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JIDE BADMUS’ THERE IS A STORM IN MY HEAD EVALUATES THE PLACE OF THOUGHTS IN THE GRAND SCHEME OF EVERYTHING – a review by Joseph Omotayo

<body><div class&equals;"booster-block booster-read-block">&NewLine; <div class&equals;"twp-read-time">&NewLine; &Tab;<i class&equals;"booster-icon twp-clock"><&sol;i> <span>Read Time&colon;<&sol;span>4 Minute&comma; 48 Second <&sol;div>&NewLine;&NewLine; <&sol;div><p><&sol;p><strong>TITLE&colon;<&sol;strong> <a href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;there-is-a-storm-in-my-head&sol;" target&equals;"&lowbar;blank" rel&equals;"noopener noreferrer">THERE IS A STORM IN MY HEAD<&sol;a><br>&NewLine;<strong>AUTHOR&colon;<&sol;strong> <a href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;jide-badmus&sol;" target&equals;"&lowbar;blank" rel&equals;"noopener noreferrer">JIDE BADMUS<&sol;a><br>&NewLine;<strong>GENRE&colon;<&sol;strong> Poetry<br>&NewLine;<strong>NUMBER OF PAGES&colon;<&sol;strong> 88<br>&NewLine;<strong>PUBLISHER&colon;<&sol;strong> WORDS RHYMES &amp&semi; RHYTHM PUBLISHERS<br>&NewLine;<strong>DATE OF PUBLICATION&colon;<&sol;strong> 2017<br>&NewLine;<strong>ISBN&colon;<&sol;strong> 978-978-54741-7-6<br>&NewLine;<strong>REVIEWER&colon;<&sol;strong> JOSEPH OMOTAYO&NewLine;<p>This poetry collection is divided into 5 chapters and an epilogue&period;<&sol;p>&NewLine;<blockquote><p>Jide Badmus’ THERE IS A STORM IN MY HEAD is an archive of the unfettered but ordered thoughts of poets about everything but mostly about himself&semi; about how he sees things&comma; feels things&comma; thinks things and feels about how he expresses these thoughts&period;<&sol;p><&sol;blockquote>&NewLine;<p>The poet does not joke in this collection&period; When a person takes their thoughts seriously&comma; then you should they will not take anything prima facie&period; This collection is unpretentious in what he sets out to do&period; THERE IS A STORM IN MY HEAD evaluates the place of thoughts in the grand scheme of everything&period;<&sol;p>&NewLine;<div class&equals;"mceTemp">&NewLine;<blockquote>&NewLine;<figure id&equals;"attachment&lowbar;4796" aria-describedby&equals;"caption-attachment-4796" style&equals;"width&colon; 400px" class&equals;"wp-caption alignleft"><a href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;wp-content&sol;uploads&sol;2017&sol;03&sol;THE-OTHER-SIDE-OF-OTHER-ROOMS-by-Wale-Ayinla-by-Wale-Ayinla-1&period;png"><img class&equals;"wp-image-4796" src&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;wp-content&sol;uploads&sol;2017&sol;03&sol;THE-OTHER-SIDE-OF-OTHER-ROOMS-by-Wale-Ayinla-by-Wale-Ayinla-1-694x1024&period;png" alt&equals;"THE OTHER SIDE OF OTHER ROOMS by Wale Ayinla by Wale Ayinla" width&equals;"400" height&equals;"590" loading&equals;"lazy"><&sol;a><figcaption id&equals;"caption-attachment-4796" class&equals;"wp-caption-text">THE OTHER SIDE OF OTHER ROOMS by Wale Ayinla by Wale Ayinla<&sol;figcaption><&sol;figure><&sol;blockquote>&NewLine;<&sol;div>&NewLine;<p>The collection is divided with these attention ceasing subtitles&colon; &OpenCurlyDoubleQuote;There Is A Storm In My Head”&comma; &OpenCurlyDoubleQuote;There’s A Storm That Reared Its Head”&comma; &OpenCurlyDoubleQuote;There’s A Storm In My Head And It’s Weird”&comma; &OpenCurlyDoubleQuote;There’s A Storm Where I Lay My Head”&comma; &OpenCurlyDoubleQuote;There’s A Storm In My Loins And A Quake In My Bed&excl;”&comma; and &OpenCurlyDoubleQuote;There