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BRIGITTE POIRSON POETRY CONTEST: IMO POET, NWAGBO BRUNO, WINS BPPC SEPTEMBER 2018

<body><div class&equals;"booster-block booster-read-block">&NewLine; <div class&equals;"twp-read-time">&NewLine; &Tab;<i class&equals;"booster-icon twp-clock"><&sol;i> <span>Read Time&colon;<&sol;span>11 Minute&comma; 39 Second <&sol;div>&NewLine;&NewLine; <&sol;div><p><&sol;p>&NewLine;<h5 style&equals;"padding-left&colon; 30px&semi;">Imo-born poet and English Language student of Olabisi Onabanjo University &lpar;OOU&rpar;&comma; Nwagbo Ebubechukwu Bruno&comma; is the winner of the September edition of the <a href&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;csr&sol;bppc&sol;">BRIGITTE POIRSON POETRY CONTEST<&sol;a> &lpar;BPPC&rpar;&comma; the last edition for the 2018 season&period; The contest was themed&colon; <a href&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;news&sol;bppc-august-2018&sol;" target&equals;"&lowbar;blank" rel&equals;"noopener">&OpenCurlyQuote;<&sol;a><a href&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;news&sol;bppc-september-2018&sol;" target&equals;"&lowbar;blank" rel&equals;"noopener">&OpenCurlyQuote;NIGERIA 2019&colon; OF THUMBS &amp&semi; PVCs’<&sol;a>&period;<&sol;h5>&NewLine;<p>Nwagbo’s writings have appeared in several publications including&comma; notably&comma; <strong><em>THE TRAIN STOPS AT SUNSET<&sol;em><&sol;strong>&colon; The BPPC 2017 Anthology&semi; Poets in Nigeria &lpar;PIN&rpar; Quarterly Journal&comma; Issue 8&period; His Spoken Word Poem<em> &OpenCurlyQuote;Try Your Luck’<&sol;em> made the long list of the Nigerian Students’ Poetry Prize &lpar;NSPP&rpar; 2017&period; In 2018&comma; he won the Best Creative Student Award &lpar;Short Stories Category&rpar; during the <em>OOU Knowledge of Language&comma; Literature&comma; And Journalism<&sol;em> &lpar;KOLLAJ&rpar; Festival&period;<&sol;p>&NewLine;<p>His winning poem <em>&OpenCurlyQuote;NIGERIA &lbrack;IS&rsqb; GETTING MARRIED AGAIN<&sol;em>&OpenCurlyQuote; had originally clinched the second position&comma; behind &OpenCurlyQuote;THUMPING THUMBS THINK OF TOMORROW’ by June 2018 winner Akor Agada Nathaniel&period; It however automatically won the first place&comma; due to the BPPC rule that a poet cannot win the contest twice in one Season&period;<&sol;p>&NewLine;<p>The third-placed poem is Blessing Omeiza Ojo’s song <em>&OpenCurlyQuote;THIS CAMPAIGN IS A ROADSHOW’<&sol;em>&period;<&sol;p>&NewLine;<p><a href&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;wp-content&sol;uploads&sol;2018&sol;10&sol;Nwagbo-Ebubechukwu-Bruno&period;jpg"><img class&equals;"alignnone size-full wp-image-35698" src&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;wp-content&sol;uploads&sol;2018&sol;10&sol;Nwagbo-Ebubechukwu-Bruno&period;jpg" alt&equals;"" loading&equals;"lazy"><&sol;a><&sol;p>&NewLine;<h4>Below are the top 10 poems&colon;<&sol;h4>&NewLine;<ol>&NewLine;<li>THUMPING THUMBS THINK OF TOMORROW by Akor Agada Nathaniel<&sol;li>&NewLine;<li>NIGERIA &lbrack;IS&rsqb; GETTING MARRIED AGAIN by Nwagbo Ebubechukwu Bruno<&sol;li>&NewLine;<li>THIS CAMPAIGN IS A ROADSHOW &lpar;A Song&rpar; by Blessing Omeiza Ojo<&sol;li>&NewLine;<li>NIGERIA’S CALL OBEY by Ahemen A&period; Korgba<&sol;li>&NewLine;<li>THE CHANGE I DESIRE&colon; CHAPTER 1 by Maxwell Onyemaechi Opia-Enwemuche<&sol;li>&NewLine;<li>POLL DOGS’ by Ukpanyang Kingsley Ayi<&sol;li>&NewLine;<li>REWRITING THE STARS by Soneye Anuoluwa Olusegun<&sol;li>&NewLine;<li>THE POWER OF YOUR VOTE by Hussani Abdulrahim<&sol;li>&NewLine;<li>INSCRIPTIONS ON THE MOON by Godwin Nket-Awaji Alpheaus<&sol;li>&NewLine;<li>THE DOGS ARE BACK by BAYOWA&comma; Ayomide Micheal<&sol;li>&NewLine;<&sol;ol>&NewLine;<h4>THUMPING THUMBS THINK OF TOMORROW by Akor Agada Nathaniel<&sol;h4>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The