVIEW: AGU’S ‘WE ALL NEED HEALING’ IS A GENIAL COLLECTION OF WARM AND EMOTIONAL POEMS

WIN N20,000 IN THE WRR EASTER 4-LINE POETRY CONTEST

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2018 [MARCH] ‘SOLITUDE’

BRIGITTE POIRSON POETRY CONTEST FEBRUARY 2018: CHINAZOM CHUKWUDI OTUBELU WINS 3RD BPPC TROPHY

REVIEW: PAMILERIN’S MEMOIR OF CRUSHED PETALS IS A CHARGED, AMBITIOUS DEBUT

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2018 [FEBRUARY] ‘FREEDOM’

FLUIDITY IN POETRY: A LECTURE BY MOSOBALAJE M. ABIMBOLA

‘PATRICK POIRSON- Ici Toujours’: FREE BOOK

REVIEW: CONVERSATIONS, CONTEMPLATIONS AND PONDERATIONS REVEALS GOD IN MANY PARTS

REVIEW: UGBOMA’S ECHOES OF MERCY IS ‘TOLERANT, SURE TO ENCHANT ANY READER’

GARRI FOR BREAKFAST: SEUN LARI-WILLIAMS IS ENTIRELY “A NIGERIAN” IN HIS POETRY

YOU DON’T NEED SADNESS TO WRITE GOOD POEMS: A NOTE BY ADEBAYO KOLAWOLE SAMUEL 

REVIEW: POPOOLA’S ‘THIN LINE BETWEEN LOVE & HATE’ HOLDS SUBTLE BUT MAJESTIC MEANINGS

WRR GREEN AUTHOR PRIZE 2017: 9 NIGERIAN WRITERS WIN PUBLISHING CONTRACTS

THE POET AND HIS POEM: POETRY AS A SLICE OF LIFE

FOR FATHERS WENT LIKE THIS: A REVIEW OF ADEDAYO ADEYEMI AGARAU’S ‘FOR BOYS WHO WENT’

FEAST OF WORDS 2017 – THANK YOU & BEHIND THE SCENES

FEAST OF WORDS 2017: SCHEDULE OF EVENTS

WRITE TO RIGHT. RIGHT TO WRITE: IKWUEMESIBE & OMOTAYO TO SPEAK AT FEAST OF WORDS 2017

MESIOYE, AGARAU, OGWIJI WIN ERIATA ORIBHABOR POETRY PRIZE 2017

FOW2017: BAMAS & BADMUS TO HEADLINE FESTIVAL AUTHOR SESSION

MEET THE JUDGES: ERIATA ORIBHABOR POETRY PRIZE 2017

MEET THE JUDGES: WRR GREEN AUTHOR PRIZE 2017

REVIEW: KUKOGHO’S ‘WE WHO SOWED HURT AND BEADED PAINS’ IS CHARGED WITH SUBTLE MESSAGES ON PSYCHIC DISORDERS AND TRAUMATIC IDENTITIES

REVIEW: THE AESTHETIC VALUE THAT KUKOGHO’S ‘WORDS OF EROS’ HOUSES CANNOT BE OVERESTIMATED

FEAST OF WORDS 2017: IBADAN HOSTS WRR LITERARY FESTIVAL AGAIN

NWOKPOKU WINS WRR PUBLISHERS’ NIGERIAN TEACHERS AWARD 2017

DEMYSTIFYING MUSE: A BRIEF TREATISE ON POETRY-MUSE DISSIMILITUDE

ALBERT JUNGERS POETRY PRIZE (AJPP) 2017: OGWIJI, ABAH, KALU EMERGE WINNERS

REVIEW: ‘PRAYING IN THOUGHTS’ BY J. T MARSHALL IS SURE TO CURE YOUR INSOMNIA

REVIEW: MAKERI’S ‘ROSES IN THE MINES’ IS A PERFECT ECOCRITICAL LITERARY PIECE

REVIEW: ADEBAYO’S ‘POEHEARTIC’ CREATES NOSTALGIC FEELINGS OF PASSIONATE MOMENTS AND ROMANTIC ESCAPADES

REVIEW: ADEBAYO SHINES A NEW LIGHT ON LOVE IN ‘POEHEARTIC’

