Dear Esteemed Readers,
Welcome back to the captivating world of CỌ́N-SCÌÒ!
In this Issue 4, Volume 2 2024, themed EXSOLVO, we invite you to experience a literary and visual journey rooted in release, exploration, and creative expression. Exsolvo—meaning “to loosen” or “release”—perfectly encapsulates the emotions and ideas that weave through the incredible works within this edition.
At the heart of this issue is an exclusive interview with the acclaimed Nigerian poet, editor, and educator, Adedayo Agarau. In an insightful conversation, Adedayo shares his profound insights into his writing, life journey, and aspirations for African literature.
Within these pages, you’ll encounter a diverse tapestry of creative expression.
Immerse yourselves in the poetry of S. Su’eddie Vershima Agema, Hillary Ofukocho Anfofun (winner of the Brigitte Poirson Literature Prize 2024, Poetry), Jakky Bankong-Obi, Marial Awendit, Amy Shimshon-Santo, Oluwatobi Ezekiel Poroye, Abosede Ogundare, Ismail Bala, and Derek Ehiorobo. Explore the essence of release in Taiwo Bisola Owoeye’s self-portrait, and the visual narratives of Caleb Ishaya Oseshi, whose photoseries delves into the impact of mobile technology on human experience, and Adeniran Abdbasit Adeyemi, who captures the vibrant and dynamic essence of Lagos through the lens of the iconic “Danfo” buses. Engage with insightful reflections from Taofeek Ayeyemi “Aswagaawy,” Edwin Mamman, and Tola Ijalusi. Discover compelling narratives by Ekweremadu Uchenna, MaryAnn Ifeanacho, Sesugh Iorliam, Ehighocho Ruth James, Gloria Ogo (winner of the Brigitte Poirson Literature Prize 2024, Short Story), and Amira Abdul-Azeez.
EXSOLVO is a testament to the power of creative expression to release emotions, ignite imagination, and foster a deeper understanding of the human condition. On behalf of the editorial team, I am deeply grateful to all our contributors for responding to our call and entrusting us with their unique voices and perspectives.
We invite you to explore these pages and experience the liberating power of art.
With gratitude and anticipation,
Kukogho Iruesiri Samson,
Editor-in-Chief