Is A Storm In My Head Of Words Unsaid”&period; The poet seeks to confront all these thoughts as he draws the reader into an involving participation with many questions&period;<&sol;p>&NewLine;<blockquote><p>Storm is used as a metaphor of any unresolved thoughts&comma; calamity or discourses that need urgent answers&period;<&sol;p><&sol;blockquote>&NewLine;<p>Political activism seems to be a common franchise among budding poets&comma; because to talk about politics is cheap&comma; because it is everything that is wrong with any stagnating country as ours&period; Jide Badmus do not see the need to cloy his lines with this common theme&period; Instead&comma; he engages personal and social issues&period;<&sol;p>&NewLine;<p>When the poet is not talking about his thoughts&comma; he moves swiftly around thoughts that concern all&period; One may surmise this collection is almost totally about the poet&period; However&comma; In Chapter Four titled &OpenCurlyDoubleQuote;There’s A Storm Where I Lay My Head”&comma; the poet proves the aforementioned wrong&period; He shows he is as concerned as many about the malaise that besieges his country&period;<&sol;p>&NewLine;<p>In poems such as &OpenCurlyDoubleQuote;Mid-Night Sun”&comma; &OpenCurlyDoubleQuote;A Nation’s Cry”&comma; Pregnant With Disaster”&comma; and &OpenCurlyDoubleQuote;December Dragon”&comma; the country’s history of pains&comma; losses and continuing pains and losses are starkly bared&period;<&sol;p>&NewLine;<p>When I read &OpenCurlyDoubleQuote;Mid-Night Sun”&comma; a forgotten scab is peeled&period; I remember victims of the 2005 Bellview plane crash&period; &OpenCurlyDoubleQuote;A Nation’s Cry” soon follows after to memorialise people who died that same year to the Sosoliso plane crash&period; No country should suffer that kind of double tragedy within a year&period; No year in the country has ever been bleaker&period; Those two poems archive those we lost so that we can constantly remember&period; Lines like these ones follow you on after one is done reading the collection&colon;<&sol;p>&NewLine;<blockquote><p>&OpenCurlyDoubleQuote;We won’t forget you<br>&NewLine;&OpenCurlyQuote;Cos in a moment’s flash<br>&NewLine;You lit up the dark night like a mid-night sun<br>&NewLine;Only to leave us gloomy days darkened by grief&period;”<br>&NewLine;<em>&lpar;Mid-Night Sun pg&period; 48&rpar;<&sol;em><&sol;p><&sol;blockquote>&NewLine;<p>And these&colon;<&sol;p>&NewLine;<blockquote><p>&OpenCurlyDoubleQuote;Why have you infiltrated our skies with loud rainbows<br>&NewLine;And yet continue to wipe us out with plane crashes&quest;<br>&NewLine;Why have you infested our air with hot smells of tragic deaths<br>&NewLine;And a cold fever of sorrow&quest;”<br>&NewLine;<em>&lpar;A Nation’s Cry pg&period; 49&rpar;<&sol;em><&sol;p><&sol;blockquote>&NewLine;<p>As he bewails the gloom bedevilling the country with spats of unrest in poems like &OpenCurlyDoubleQuote;Shockwaves”&comma; &OpenCurlyDoubleQuote;December Dragon” and &OpenCurlyDoubleQuote;Evil Thunder”&comma; he is nevertheless optimistic and this shows through in &OpenCurlyDoubleQuote;Nigeria” and &OpenCurlyDoubleQuote;A Jost Cause”&period; In &OpenCurlyDoubleQuote;A Jost Cause”&comma; the poet decries how Jos has become a haven of terror&colon;<&sol;p>&NewLine;<blockquote><p>&OpenCurlyDoubleQuote;Peace has become a refugee<br>&NewLine;On the run from the boiling plateau&period;<br>&NewLine;Fear and anger&comma; uneasy companions<br>&NewLine;In a land where