DAMI SKILLFULLY CONVEYS MEANINGS IN “A WOMAN’S BODY IS A COUNTRY”

CALL FOR ENTRIES: ERIATA ORIBHABOR POETRY PRIZE (EOPP 2017)

BRIGITTE POIRSON POETRY CONTEST 2017: UNN’S UDOKAMMA WILFRED WINS BPPC SEPTEMBER

WRITING POETRY: 22 2S BREAKDOWN

CREATIVE WRITING – AN INTRODUCTION by Eketi Ette

GREEN AUTHOR PRIZE (GAP) 2017: CALL FOR MANUSCRIPTS

NOMINATE A TEACHER FOR THE WRR NIGERIAN TEACHERS AWARD 2017

WRR CONGRATULATES IKEOGU IKE, WINNER NLNG LITERATURE PRIZE 2017

REVIEW: EGBOKARE’S ‘DAZZLING MIRAGE’ SUCCESSFULLY USED LITERATURE AS A VEHICLE TO DISCUSS GENOTYPE COMPATIBILITY AND SICKLE CELL ANEMIA

WRITERS AS GIFTED GIFTS

OF POETS AND CRITICS: SEUN LARI-WILLIAMS VS. THE ERINYES OF NIGERIAN POETRY

OLAYINKA ABIMBOLA EGBOKHARE’S ‘DAZZLING MIRAGE’ IS OUT

REVIEW: ‘BOLD’ AMERICANAH NARRATIVE ACCOUNTS FOR AFRICAN MIGRANTS’ VILE MEANS OF SURVIVAL IN AMERICA

ANA PUBLISHES 2017 LITERARY PRIZE SHORTLIST, FEATURING WRR CEO KUKOGHO IRUESIRI SAMSON

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2017 [SEPTEMBER] ‘WHAT LIES BEYOND THE SILENT NIGHT’

BRIGITTE POIRSON POETRY CONTEST 2017: CHINAZOM C. OTUBELU IS BPPC AUGUST WINNER

REVIEW: ‘CARICATURE OF COLORS’ TRANSCENDS INTO THE HUES OF HUMANITY AND GROWTH

REVIEW: ACHEBE’S ‘THERE WAS A COUNTRY’ IS A MUST-READ NARRATIVE OF THE BIAFRAN STORY

REVIEW: IN ‘TO BEE A HONEY’, OYINDAMOLA BECOMES A SINGER OF SWEET TUNES

REVIEW: TONI KAN’S MASTERPIECE ‘THE CARNIVOROUS CITY’ IS A STORY OF HUMAN STRUGGLE FOR SURVIVAL

BASHIRAT’S ‘FROM PAIN TO PURPOSE’ IS AN ARCHIVE OF PAINS, LOSES, A GUIDEBOOK TO SURVIVAL

METICULOUSLY WRITTEN ‘PRISONS OF OUR REALM’ IS ‘A GIFT TO ISLAM’ THAT HAS ‘SOMETHING FOR EVERYONE’

‘AT WAR WITH LOVE’ BREAK’S CULTURAL BOUNDARIES CONCERNING WOMEN WITHOUT SHAME

‘NOTES TO MY GOD’: FEMI PETERS DISPLAYS BARE THOUGHTS WITH POETIC FLAIR a review by Jide Badmus

DIBIA’S WALKING WITH SHADOWS DARES TO SYMPATHETICALLY ADDRESS HOMOSEXUALITY IN AFRICA a review by Eugene Yakubu

BASICALLY POETRY: INSTRUCTIVE POEM AND NOTES by Graciano Enwerem

ICHABOD: OF GODS, WANNABES AND THE EVANESCENT GLORY OF NIGERIAN POETRY by Soonest Nathaniel Scholes

WRITING POETRY: SHITTU FOWORA’S SPIDER APPROACH

KAINE AGARY’S ‘YELLOW- YELLOW’ CAPTURES NIGER DELTA ‘OIL POLITICS’ IN A WITTY, GRAPHIC MANNER WITH BITING SARCASM  a review by Eugene Yakubu

