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BRIGITTE POIRSON POETRY CONTEST 2017: BENIN’S OSAHON WINS BPPC JUNE

<body><div class&equals;"booster-block booster-read-block">&NewLine; <div class&equals;"twp-read-time">&NewLine; &Tab;<i class&equals;"booster-icon twp-clock"><&sol;i> <span>Read Time&colon;<&sol;span>12 Minute&comma; 53 Second <&sol;div>&NewLine;&NewLine; <&sol;div><blockquote><p>Oka Benard Osahon is the winner of the June 2017 edition of the monthly Words Rhymes &amp&semi; Rhythm backed BRIGITTE POIRSON POETRY CONTEST &lpar;BPPC&rpar;&period;<&sol;p><&sol;blockquote>&NewLine;<p>Themed &OpenCurlyQuote;AS THE MUSE LEADS’&comma; the June edition of the BPPC was keenly contested&comma; but Osahon’s emotion laden poem&comma; &OpenCurlyQuote;IGNORANCE IS BLISS’&comma; emerged best out of almost 120 entries&period; &OpenCurlyQuote;A TUNE FROM MY FLUTE OF FREEDOM’ by Ogwiji Ehi-kowochio Blessing and &OpenCurlyQuote;MONSTER’ by Ikechukwu Blessing Onyinyechi were awarded the first and second runners-up positions respectively&period;<&sol;p>&NewLine;<p>Osahon who holds a B&period;A in English and Literary Studies from Delta State University &lpar;DELSU&rpar;&comma; Abraka&comma; is a seasoned creative writer and was a co-winner of the Praxis Magazine online 2016 Anthology Contest&period; His writings have appeared on several platforms including Brittle paper&comma; Praxis Magazine Online and Visual Verse&period;<&sol;p>&NewLine;<p>Below are the top 10 poems&colon;<&sol;p>&NewLine;<ol>&NewLine;<li>IGNORANCE IS BLISS by Oka Benard Osahon<&sol;li>&NewLine;<li>A TUNE FROM MY FLUTE OF FREEDOM by Ogwiji Ehi-kowochio Blessing<&sol;li>&NewLine;<li>MONSTER by Ikechukwu Blessing Onyinyechi<&sol;li>&NewLine;<li>A WORTHLESS GOLD by Mbagu Valentine<&sol;li>&NewLine;<li>THE MAN MY FATHER MARRIED by Abah Linus Ajene<&sol;li>&NewLine;<li>JUNGLE OF JENTA&excl; by Okoliko Amina Grace<&sol;li>&NewLine;<li>MASQUERADE AT THE SCHOOL GATE by Nwagbo Ebubechukwu Bruno<&sol;li>&NewLine;<li>MIRAGE by Jamiu Ahmed Adewale<&sol;li>&NewLine;<li>A PAINTER OF BLOOD AND WATER by Osemwengie Zion<&sol;li>&NewLine;<li>poesicography by Solomon Olajide Oladipupo<&sol;li>&NewLine;<&sol;ol>&NewLine;<p><strong>IGNORANCE IS BLISS <em>by Oka Benard Osahon<&sol;em><&sol;strong><&sol;p>&NewLine;<blockquote><p>It is not the sight of mother&comma;<br>&NewLine;Folded like a rock warming the sun&comma;<br>&NewLine;On the lip of the bridge that caught the fake eyelashes&comma; no…<br>&NewLine;It is child&comma; staring with bright eyes at the speeding chrome wheels&comma;<br>&NewLine;A well sucked thumb slick with spit twisting her shirt into knots&comma;<br>&NewLine;Who caused well pressed verbs and tainted adjectives<br>&NewLine;Framed in glottal stops and affricates&comma; to rustle and fall<br>&NewLine;From glossy lips like small stones caught in the feverish grip of a dust storm&comma;<br>&NewLine;On the piece of humanity wrapped in the sun’s warm shade&period;<&sol;p>&NewLine;<p>Mother Earth has spat her children to the sky<br>&NewLine;But father Sky has denied his seeds and we stand between&semi;<br>&NewLine;Hanging like pollen in the air&comma; blown about by the seductive winds<br>&NewLine;Of overfed vocal chords who crushed truth with slippery handshakes&comma;<br>&NewLine;And pinched eyes shut with the tips of scented nails&period;<&sol;p>&NewLine;<p>Mother moaned as several momentous morphemes are expelled&comma;<br>&NewLine;Her eyes blinked to the return of memory&semi; Yesterday’s pain and today’s misery&period;<br>&NewLine;She murmured a question&period; Gold edged glasses heard nothing<br>&NewLine;But the worried river flooding the bank with bloated bodies<br>&NewLine;Or was it the whistling wind wrestling sand off bleached bones&quest;<br>&NewLine;Pleated skirt pointed to undernourished child and descended into cliché&semi;<br>&NewLine;Canned words processed on TV interviews with bloated agbadas hmm-ing and ha-ing…<br>&NewLine;Mother murmured her question again…<br>&NewLine;&OpenCurlyQuote;What did you say&quest;’ pointed heels bent bleached knees delicately&period;<br>&NewLine;&OpenCurlyQuote;Did you bring food&quest;’ dehydrated lips ask&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>A TUNE FROM MY FLUTE OF FREEDOM by <em>Ogwiji Ehi-kowochio Blessing<&sol;em><&sol;strong><&sol;p>&NewLine;<blockquote><p>Watch