“Writing is important because it is essential to the existence of an open and intelligent society as well as the storage and communication of our intellectual properties.”
EDITOR’S PICK
- GRACE (a poem by Blessing Omeiza Ojo)
- the village chief’s wife & the boy who told tales to a blue bird (a poem by Kukogho Iruesiri Samson)
- ERIATA ORIBHABOR POETRY PRIZE 2022: SOONEST NATHANIEL, JIDE BADMUS & MARTINS DEEP TO JUDGE ₦100,000 CONTEST
- ‘BECAUSE BOYS ARE NOT FLOWERS’, ‘BLEEDING EARTH’, ‘IN MY COUNTRY NO ONE PAYS TICKET FOR THE CONCERT’, ‘CITY OF LIGHTS & ‘AUBADE TO DAWN’ (five poems by Adesiyan Oluwapelumi)
POETRY
- My Name Is Grief | a poem by Mohammed Taoheed
- ‘I’M ON A HIATUS FOR PSALMS‘ / ‘FURLONG‘ / ‘ON DAYS WHEN THE AIR IS GRIEF‘ / ‘TO KISS ATAVISM‘ / ‘EXILE’ | five poems by Olayioye Paul Bamidele
- GRACE (a poem by Blessing Omeiza Ojo)
FICTION
- Ọmọ́túndé: A Bond Broken & Renewed | a short story by Michelle Adegboro
- A LETTER TO MY MOTHER | a short story by Abdulrazaq Salihu
- WILL YOU MARRY ME? | a short story by Ude Vivian Chidimma
ESSAYS
- OF IMAGINATIONS & IMBIBING: A BOOK LOVER’S TRIBUTE TO AFRICA’S FINEST AUTHORS | an essay by Enit’ayanfe Ayosojumi Akinsanya
- SHAPES | by Mhembeuter J. Orhemba
- SELF-PORTRAIT AS A HELIUM CONTESTING FLIGHT WITH THE SPIRITS | an essay by Taofeek “Aswagaawy” Ayeyemi
BOOK REVIEWS
- EMMANUEL AYOOLA’S ‘THE WIG AND THE STREETS’ TACKLES SERIOUS EXPERIENCES IN THE LEGAL PROFESSION WITH WELL-TIMED DOSES OF WITTICISM AND HUMOUR | a review by Onis Sampson
- TIME TO PIPE PEPPERY VERSES — OF LUSH IMAGERIES, ORIGINAL & WITTY METAPHORS | A Review of James Eze’s NLNG Prize 2022 Longlisted “dispossessed” by Ugochukwu Anadi
- THE FEMINIST BURDEN: ATTAINING INDEPENDENCE ON THE WINGS OF UNAPOLOGETIC REBELLION | a Review Of Ukamaka Olisakwe’s “Ogadinma Or, Everything Will Be All Right” by Ehi-kowoicho Ogwiji
INTERVIEWS
- BUILDING A COMMUNITY OF NOTABLE AFRICAN WRITERS: WALE OKEDIRAN’S REMARKABLE LITERARY MASONRY IN NIGERIA’S ARTS SPACE | A CỌ́N-SCÌÒ PACESETTER PROFILE
- FROM EARLY AFRICAN ROOTS TO SUPPORTING AFRICAN WRITING: BRIGITTE POIRSON LEAVES DEEP FOOTPRINTS IN THE SANDS OF NIGERIAN LITERATURE | A CỌ́N-SCÌÒ PACESETTER PROFILE
- POETICS OF SELFLESSNESS & SOCIAL CHANGE: ERIATA ORIBHABOR IS THE SELFLESS ‘MERCHANT OF POETRY’ IN NIGERIA’S ART INDUSTRY | A CỌ́N-SCÌÒ PACESETTER PROFILE