I WROTE THIS FOR YOU: “EVERY LINE IS A QUOTE TO BE FRAMED AND HUNG ON THE WALL”

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2017 [AUGUST] ‘LIFE IS FOR THE LIVING’

BRIGITTE POIRSON POETRY CONTEST 2017: UI’s AIRE OMOTAYO WINS JULY BPPC TROPHY

STORYTELLING QUOTES FROM GREAT WRITERS by Lucy Adams

GREEN GRIOTS: TELLING REFRESHINGLY INDIGENOUS STORIES

HELON HABILA’S ‘THE CHIBOK GIRLS’ IS A CREATIVE HISTORICITY a review by Eugene Yakubu

THE POET AS A VOICE OF CONSCIENCE: A THEMATIC ANALYSIS OF AGARAU’S FOR BOYS WHO WENT by Ayoola Goodness

SAMIRA SANUSI’S ‘I WROTE THIS FOR YOU’ IS A TRUE PATH TO SELF-APPRECIATION, MOTIVATION

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2017 [JULY] ‘THE FORBIDDEN FRUIT’

BRIGITTE POIRSON POETRY CONTEST 2017: BENIN’S OSAHON WINS BPPC JUNE

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2017 [JUNE] – ‘AS THE MUSE LEADS’

50 POEM TYPES EXPLAINED

EUPHEMISM, UNDERSTATEMENT, LITOTES: KNOW THE DIFFERENCE?

RHYME IN POETRY: TYPES AND USAGE

TRIOLET: GAME OF REFRAINS, PUNCTUATION AND MEANINGS

ONOMATOPOEIA: NAMING SOUND FOR POETRY

ARABIAN SONNET: A POEM AND NOTES by Brigitte Poirson

DEFINING POETRY: WORD PROPHETS AND THEIR SPIRITS

5 INFORMAL TIPS FOR GOOD POETRY

ENJAMBMENT: DON’T DISFIGURE YOUR VERSES!!!

THE FIVE MOST IMPORTANT ELEMENTS OF POETRY

UNDERSTANDING POETRY: THE PLACE OF PUNCTUATION IN A POEM

CAPITALIZATIONS IN POETRY: TO CAPITALIZE OR NOT TO CAPITALIZE?

BRIGITTE POIRSON POETRY CONTEST 2017: RACHEL IGE IS MAY WINNER

ACROSTICS POETRY: DEFINITIONS, EXAMPLES & NOTES

A CLEARED VIEW OF WORDS, AESTHETICS ANALYSIS: A REVIEW OF GOODNESS OLANREWAJU AYOOLA ‘MEDITATION’

BRIGITTE POIRSON POETRY CONTEST 2017: FUTA POET, KOLAWOLE SAMUEL ADEBAYO, IS APRIL WINNER

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2017 [MAY] – ‘THE 21ST CENTURY WOMAN

THEME AND DICTION: THE CONNECTION IN POETRY

OF UNHEARD VOICES AND REALITIES: a review of Shoola Oyindamola’s HEARTBEAT by Tola Ijalusi

CHIMAMANDA DIMINISHES GENDER ROLES IN ‘TO DEAR IJEAWELE, OR A FEMINIST MANIFESTO IN FIFTEEN SUGGESTIONS’ — a review by Shoola Oyindamola

5 WAYS TO ENRICH YOUR VOCABULARY AS A WRITER by Lucy Adams

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2017 [APRIL] – THE MENTAL HEALTH SILENCE

BRIGITTE POIRSON POETRY CONTEST 2017: ‘IZUCHUKWU SAVIOUR OTUBELU EMERGES MARCH WINNER

WORLD POETRY DAY 2017: POETRY AND I by Kukogho Iruesiri Samson!