serenity is a stranger&period;”<br>&NewLine;<em>&lpar;pg&period; 54&rpar;<&sol;em><&sol;p><&sol;blockquote>&NewLine;<p>The poet latches on the unity in Nigeria to overlook the turmoil beating this country on all sides&period; Perhaps he is just being sarcastic&colon;<&sol;p>&NewLine;<blockquote><p>&OpenCurlyDoubleQuote;Perhaps there’s something to celebrate&excl;<br>&NewLine;Despite the weak spine of our existence<br>&NewLine;We are still together as a state&comma;<br>&NewLine;Our travails&comma; blessing us with resilience&period;”<br>&NewLine;<em>&lpar;pg&period; 53&rpar;<&sol;em><&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;4743" aria-describedby&equals;"caption-attachment-4743" style&equals;"width&colon; 702px" class&equals;"wp-caption aligncenter"><a href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;wp-content&sol;uploads&sol;2017&sol;02&sol;JIDE-BADMUS-author-of-THERE-IS-A-STORM&period;-IN-MY-HEAD-0&period;jpg"><img class&equals;"size-large wp-image-4743" src&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;wp-content&sol;uploads&sol;2017&sol;02&sol;JIDE-BADMUS-author-of-THERE-IS-A-STORM&period;-IN-MY-HEAD-0-1024x1024&period;jpg" alt&equals;"JIDE BADMUS&comma; author of THERE IS A STORM&period; IN MY HEAD" width&equals;"702" height&equals;"702" loading&equals;"lazy"><&sol;a><figcaption id&equals;"caption-attachment-4743" class&equals;"wp-caption-text">JIDE BADMUS&comma; author of THERE IS A STORM&period; IN MY HEAD<&sol;figcaption><&sol;figure><&sol;blockquote>&NewLine;<p>This collection is however just a bit about political activism&comma; the poet busies himself much with the necessary mundane of living&period; There are instances of reflective punch lines here and there&period; Instances like this&colon;<&sol;p>&NewLine;<blockquote><p>&OpenCurlyDoubleQuote;Tell me&comma; what is love without sex&quest;<br>&NewLine;It’s like having muscles you can’t flex&period;”<br>&NewLine;<em>&lpar;Random Thoughts 3&comma; pg&period; 17&rpar; <&sol;em><&sol;p><&sol;blockquote>&NewLine;<p>and here&colon;<&sol;p>&NewLine;<blockquote><p>&OpenCurlyDoubleQuote;When does too little<br>&NewLine;Turns to too much&quest;”<br>&NewLine;<em>&lpar;The Anxious Psychic pg&period; 18&rpar;<&sol;em><&sol;p><&sol;blockquote>&NewLine;<p>However&comma; the poet raises a controversy here when he attempts to strike a smart juxtaposition&colon;<&sol;p>&NewLine;<blockquote><p>&OpenCurlyDoubleQuote;A damsel without bulging breasts<br>&NewLine;Is like a cock without its crest&excl;”<&sol;p><&sol;blockquote>&NewLine;<p>That sounds like regurgitating a stereotype&period; A damsel can still be a damsel with bulging breasts&period; Don’t breasts all come in their fitting sizes&quest;<&sol;p>&NewLine;<p>I want to frame these lines and put somewhere I would always see them&period; Such simplicity and deepness&colon;<&sol;p>&NewLine;<blockquote><p>&OpenCurlyDoubleQuote;The past is lost<br>&NewLine;Like a wink beneath dark glasses&period;”<br>&NewLine;<em>&lpar;Winks Beneath Dark Glasses&comma; pg&period; 12&rpar;<&sol;em><&sol;p><&sol;blockquote>&NewLine;<p>That’s one interesting way to welcome one into a book&period;<&sol;p>&NewLine;<figure id&equals;"attachment&lowbar;4841" aria-describedby&equals;"caption-attachment-4841" style&equals;"width&colon; 702px" class&equals;"wp-caption aligncenter"><a href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;wp-content&sol;uploads&sol;2017&sol;03&sol;JIDE-BADMUS&percnt;E2&percnt;80&percnt;99-THERE-IS-A-STORM-IN-MY-HEAD-EVALUATES-THE-PLACE-OF-THOUGHTS-IN-THE-GRAND-SCHEME-OF-EVERYTHING-&percnt;E2&percnt;80&percnt;93-a-review-by-Joseph-Omotayo-1&period;png"><img