Never shall I forget I forget you
T&Cs of (un)Loving | a CỌ́N-SCÌÒ review of ‘How to Fall in Love Again’ anthology by Michael Chukwuka
The collection demonstrates the practicality of opening yourself to the ultimate possibilities of love even when it is scary. If you think not loving is beautiful, have you ever been truly loved or truly loved?
WARFARE ON PAPER | a CỌ́N-SCÌÒ review of Peter Okonkwo’s ‘How the Demons Leave’ by Jide Badmus
Although How the Demons Leave offers some clarity, it gathers its own clouds of mysteries. Why are these spiritual forces devoted to destroying man? Why does it seem the malevolent spirits are more potent, more active than the beneficent forces?
“The Writer’s Primary Duty Is To Write And Be True To The Story Or Subject Of Their Writing“ | A CỌ́N-SCÌÒ Magazine Interview with Iquo DianaAbasi
For this kind of social engineering to happen, there must first be an alteration or elevation of thought and consciousness; and how better to achieve this than with written work or literature in general?
Freedom (Between Parenthesis) | a CỌ́N-SCÌÒ essay by Donato Cinicolo
All my thoughts and comments are scanned by ‘bots using AI looking for provocative keywords and other clues.
From My Lens | a CỌ́N-SCÌÒ photospeak by Kukogho Samson
… you don’t have to destroy to admire, and you don’t have to possess to appreciate.
Editor’s Note: A Journey on The Wings of Parrhesia — CỌ́N-SCÌÒ Magazine Issue 3, VOL 1 (June 2024)
We invite you to reflect and engage and hope the rhythm of our collective spirit guides you across landscapes both familiar and uncharted.
‘SURUGEDE: A DANCE OF THE SPIRITS’ / ‘ANCESTRAL STORYLINE’ / ‘AGENT UBUNTU’ | three poems by Joshua Omeke
The poems celebrate African heritage, highlighting traditional dances, ancestral stories, and significant figures like Desmond Tutu. It emphasizes the importance of preserving cultural traditions and the wisdom passed down through generations.
THREE POEMS ABOUT CHILDHOOD | by Ivan de Monbrison
The talented poet offers three evocative poems about childhood. The first reflects on a past marked by fragmented reality and emotional turmoil. The second explores the hollow nature of existence with a sense of drowning in meaninglessness. The third depicts an escape from confinement, only to confront an erasure of identity.
‘The Cradle in Mama’s Old Room | a poem by Saadatu Uzairu
The poem reflects on the memories and emotions associated with a cradle that symbolizes motherhood and lost hopes. It captures the silent grief and enduring pain of a mother who keeps the cradle as a blessing despite the sorrows.