WITH DEFT HONESTLY, MARGARET SAMMY’S AMARYLLIS USES FREE VERSE TO EDUCATE AND ENTERTAIN – a review by Joseph Omotayo

JIDE BADMUS’ THERE IS A STORM IN MY HEAD EVALUATES THE PLACE OF THOUGHTS IN THE GRAND SCHEME OF EVERYTHING – a review by Joseph Omotayo

IN DAVE CHUKWUJI’S CITY OF GOLD AND RUST, LOVE IS A MEASURE OF LIFE’S CONTRADICTIONS – a review by Joseph Omotayo

CALL FOR SUBMISSIONS: POEMS ON NIGERIA (2015 – 2017)

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2017 [MARCH]

BRIGITTE POIRSON POETRY CONTEST 2017: OAU POET, EMMANUEL FAITH, WINS FEBRUARY EDITION

WRITING, PUBLISHING: THE FOUR CAREER STAGES OF AUTHORSHIP by King Samuel Benson

LUVVIE’S ‘I’M JUDGING YOU’ IS A HUMOROUS GUIDE AGAINST IGNORANCE — a review by Shoola Oyindamola

‘FUNNY MEN CANNOT BE TRUSTED’ IS ANOTHER GAME CHANGER FROM TOLU AKINYEMI — a review by Shoola Oyindamola

PYROKARDIA’S ‘BROKEN WISHBONES & EMPTY SPACES’ UNRAVELS THE MELANCHOLY IN LOVE — a review by Shoola Oyindamola

IN ‘QUESTIONS FOR ADA’, UMEBINYUO RECLAIMS WOMANHOOD WITH PRIDE — a review by Shoola Oyindamola

READER'S BILL OF RIGHTS by Daniel Pennac

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2017 [FEBRUARY]

BEYOND DIDACTICISM: A REVIEW OF MICHEAL ACE’S SERMON FROM A STAMMERER

KELVIN OBARETI’S ‘EMOTIONS AND BELIEF’ IS DOWN TO EARTH, REALISTIC — a review by Shoola Oyindamola

POETRY: IMAGERY vs SYMBOLISM

OF MUFFLED VOICES AND SEARED CONSCIENCES: REVISITING THE NIGERIAN POLITICAL STATE THROUGH KENN AMAECHI JNR’S ECHOES OF CONSCIENCE— a review by AYOOLA GOODNESS

SONNETS: DEFINITION, STRUCTURE, EXAMPLES AND NOTES

THE SEARCH FOR MEANING: AN ANALYSIS OF KENN AMAECHI JNR’S THE QUEST— a review by AYOOLA GOODNESS

FEAST OF WORDS 2016: A TESTAMENT OF LOGIC AND ALTRUISM

WHEN LIVING MATTERS: A REVIEW OF ALOZOR MICHAEL IKECHUKWU’S ECHOES AND SHADOWS by Ayoola Goodness

MOTHERHOOD AND MODERN ARTISTIC CONCEIT—FINDING NEW INSPIRATIONS: A THEMATIC CRITIQUE OF ANITA OGBONNA’S LETTERS TO MAMA by Ayoola Goodness

#FeastOfWords: ‘Beyond Words’ – a review of WRR Literary Festival 2016 by A. A. Agarau

UNDERSTANDING SYMBOLISM IN POETRY

ROMEO ORIOGUN: A POEM IS FIRST A STRING OF WORDS

KANYINSOLA OLORUNNISOLA WINS ALBERT JUNGERS POETRY PRIZE (AJPP) 2016

#FEASTOFWORDS2016: GHANA’S OPPONG CLIFFORD BENJAMIN TO SPEAK AT WRR LITERARY FESTIVAL 2016

#GRILLANDREAD: GRILL AND READ BOOK PARTY HOLDS IN ABUJA

FRANK EZE WINS ERIATA ORIBHABOR POETRY PRIZE 2016

LET’S WRITE A ‘SWAP QUATRAIN’

ALBERT JUNGERS POETRY PRIZE 2016: SHORTLIST ANNOUNCED!