trip to the top<br>&NewLine;Begins with a Passion never to give up<br>&NewLine;On ourselves till these crinkum crankum stops<br>&NewLine;With our PVCs we will mop out political flip flops<br>&NewLine;Appointing ambassadors who are alert like corps to be the new crops<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Wild whistling wind will have to wrestle with our words<br>&NewLine;We will no longer be cajoled by overfed vocal chords<br>&NewLine;They are never tired of lording over many worlds<br>&NewLine;At the expense of other able lords<br>&NewLine;The ballot boxes will decide not the bill boards&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">We might not smell a hidden agenda for mischief<br>&NewLine;But we will still bid goodbye to that chief<br>&NewLine;Whose ally is a guilty thief<br>&NewLine;So the time has come for bitter grief<br>&NewLine;To vacate the sit for sweet relief<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Losing at the poll is never one’s downfall<br>&NewLine;Sometimes one wins when &lpar;s&rpar;he loses standing tall<br>&NewLine;Occupying an office is a call to serve all<br>&NewLine;Not just to stand tall and make us feel small<br>&NewLine;All for one or one for all<br>&NewLine;Someone must stand for us all<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The throbbing thumbing of our thumbs can enthrone good governance<br>&NewLine;Dusting ourselves from the dustbin of irrelevance<br>&NewLine;Means taking our destiny in our own hands<br>&NewLine;With our PVCs and thumbs to execute God’s plans<br>&NewLine;Because whatever is left to chance has no chance<&sol;p>&NewLine;<h4>NIGERIA &lbrack;IS&rsqb; GETTING MARRIED AGAIN by Nwagbo Ebubechukwu Bruno<&sol;h4>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The currency in our hands today invokes even the dollar’s jealousy<br>&NewLine;Let us go with our Priced Virile Currency<br>&NewLine;To redeem our fatherland into clemency<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">With this currency&comma; we will pay a bride’s price before the marriage minister<br>&NewLine;The mark our thump will sign in the marriage register<br>&NewLine;will pronounce our country happily married or aptly marred by next year Easter<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Dear Nigeria getting married again&comma;<br>&NewLine;Remember Esua who wedded for his stomach’s fractured gain<br>&NewLine;Remember&comma; he saw his future welded to that exchange of avowed pain<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">When politetricians in wit come toasting with fried lies and baked beans&comma;<br>&NewLine;remember Eden&comma; our wooed mother who failed for the liar’s caked bins&period;<br>&NewLine;Remember the woe in the murder of all beings&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Dear Nigeria getting married again<br>&NewLine;In this election let us cast our seed into the ballot’s belly but not in vain<br>&NewLine;In this erection let us cast seeds in our field&comma; bail her out- free<br>&NewLine;and green again<&sol;p>&NewLine;<h4>THIS CAMPAIGN IS A ROADSHOW &lpar;A Song&rpar; by Blessing Omeiza Ojo<&sol;h4>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">&lpar;Verse&rpar;<br>&NewLine;I don’t know you can dance with so much firepower<br>&NewLine;until I watched you move to the voice of a cantor&period;<br>&NewLine;You told me campaign had to do with roadshows<br>&NewLine;and no longer with ease and manifestos&period;<br>&NewLine;Then you swore to remove every crumb<br>&NewLine;with your honourable thumb&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">&lpar;Chorus&rpar;<br>&NewLine;But if your thumb is so dear&comma; why offer it for sale&quest;<br>&NewLine;Your anguish and tears are now without bail<br>&NewLine;as you watch your chosen elites