class&equals;"size-large wp-image-4841" src&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;wp-content&sol;uploads&sol;2017&sol;03&sol;JIDE-BADMUS&percnt;E2&percnt;80&percnt;99-THERE-IS-A-STORM-IN-MY-HEAD-EVALUATES-THE-PLACE-OF-THOUGHTS-IN-THE-GRAND-SCHEME-OF-EVERYTHING-&percnt;E2&percnt;80&percnt;93-a-review-by-Joseph-Omotayo-1-1024x428&period;png" alt&equals;"JIDE BADMUS’ THERE IS A STORM IN MY HEAD EVALUATES THE PLACE OF THOUGHTS IN THE GRAND SCHEME OF EVERYTHING – a review by Joseph Omotayo" width&equals;"702" height&equals;"293" loading&equals;"lazy"><&sol;a><figcaption id&equals;"caption-attachment-4841" class&equals;"wp-caption-text">JIDE BADMUS’ THERE IS A STORM IN MY HEAD EVALUATES THE PLACE OF THOUGHTS IN THE GRAND SCHEME OF EVERYTHING – a review by Joseph Omotayo<&sol;figcaption><&sol;figure>&NewLine;<p style&equals;"text-align&colon; center&semi;"><strong>…<&sol;strong><&sol;p>&NewLine;<p style&equals;"text-align&colon; center&semi;"><strong><a title&equals;"JOSEPH OMOTAYO" href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;joseph-omotayo&sol;">JOSEPH OMOTAYO<&sol;a> &lpar;&commat;omotayome&rpar; is a Nigerian reviewer and blogger&period; Some of his works are published at <a href&equals;"http&colon;&sol;&sol;criticalliteraturereview&period;blogspot&period;com" target&equals;"&lowbar;blank" rel&equals;"noopener noreferrer">criticalliteraturereview&period;blogspot&period;com<&sol;a> and <a href&equals;"josephomotayo&period;blogspot&period;com" target&equals;"&lowbar;blank" rel&equals;"noopener noreferrer">josephomotayo&period;blogspot&period;com<&sol;a>&period;<&sol;strong><&sol;p>&NewLine;<p><&sol;p>&NewLine; &NewLine; <div class&equals;"booster-block booster-author-block">&NewLine; <div class&equals;"be-author-details layout-square align-left">&NewLine; <div class&equals;"be-author-wrapper">&NewLine; 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Joseph Omotayo <&sol;a>&NewLine; <&sol;h4>&NewLine; <div class&equals;"be-author-meta be-author-description">&commat;omotayo is a Nigerian reviewer and blogger&period; Some of his works are published at criticalliteraturereview&period;blogspot&period;com and josephomotayo&period;blogspot&period;com&period;<&sol;div>&NewLine; <div class&equals;"be-author-meta be-author-email">&NewLine; <a href&equals;"mailto&colon;&percnt;20jomotayo01&commat;gmail&period;com" class&equals;"booster-url-link">&NewLine; <span class&equals;"booster-svg-icon booster-svg-envelope"><svg class&equals;"booster-svg" aria-hidden&equals;"true" role&equals;"img" focusable&equals;"false" viewbox&equals;"0 0 24 24" xmlns&equals;"http&colon;&sol;&sol;www&period;w3&period;org&sol;2000&sol;svg" width&equals;"24" height&equals;"24"><path fill&equals;"currentColor" d&equals;"M0 3v18h24v-18h-24zm6&period;623 7&period;929l-4&period;623 5&period;712v-9&period;458l4&period;623 3&period;746zm-4&period;141-5&period;929h19&period;035l-9&period;517 7&period;713-9&period;518-7&period;713zm5&period;694 7&period;188l3&period;824 3&period;099 3&period;83-3&period;104 5&period;612 6&period;817h-18&period;779l5&period;513-6&period;812zm9&period;208-1&period;264l4&period;616-3&period;741v9&period;348l-4&period;616-5&period;607z"><&sol;path><&sol;svg><&sol;span>jomotayo01&commat;gmail&period;com <&sol;a>&NewLine; 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