‘SO LONG A LETTER’ SHOWS AFRICAN WOMEN DON’T NEED THE ‘FEMINIST’ TAG TO DO WHAT IS RIGHT FOR THEM — a review by Shoola Oyindamola

PYROKARDIA’S ‘A BEAUTIFUL MESS’ IS FILLED WITH GENUINE HUMAN EMOTIONS — a review by Shoola Oyindamola

ODIA OFEIMUN’S ‘THE POET LIED’ IS FOREVER RELEVANT — a review by Shoola Oyindamola

ANA REVIEW 2016: EDITORIAL NOTE BY RICHARD ALI

KUKOGHO’S ‘I SAID THESE WORDS’ IS PROVOCATIVE, ENTERTAINING, AND ENCHANTING – a review by Joseph Omotayo

WRR GREEN AUTHOR PRIZE (GAP) 2016 – WINNERS ANNOUNCED

BRIGITTE POIRSON POETRY CONTEST 2016: UNIZIK’S ‘IZUCHUKWU SAVIOUR OTUBELU WINS BPPC SEPTEMBER AFTER COMING 2ND THRICE

Press Release – 4 NIGERIAN POETS WIN N300,000 WRR GREEN AUTHOR PRIZE 2016

UZOAMAKA OKAFOR & CHIBUIHE OBI WIN WRR – NIGERIAN TEACHERS AWARD 2016

FRANK EZE WINS ERIATA ORIBHABOR POETRY PRIZE 2016

ELNATHAN JOHN & ABUBAKAR A. IBRAHIM HOLD CONVERSATIONS AND READING SESSION

WORLD TEACHERS’ DAY 2016: NOMINATE A NIGERIAN TEACHER FOR WRR’S N10,000 AWARD

ERIATA ORIBHABOR POETRY PRIZE (EOPP) 2016: SHORTLIST ANNOUNCED!

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [SEPTEMBER] – ‘SUICIDE – BEHIND THE DARK CURTAIN’

BRIGITTE POIRSON POETRY CONTEST 2016: LAUTECH'S ADAMS ADEOSUN WINS BPPC AUGUST WITH 'THE POETRY OF A WOMAN'

PIN QUARTERLY JOURNAL (2016 SPECIAL EDITION) IS OUT!

I SAID THESE WORDS: KUKOGHO IS WOLE SOYINKA IN A MODERN, 21ST CENTURY VOICE — a review by Shoola Oyindamola

SERVIO’S ‘A TRIBUTARY IN SERVITUDE' CARRIES LIFE IN IT— a review by Shoola Oyindamola

ATTEND THE LATE ALBERT ADEREMI ADEDOYIN CREATIVE WRITING WORKSHOP FOR YOUNG WRITERS

REGISTER FOR EKETI'S ONLINE CREATIVE WRITING COURSE FOR BEGINNERS

JUMOKE VERISSIMO’S ‘I AM MEMORY’ COMPELS THE READERS TO VALUE MOMENTS — a review by Shoola Oyindamola

MY THOUGHTS ON CHIMAMANDA’S ‘HALF OF A YELLOW SUN’ — a review by Shoola Oyindamola

MY THOUGHTS ON CHIMAMANDA’S ‘WE SHOULD ALL BE FEMINISTS’ — a review by Shoola Oyindamola

MY THOUGHTS ON AKINYEMI’S ‘I LAUGH AT THESE SKINNY GIRLS’ — a review by Shoola Oyindamola

SEUN G. FABAYO’S ‘APPARITION’ IS IN A CLASS OF ITS OWN — a review by Shoola Oyindamola

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [AUGUST] – ‘WOMANITY – THE GENDER AGENDA’

BRIGITTE POIRSON POETRY CONTEST 2016: UNN’S VALENTINE MBAGU WINS BPPC JULY WITH ‘A UNITED AFRICA’ POEM

YOU CAN TASTE EMOTIONS IN AMU NNADI’S ‘THROUGH THE WINDOW OF A SANDCASTLE’ — a review by Shoola Oyindamola

MY THOUGHTS ON THINGS I WANTED TO TELL YOU IN OTHER WORDS — a review by Shoola Oyindamola