fail&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">&lpar;Verse&rpar;<br>&NewLine;This coming hour is for redemption<br>&NewLine;and not for franchise abdication&period;<br>&NewLine;So why dance on the street<br>&NewLine;in the name of campaign offbeat&quest;<br>&NewLine;Is your thumb no longer at ease<br>&NewLine;or have you been paid some fees&quest;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">&lpar;Chorus&rpar;<br>&NewLine;But if your thumb is so dear&comma; why offer it for sale&quest;<br>&NewLine;Your anguish and tears are now without bail<br>&NewLine;as you watch your chosen elites fail&period;<&sol;p>&NewLine;<h4>NIGERIA’S CALL OBEY by Ahemen A&period; Korgba<&sol;h4>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Four years lead to a day<br>&NewLine;When Nigeria’s call they obey<br>&NewLine;With actions not words they convey<br>&NewLine;A longing for a new and better way<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">&OpenCurlyDoubleQuote;What a joy it has been” some may cheerfully reminisce<br>&NewLine;But for others years past were not filled with comfort and bliss<br>&NewLine;Their hopes of a brighter future rely on this<br>&NewLine;And so the importance of the outcome they cannot dismiss<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The number of queues will surely abound<br>&NewLine;As those yearning to have their say flock around<br>&NewLine;In their hands a simple card may be found<br>&NewLine;But the power that it holds is truly profound<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Young and old they arrive with intentions to rock the boat<br>&NewLine;As their choice this day empowers them to demote or promote<br>&NewLine;And their decision to do this is something of note<br>&NewLine;For they become change agents by simply casting their vote<&sol;p>&NewLine;<h4>THE CHANGE I DESIRE&colon; CHAPTER 1 by Maxwell Onyemaechi Opia-Enwemuche<&sol;h4>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">If the change I desire<br>&NewLine;begins with me as I respire&comma;<br>&NewLine;then the onus is on me to do better<br>&NewLine;&amp&semi; take charge never to falter&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Those who chant these natural hymns<br>&NewLine;Are not exempted of their sins<br>&NewLine;For all hands must be on deck to perform<br>&NewLine;&amp&semi; avoid every unholy norm&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The change that I seek is here<br>&NewLine;&amp&semi; I desire a little breathe of fresh air&period;<br>&NewLine;I’ll dust my voter’s cards<br>&NewLine;&amp&semi; not bear conspicuous placards<br>&NewLine;For the time to act is now<br>&NewLine;&amp&semi; not to cry foul&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">This is the change I desire&period;<br>&NewLine;I will perspire &amp&semi; never retire<br>&NewLine;Until my change comes dancing<br>&NewLine;With victory &amp&semi; unending singing&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The change I desire<br>&NewLine;Is not to openly walk into fire&comma;<br>&NewLine;But to consciously vote my conscience<br>&NewLine;&amp&semi; end a tumultuous era of political nonsense&period;<&sol;p>&NewLine;<h4>POLL DOGS’ by Ukpanyang Kingsley Ayi<&sol;h4>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Surely the dogs rally&comma; drooling for votes<br>&NewLine;At the bleak chiming of polling bells&period;<br>&NewLine;Once again&comma; power shuffles shells<br>&NewLine;As parties brandish greedy throats&excl;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Truth wears a condom of lies&comma;<br>&NewLine;And their words become sterile&period;<br>&NewLine;The cost of cheap talk—an indigenous peril—<br>&NewLine;Grazing hope before our eyes&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">We lick our &OpenCurlyQuote;bitten thumbs’ in despair&comma;<br>&NewLine;Smear &OpenCurlyQuote;Savagery’ on social media&comma;<br>&NewLine;Hallow PVCs like panacea&comma;<br>&NewLine;Catch our breaths in prayer&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">But like a clock strapped to the wall<br>&NewLine;The nation winds in a circular dance&comma;<br>&NewLine;Talking of &OpenCurlyQuote;times’ without covering distance<br>&NewLine;On the path where greatness cures our fall&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Youth peeps out like a star in our night&comma;<br>&NewLine;Boasts it can walk on our troubled waters&comma;<br>&NewLine;Harvest our dreams within our borders&comma;<br>&NewLine;Lest we trickle out in flight …<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Youth insists despite the barking of dogs<br>&NewLine;To oil the crown that reeks of Age&comma;<br>&NewLine;Not too young to salvage&comma;<br>&NewLine;Not too young to outrun the dogs&period;<&sol;p>&NewLine;<h4>REWRITING THE STARS by Soneye Anuoluwa Olusegun<&sol;h4>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">We have journeyed on broken bridges and hovered through flaming caves&semi;<br>&NewLine;On crumbling bricks and through hollows of hell and hades&period;<br>&NewLine;Our past pricks and the fear of a futile future hurts our heart&period;<br>&NewLine;Our hourglass of hope counts down in our river of sobs<br>&NewLine;and our faith falls for it is tough to put our trust in thumbs&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">These thumbprints and card slips have become our Halloween&semi;<br>&NewLine;our periodical party of masks and pumpkins&period;<br>&NewLine;Every thumb on paper event is a checkpoint of putrid pains and regrets&semi;<br>&NewLine;Every wait for a change breathes a factory of sighs<br>&NewLine;but if we hold the garments of hope once again<br>&NewLine;would our thumbs rewrite the stolen stars and light up the darkened sky&quest;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Like paper planes on karma airlines our progress planes keep crashing back&period;<br>&NewLine;Polly polls through two purple parties panic our prayers of change<br>&NewLine;but hope will drive our wheels of faith once again&period;<br>&NewLine;Yes&comma; hope will drive our wheels of faith once again<br>&NewLine;But tell me the truth&comma;<br>&NewLine;can these thumbs rewrite the stolen stars and take our pains away&quest;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The dinner of turning-tables is at hand&period;<br>&NewLine;Democrats will mount the pulpit and read their scriptures&period;<br>&NewLine;The beauty of the dawn would await the molding of our palms<br>&NewLine;but with these black cards laying on our treasured tile&semi;<br>&NewLine;Tell me the truth&comma;<br>&NewLine;can these thumbs rewrite the stolen stars and heal the bleeding Nile&quest;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Our thumbs are weary of printing torrid textures on paper<br>&NewLine;but our choices emaciate and our options opt out&period;<br>&NewLine;So whisper it into the stream of silence and let our souls part&period;<br>&NewLine;&OpenCurlyDoubleQuote;Can these thumbs rewrite the stolen stars and paint us a perfect art&quest;”<&sol;p>&NewLine;<h4>THE POWER OF YOUR VOTE by Hussani Abdulrahim<&sol;h4>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">When brays the burgle of ballot boxes<br>&NewLine;Shepherds will saunter draped in fabrics of manifestos<br>&NewLine;Drumming of golden compasses yawning into greener pastures<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">You’ll hear supple words swim into minds<br>&NewLine;Seductive gestures capable of fooling death<br>&NewLine;Of kissing a desert with enviable flood<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">You’ll hear the splashes of laughter<br>&NewLine;Turning into the