my fingers&comma; sway this way and that way<br>&NewLine;as I play a tune to recall that day&comma; such a beautiful day<br>&NewLine;when I broke free from the pen-cuff of themes<br>&NewLine;Back then&comma; I was behind bars of rules and rhyme schemes<br>&NewLine;and those days&comma; every single day&comma; from sunrise to sunset<br>&NewLine;I’d in vain try to write a singular sonnet<&sol;p>&NewLine;<p>Sometimes the prison wardens wanted a ballad<br>&NewLine;but my muse prepared and severed African salad<br>&NewLine;with a lot of Abacha&comma; mixed with a great deal of Buhari<br>&NewLine;and their black stare seemed to demand my remorseful &OpenCurlyQuote;sorry’<br>&NewLine;but how do I crawl out of a satire&comma; garnished with humor<br>&NewLine;released to relish laughter-starved fellows&semi; without an armor&quest;<&sol;p>&NewLine;<p>Well&comma; I gave them an idea&semi; &OpenCurlyQuote;make my poem a legal entity’<br>&NewLine;Give poets the liberty to see through the soul of humanity<br>&NewLine;by staring long and hard into the blazing eyes of the sun<br>&NewLine;Allow our rivers of emotions&comma; meander in its chosen distributaries<&sol;p>&NewLine;<p>See&comma; if in a poet’s frantic attempt to be lucid<br>&NewLine;his words become as corrosive as concentrated suphuric acid<br>&NewLine;burning the skin on your hardened hearts and sooty souls<br>&NewLine;let him be excused&comma; for I have seen bombs stroll<br>&NewLine;out of laboratories to execute lethal pilot projects<br>&NewLine;yet we swallow the detriments of those experiments<br>&NewLine;performed by scientists who are mostly left un-trailed nor jailed<&sol;p>&NewLine;<p>So&comma; to the throne and throng&comma; I throw this thorny question&colon;<br>&NewLine;How else do you expect a poet to exercise his poetic license<br>&NewLine;other than scribble clean&comma; this sullied society of ours<br>&NewLine;as he sweeps the system with his overflowing costume of words&quest;<&sol;p><&sol;blockquote>&NewLine;<p><strong>MONSTER by <em>Ikechukwu Blessing Onyinyechi <&sol;em><&sol;strong><&sol;p>&NewLine;<blockquote><p>Midnight&period; It’s dark&period; Everyone else is dead asleep&period;<br>&NewLine;But you’re awake&comma; waiting&period; It’s coming&period;<&sol;p>&NewLine;<p>The gate bangs open with a metal wail<br>&NewLine;Footfalls&comma; heavy&comma; like the drums of doom<br>&NewLine;Booming down the hallway&period; It’s here&period;<&sol;p>&NewLine;<p>At your door&comma; a choir of ravenous fingernails<br>&NewLine;Singing&comma; scratching&comma; scraping on wood<br>&NewLine;Making macabre melody&period; It wants you&period;<&sol;p>&NewLine;<p>Drenched in cold sweat&comma; biting on your pillow<br>&NewLine;You lie shivering under the covers<br>&NewLine;A prototype of fear&comma; you groan soundlessly<br>&NewLine;Leave me alone&comma; I’ll never let you in&period;<&sol;p>&NewLine;<p>The voice that replies&comma; is in your head<br>&NewLine;A sad&comma; hushing&comma; hissing whisper wrapping your mind<br>&NewLine;In wraith-like fingers of smoky mist&period;<&sol;p>&NewLine;<p>&OpenCurlyDoubleQuote;I cannot go away&comma; my dear&period; You know that&comma; and you know why&period;<br>&NewLine;These nocturnal trysts will never end&comma; as long as you keep the door shut&period;”<&sol;p>&NewLine;<p>You’re tired&period; Exhaustion fills your bones like lead&period;<br>&NewLine;Enough of this&excl; you think&period; It ends now&excl;<br>&NewLine;You toss off the covers&comma; march to the door<br>&NewLine;Grab the knob&comma; fling it open in angry surrender&period;<br>&NewLine;&OpenCurlyDoubleQuote;Come in&excl;” you scream&period;”Come in and let me have peace&excl;”<&sol;p>&NewLine;<p>Your eyes meet the monster’s&comma; and you gasp&period;<br>&NewLine;Those eyes are your eyes&comma; tinged with a hint of madness<br>&NewLine;Its face is your face&comma; only with an unholy sneer<br>&NewLine;Its body and yours are mirror images<br>&NewLine;It is you&comma; but it is not you&period; But it is you&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>A WORTHLESS GOLD by <em>Mbagu Valentine<&sol;em><&sol;strong><&sol;p>&NewLine;<blockquote><p>Ti’s above all&comma; this war on Unity must be fought&comma;<br>&NewLine;And it must not be lost as its cost must ne’er be bought&comma;<br>&NewLine;It should not be