MY THOUGHTS ON ‘CLINICAL BLUES’ BY DAMI AJAYI — a review by Shoola Oyindamola

AFRICAN AUTHORS DON’T WRITE BOOKS OF INTEREST — Ray Ndebi

S. V. AGEMA AND AMINA ABOJE WIN MANDELA DAY COMPETITION ALONGSIDE EMMERGING IDP WINNERS

2016 GREEN AUTHOR PRIZE (GAP) FOR NIGERIAN POETS: JUDGES ANNOUNCED

CALL FOR ENTRIES: 2016 GREEN AUTHOR PRIZE (GAP) FOR NIGERIAN POETS

FRANK-OPIGO’S ‘VOWELS IN THE AIR’ DEFIES ANY KIND OF DISTRACTION – a review by Joseph Omotayo

AYOOLA’S ‘MEDITATIONS’ USES POETRY TO TALK ABOUT POETRY – a review by Joseph Omotayo

‘ISABELLE AND THE REWARD OF DISOBEDIENCE’ IS A RICH TAPESTRY OF THOUGHT AND STERLING EDITING – a review by Joseph Omotayo

CALL FOR ENTRIES: ERIATA ORIBHABOR POETRY PRIZE 2016 (EOPP 2016)

DAILY TRUST INTERVIEWS WRR CEO KUKOGHO IRUESIRI SAMSON

WHY IKYAABO TELLS TALES BEHIND OUR PHONEY SMILES, A REVIEW BY VANGER FATER

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [JULY]

BRIGITTE POIRSON POETRY CONTEST 2016: OGEDENGBE TOLULOPE IMPACT’S ‘CHANGE IS HERE’ WINS JUNE EDITION

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [JUNE]

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [JUNE]

BRIGITTE POIRSON POETRY CONTEST 2016: FUTO POET, CHINAZOM OTUBELU, IS MAY WINNER

KUKOGHO’S ‘WHAT CAN WORDS DO’: a fan’s appraisal by Ola Writes

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [MAY]

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [MAY]

BRIGITTE POIRSON POETRY CONTEST 2016: MESIOYE JOHNSON WINS BPPC APRIL

CALL FOR SUBMISSIONS – 'REMEMBERING HOME' POETRY CONTEST

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [APRIL]

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [APRIL]

BRIGITTE POIRSON POETRY CONTEST 2016 (MARCH): OGUN POET, OLUMIDE, WINS 2ND BPPC TROPHY

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [MARCH]

UNDERSTANDING COUPLETS

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [MARCH]

BRIGITTE POIRSON POETRY CONTEST 2016: UNIVERSITY Of IBADAN’ POET, KAYINSOLA, WINS FEBRUARY EDITION

POETRY AND SIMPLICITY

NOSTALGIAS OF PAST AND PRESENT IN SODIQ ALABI’S THE TEXTURE OF AIR: A REVIEW

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2016 [FEBRUARY]

SPOONERISM: THE ELASTICITY OF WORDS

“SEASON OF CRIMSON BLOSSOMS”: THE EFFECT OF SOCIETY ON THE HUMAN PERSONALITY IN ABUBAKAR ADAM IBRAHIM’S DEBUT NOVEL

WORDS RHYMES & RHYTHM LITERARY FESTIVAL 2015: After the ‘FIST/FEAST of Words’

WRR HOLDS FIRST LITERARY FESTIVAL – ‘FIST OF WORDS’ 2015

ATTEND THE WORDS RHYMES & RHYTHM LITERARY FESTIVAL 2015 (December 12) IN IBADAN, OYO STATE

ALBERT JUNGERS POETRY PRIZE: Showunmi Olawale Michael wins AJPP 2015

ERIATA ORIBHABOR POETRY PRIZE: Nigerian poet wins EOPP 2015, gets publishing contract

AUTHORPEDIA CHAT: "My gender equality idea has bounds" — Ebidenyefa Tarila Nikade

HOW TO ANALYZE A POEM (PART 2)

GREEN AUTHOR PRIZE 2015 — Winners Announced

BRIGITTE POIRSON POETRY CONTEST 2015: MADU CHISOM KINGDAVID WINS SEPTEMBER EDITION

CHIGOZIE OBIOMA'S 'THE FISHERMEN' IS ABOUT FISH-SIZED DREAMS – a review by Emmanuel O. Dairo

