Another unique thing about Emmanuel is that he draws inspiration from what is familiar. As such, Lagos Doesn’t Sleep stands out as a testament to how literature remains the eyes of our current events and a concubine to history.
“Touch” is a word, and in a larger sense of it – it is a language portraying relationship. Various cultures speak this language, it mirrors the relationship between the virus and human interactions. In Nigeria, amidst our diverse cultural beliefs and traditions, every ethnic group understands the underlying power of touch; from pouring libations to the gods, to exchange of greetings and other realities captured in this performance piece by Donna Ogunnaike called “Touch”