impeccable trumpet of sea waves<br>&NewLine;The poignant pleas and gentleness seeping from souls<br>&NewLine;All in a bid to out do each other<br>&NewLine;At finding nests in the head of her populace<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The man with the white cap<br>&NewLine;Says fire leads to the garden of nirvana<br>&NewLine;The man with the red<br>&NewLine;Says the parched desert<br>&NewLine;Undresses into an endless river full of fish<br>&NewLine;While the man in green<br>&NewLine;Says there is an Eden<br>&NewLine;Through the narrow route of grit and distress<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">My mother once said&colon;<br>&NewLine;All these crows cajoling the mark of your thumb<br>&NewLine;Are lizards&semi;<br>&NewLine;You can’t tell whose stomach runs<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">But the ball remains in the court<br>&NewLine;Of the compassionate herd<br>&NewLine;In the careful truth and armour of PVCs<br>&NewLine;Lies the migration into seasons of enduring bloom<&sol;p>&NewLine;<h4>INSCRIPTIONS ON THE MOON by Godwin Nket-Awaji Alpheaus<&sol;h4>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Brother&comma; the day has dimmed&semi;<br>&NewLine;It’s walking towards dusk&comma; soon moon will gleam&semi;<br>&NewLine;Stars will flash their evanescent teeth&comma;<br>&NewLine;And go out&comma; showing our murk-flanked earth&comma;<br>&NewLine;Where clout pouts at our lustful hearts&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">It’s time to survey the land&semi;<br>&NewLine;And to survey&comma; it’s not thunder’s flatulent sound&comma;<br>&NewLine;Nor the ephemeral deluge of its rain&comma;<br>&NewLine;&lpar;For it’s the prototype of our yester-pain&rpar;&semi;<br>&NewLine;But to uproot geriatric trees and plant new grains&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">It’s time to weed out paraquats in our farm&period;<br>&NewLine;Do not substitute your PVC for obsequious ram&period;<br>&NewLine;Let’s make our cognitions sentient&comma;<br>&NewLine;And hunt rapacious whales from our ocean&semi;<br>&NewLine;Brood mullets&comma; mussels for affable living&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Season has turned&semi; it’s another rein of rain&semi;<br>&NewLine;Rain whose precipitation only erode our grains…<br>&NewLine;Do not let its perfidious flood immerse your mind&comma;<br>&NewLine;For it’s mere sophistry played on a blind mind<br>&NewLine;Like a game of draught by two drunkards&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Tomorrow&comma; we’ll convene again at the pool&comma;<br>&NewLine;And swim&comma; showing our floaty souls&period;<br>&NewLine;We&comma; flotsam on the rattling tide of PDP and APC&comma;<br>&NewLine;Will affirm fate or mirth with our PVCs&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Look at the inscriptions on the moon –<br>&NewLine;While it’s not yet another noon –<br>&NewLine;Before thrusting your PVC<br>&NewLine;On the kleptomaniac palm of APC and PDP&excl;<&sol;p>&NewLine;<h4>THE DOGS ARE BACK by BAYOWA&comma; Ayomide Micheal<&sol;h4>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The dogs are back to their vomits to repeat their follies-<br>&NewLine;with masks on&comma; bony cheeks and flat bellies&comma;<br>&NewLine;with tales easily mistaken with stories<br>&NewLine;and fresh cold promises&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The dogs are back to their bony meats&comma;<br>&NewLine;to the dregs&comma; in two legs and<br>&NewLine;beguiling gaits&semi; predecessors’ traits&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">With masks on&comma;<br>&NewLine;they are ready to dance to our beats like masquerades&comma;<br>&NewLine;earn our accolades&comma;<br>&NewLine;even jump down the high cliffs&comma;<br>&NewLine;just to walk us