IDADA DELVES INTO THE DARKER RECESSES OF HUMAN EXISTENCE IN 'BY MY OWN HANDS' – a review by Sandra Whiteley

EBIDENYEFA’S VULNERABLE CHRONICLES IS A DUALITY OF THE ABUSED AND THE ABUSER – a review by Joseph Omotayo

BRIGITTE POIRSON POETRY CONTEST 2015: OLAJUWON JOSEPH OLUMIDE WINS AUGUST EDITION

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2015 [SEPTEMBER]

PERSPECTIVES ON MODERN POETRY: BREAKING THE RULES CREATES NEW RULES

VULNERABLE CHRONICLES IN A SEASON OF SEXUAL ASSAULT a review by Michael Afenfia

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2015 [AUGUST]

BRIGITTE POIRSON POETRY CONTEST 2015: ADEDAYO ADEYEMI AGARAU'S ACHEBE TRIBUTE WINS JULY EDITION

APPLY FOR THE WRR-CAPRECON GREEN AUTHOR PRIZE

WRR-GREEN AUTHOR PRIZE 2015: MEET THE JUDGES

THE WRR-CAPRECON ‘GREEN AUTHOR PRIZE’ FOR YOUNG, UNPUBLISHED NIGERIAN POETS

APPLY FOR THE WRR-GREEN AUTHOR PRIZE 2015

EBIDENYEFA ACHIEVES BEAUTY AND MEANING IN ‘THESE WORDS ARE NOT MINE’: a review by Rosemary Utavie-Jerry

FACTS AND FALLACIES IN EMEKA ANIAGOLU’S 'EJIMA': a review by Salamatu Sule

AKPOVETA’S ‘GORILLA OF THE NIGER DELTA’ PACKS MULTIFARIOUS CONFLICTS IN ONE: a review by Joseph Omotayo

BRIGITTE POIRSON POETRY CONTEST 2015: ONISOWURUN SAMPSON WINS JUNE EDITION

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2015 [JULY]

EVEN INSPIRED POEMS NEED EDITING

WRR #YOUTHENGAGE: ISEYIN DISTRICT GRAMMAR SCHOOL, OYO STATE

EBIDENYEFA EMPLOYS IMAGES TO STIR, INCITE in ‘THESE WORDS ARE NOT MINE’: a review by Joseph Omotayo

ALBERT SERAPHIN’s ‘THE CLARION CALL’: a Review by Joseph Omotayo

THE CINQUAIN CHALLENGE

LEARN NOT TO RHYME BEFORE YOU RHYME

'HALF OF A MELLOW SUM': a review of by Oyin Oludipe Samuel

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2015 [JUNE]

BRIGITTE POIRSON POETRY CONTEST 2015: SHOWUNMI OLAWALE MICHAEL WINS MAY EDITION

GET FREE PROMOTIONAL SERVICES FOR YOUR BOOK AT WORDS RHYMES & RHYTHM!!!

ARE YOU AN AUTHOR? GET FREE PROMOTIONAL SERVICES AT WORDS RHYMES & RHYTHM

WORDS RHYMES & RHYTHM publishes two new titles: ‘THESE WORDS ARE NOT MINE’ and ‘THE CLARION CALL’

CALL FOR SUBMISSIONS: WOMEN POETRY 2015

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2015 [MAY]

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2015 [MAY]

BRIGITTE POIRSON POETRY CONTEST 2015: IKENNA C. IGWE WINS APRIL EDITION

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2015 [APRIL]

BRIGITTE POIRSON POETRY CONTEST 2015: ONWUASOANYA CHIKA JONES WINS MARCH EDITION

Reading4CHANGE: DONATE A BOOK AND CHANGE A LIFE

KUKOGHO’S WHAT CAN WORDS DO: A REVIEW BY PROF. GBENGA IBILEYE

FOCUSING ON THE SIREN OF LIFE: A REVIEW OF EMMANUEL C.S OJUKWU’S THE POWER OF FOCUS

CALL FOR SUBMISSIONS: ERIATA ORIBHABOR POETRY PRIZE 2015 (EOPP 2015)

