“AT THE FOREFRONT OF MY INTENTIONS AS A WRITER IS A NEED TO ENTERTAIN”: A CỌ́N-SCÌÒ MAGAZINE INTERVIEW WITH OTHUKE OMINIABOHS

At the forefront of my intentions is a need to entertain. Of course to whom much is given, much is expected in return. This means I do not write in a vacuum, or rather I do not ‘entertain’ in a vacuum. There is so much to be said, so many questions to be asked, ills to be addressed . . . so much that even a thousand books will still not be enough to cover it all. So I write, first to entertain, and in the same vein, to question/address whatever pressing concerns there may be.

“HISTORICAL SEXISM AFFECTS WOMEN’S PROGRESS IN EDUCATION, WRITING, AND LITERATURE”: A CỌ́N-SCÌÒ MAGAZINE INTERVIEW WITH OYINDAMOLA SHOOLA

In Nigeria, we don’t talk about how historical sexism affects women’s progress in education, writing, and literature. We talk about how colonialism has affected the country or set it back from other nations, but when it comes to women in the publishing industry, we often expect that they will be at the same level as men, and if they aren’t, then it is their fault

UNDERSTANDING POETRY: THE PLACE OF PUNCTUATION IN A POEM (by Kukogho Iruesiri Samson)

Punctuation in poetry is similar to punctuation in prose and serves almost the same purpose as bar lines in music without which the words and notes won’t flow altogether. In order words, punctuation assists in organizing your words into discernible verses: encapsulates thoughts and ideas aids in coherence and the presentation of meaning signals when and… Continue reading UNDERSTANDING POETRY: THE PLACE OF PUNCTUATION IN A POEM (by Kukogho Iruesiri Samson)