down the polls with our pollex&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The dogs are back with sweet tongues&comma;<br>&NewLine;to promise gigantic mound of scum-<br>&NewLine;lives after the death of their ink-stained thumbs<br>&NewLine;and flowers on their sorry tombs&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">Even if we know the dogs will soon leave<br>&NewLine;and cause us to bite our fingers&comma;<br>&NewLine;but for their manifesto&comma;<br>&NewLine;we’ll lose our voices to their catchwords&semi;<br>&NewLine;Power&excl; Change&excl;<br>&NewLine;and become blind to papers changing hands&period;<&sol;p>&NewLine;<p style&equals;"padding-left&colon; 30px&semi;">The dogs are here&comma; in front of we pukes&comma;<br>&NewLine;with new stale promises&comma;<br>&NewLine;desperate to become our dukes&comma;<br>&NewLine;ready to propagate PVCs-<br>&NewLine;just to make our thumbs strike them flukes&period;<&sol;p>&NewLine;<p>Nwagbo will take home the N8000 prize money and join the other TOP 10 finalists from February to September for a chance to win the 2018 <a href&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;csr&sol;albert-jungers-poetry-prize-ajpp&sol;">ALBERT JUNGERS POETRY PRIZE<&sol;a> &lpar;AJPP&rpar;&period; All the top 10 poems for the 2018 Season will be published in the BPPC 2018 anthology&period; The finalists of each edition will also each receive a certificate and a copy of the anthology at the Words Rhymes &amp&semi; Rhythm Literary Festival 2018&period;<&sol;p>&NewLine;<hr>&NewLine;<h5 style&equals;"text-align&colon; center&semi;">The<a href&equals;"https&colon;&sol;&sol;wrr&period;ng&sol;csr&sol;bppc&sol;"> BRIGITTE POIRSON POETRY CONTEST<&sol;a>&comma; a brainchild of Words Rhymes &amp&semi; Rhythm &lpar;WRR&rpar;&comma; is a monthly writing contest aimed at rewarding the under-appreciated talent of young Nigerian poets&period; It was instituted in February 2015 in honor of Brigitte Poirson&comma; a French poet and lecturer&comma; editor&comma; who has over the years worked assiduously to promote and support African poetry&period; Now in its third season as one of the few credible contests for poets&comma; the BPPC has since grown to be one of country’s most popular&comma; especially among the younger poets&period;<&sol;h5>&NewLine;<blockquote><p><a href&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;wp-content&sol;uploads&sol;2017&sol;07&sol;BPPC-LOGO1&period;jpg"><img class&equals;"size-full wp-image-34519 aligncenter" src&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;wp-content&sol;uploads&sol;2017&sol;07&sol;BPPC-LOGO1&period;jpg" alt&equals;"" loading&equals;"lazy"><&sol;a><&sol;p><&sol;blockquote>&NewLine;<h4 style&equals;"text-align&colon; center&semi;"><strong> The next edition of the BPPC will be announced in February 2019<&sol;strong><&sol;h4>&NewLine;<p> <&sol;p>&NewLine;<p> <&sol;p>&NewLine; &NewLine; <div class&equals;"booster-block booster-author-block">&NewLine; <div class&equals;"be-author-details layout-square align-left">&NewLine; <div class&equals;"be-author-wrapper">&NewLine; <div class&equals;"booster-row">&NewLine; <div class&equals;"booster-column booster-column-two booster-column-mobile">&NewLine; <div class&equals;"be-author-image">&NewLine; <img alt&equals;"" src&equals;"https&colon;&sol;&sol;secure&period;gravatar&period;com&sol;avatar&sol;3de36b6da89639b3d80d015f84d2cfc35212bb0678ceb13c46dc8c712831d196&quest;s&equals;400&amp&semi;d&equals;mm&amp&semi;r&equals;g" class&equals;"avatar avatar-400 photo avatar-img" height&equals;"400" width&equals;"400" loading&equals;"lazy"> <&sol;div>&NewLine; <&sol;div>&NewLine; <div class&equals;"booster-column booster-column-eight booster-column-mobile">&NewLine; <div class&equals;"author-details">&NewLine; <header 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