CALL FOR SUBMISSIONS: ERIATA ORIBHABOR POETRY PRIZE 2015 (EOPP 2015)

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2015 [March]

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST 2015 [March]

THE PHONICS OF A LEADER: Samson Oluwatoyin

BRIGITTE POIRSON POETRY CONTEST 2015: SAMSON OLUWATOYIN WINS FEBRUARY EDITION

DEATH & THE KING’S GREY HAIR & OTHER PLAYS by Denja Abdullahi (a review by Salamatu Sule)

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST

CALL FOR SUBMISSIONS: BRIGITTE POIRSON POETRY CONTEST [February]

AMERICA GIVES AND AMERICA TAKES (a review by Salamatu Sule)

CALL FOR SUBMISSIONS: MELODIES FROM THE MINARET

HOW TO ANALYZE A POEM (PART 1)

OF A PRIZE WON AND THE FASCINATION OF POETRY by Su’eddie Vershima Agema

AFRICA LITERATURE VERSUS FOREIGN LITERATURE (Round 2 by Okoye Chukwudi Charles Ezeamalukwuo)

MAYA ANGELOU: THE PHENOMENAL WOMAN POETRY COLLABORATION

CALL FOR ENTRIES: S.P.I.C INTERNATIONAL ANTHOLOGY

CALL FOR SUBMISSIONS: FR. ALBERT JUNGERS POETRY PRIZE (#AJPP2014)

CALL FOR SUBMISSIONS: FR. ALBERT JUNGERS POETRY PRIZE (#AJPP2014)

LITERATURE IN A WEEK: What Can Words Do (A Review)

EOPP 2014: WINNERS ANNOUNCED

#EOPP2014: SHORTLIST ANNOUNCED

CALL FOR SUBMISSIONS: The Weavers Anthology

CALL FOR SUBMISSIONS: Eriata Oribhabor Poetry Prize 2014

URICHINDERE THROUGH MULTIPLE EYES (a review by Salamatu Sule)

URGENT Call for submissions: Africa39 Longlist – A Letter from Binyavanga Wainaina

Africa39: URGENT CALL FOR SUBMISSIONS

WHAT CAN WORDS DO? (a Review by Prof. Gbenga Ibileye)

CALL FOR SUBMISSIONS: 'EPISTLE OF LIES' (an Anthology)

CALL FOR SUBMISSIONS: ‘EPISTLE OF LIES’ (an Anthology)

WHAT CAN WORDS DO (poems) a review by Seun Odukoya

ASABA – SAGAMU: HOW ỌNỤ WENT TO HELL AND RETURNED (by Chijioke Ngobili)

WHAT CAN WORDS DO?: a Review by Prof. Gbenga Ibileye

CHINUA ACHEBE, WAIT! I’M NOT YET DONE TAKING YOU ON…JUST A MOMENT, PLEASE! (by Chijioke Ngobili)

EOPP2013: THE WINNERS

THE SHORTLIST: Eriata Oribhabor Poetry Prize 2013

CALL FOR SUBMISSIONS: Eriata Oribhabor Poetry Prize 2013

WRRPoetry CALLS FOR SUBMISSIONS: ‘OUR MOTHERS, SISTERS & DAUGHTERS’: No To Rape, Domestic Violence and Women Abuse!

Call For Submissions: African Eyeball (an e–Anthology)

ERIATA ORIBHABOR @ 50

CALL FOR SUBMISSIONS: 100Thousand Poets for Change & WRRPoetry ABUJA ANNUAL POETRY SPLASH

WINNERS of the Eriata Oribhabor Poetry Prize 2012

WHEN WE WERE LIKE LITTLE LIGHTS (poem by Eriata Oribhabor Poetry Prize Judge Prospero O. Anuforo)

AFRICA (by Eriata Oribhabor Poetry Prize Judge Brigitte Poirson)

SHORTLIST: Eriata Oribhabor Poetry Prize 2012

CALL FOR SUBMISSIONS: Eriata Oribhabor Poetry Prize 2012