desired&comma; ’cause her gold is worthless&comma;<br>&NewLine;Howbeit she’s priced when we can invest in oneness&quest;<&sol;p>&NewLine;<p>She must weep all night and dawn for her tears to be desired&comma;<br>&NewLine;And bought by all who yearn for her worthless gold to be priced&comma;<br>&NewLine;Ti’s not fit pricing a chaffy gold but we be desperate for Unity&comma;<br>&NewLine;Therefore must we die of this plague whose cure is solidarity&period;<&sol;p>&NewLine;<p>Let’s embrace Unity till it be that the heavens touch the earth&comma;<br>&NewLine;And all mankind see reason to dry up the stagnant river of disunity&comma;<br>&NewLine;Henceforth must we not fight one another for we grow one breathe&semi;<br>&NewLine;Till the hills reach the sky&comma; we must make Unity a hallowed deity&period;<&sol;p>&NewLine;<p>Ne’er will we fight for we must sacrifice every forbidden fruits in our midst&comma;<br>&NewLine;Only then can there be a worthy gold fit for a profitable feast&comma;<br>&NewLine;Our hatred must be quenched by a burning love for the sake of harmony&comma;<br>&NewLine;Howbeit we treasure one another in chaos when we’re but one country&quest;<&sol;p>&NewLine;<p>We must all invest in Unity for it should ne’er be despised&comma;<br>&NewLine;&OpenCurlyQuote;Cause it must be bought as its worth is become fit to be priced&comma;<br>&NewLine;It must be desired if we must live to exist in solidarity&comma;<br>&NewLine;By so doing can we restore the chaffy gold of Unity&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>THE MAN MY FATHER MARRIED by <em>Abah Linus Ajene<&sol;em><&sol;strong><&sol;p>&NewLine;<blockquote><p>The man my father married<br>&NewLine;Is from the lineage of lions<br>&NewLine;He sees thick forest as clear desert<br>&NewLine;He calls night bright morning<br>&NewLine;And hunts elephants for breakfast<&sol;p>&NewLine;<p>The man my father married<br>&NewLine;Is an eagle in sky<br>&NewLine;He flies to meet the farthest horizon<br>&NewLine;And travels millions of miles on high altitude<br>&NewLine;Just to catch a dream<&sol;p>&NewLine;<p>The man my father married<br>&NewLine;Is a Solomon in wisdom<br>&NewLine;He knows how to track the tricks of tortoise<br>&NewLine;And even escape through needle’s eye<br>&NewLine;To bring breakfast to my father’s table<&sol;p>&NewLine;<p>The man my father married<br>&NewLine;Is graced in every endevour<br>&NewLine;He is endowed with countless<br>&NewLine;Flairs and oils of aptitude<br>&NewLine;To break the hardest rocks<br>&NewLine;And mine the hidden gold<&sol;p>&NewLine;<p>The man my father married<br>&NewLine;Is the mother of my father’s children<br>&NewLine;He is whose womb I had visited<br>&NewLine;The one whose breast I had sucked<br>&NewLine;He is a man inside a woman<br>&NewLine;He is the man my father married<&sol;p><&sol;blockquote>&NewLine;<p><strong>JUNGLE OF JENTA&excl; <em>by Okoliko Amina Grace<&sol;em><&sol;strong><&sol;p>&NewLine;<blockquote><p>Jump the legendary jungle of Jenta&excl;<br>&NewLine;Sting not your lungs with wafts of its stink<br>&NewLine;Skillfully skip its frothy evil filths<br>&NewLine;For the fish griller smells of smoke more than fish<br>&NewLine;Tis proud humble jungle of junkies<br>&NewLine;With gods of whoredom and goddesses of sodomy<br>&NewLine;Is a poisonous grey garden of Eden<&sol;p>&NewLine;<p>Basking in bounteous trees and sumptuous fruits<br>&NewLine;Dotting lone hills and manicured rocks<br>&NewLine;And a dizzying stream that catwalks across<br>&NewLine;Gliding buttocks upon cursed stones<br>&NewLine;Fawned hibiscuses flatter lissome lilies<br>&NewLine;As they flutter purple lashes to natures charm<br>&NewLine;A picturesque beauty indeed jungle seems<&sol;p>&NewLine;<p>Oh but chimneys from her nostrils paint the skies black&excl;<br>&NewLine;Pungent putrid weed impregnates the air<br>&NewLine;Marijuana and cocaine&comma; a strand of noodle their hopeless lip<br>&NewLine;Maman mama sweats in haste to serve her burukutu<br>&NewLine;But dingy Danjumas’ hands are much too wobbly<br>&NewLine;And down goes the toxic brown broth<br>&NewLine;Spilled sleekly upon a spongy earth<&sol;p>&NewLine;<p>Garose leans upon a tattered mud house<br>&NewLine;Knocked up and knock kneed in a ripped jean<br>&NewLine;Sandwiched in two thugs in upturned face caps<br>&NewLine;As I skittered through that dreadful morn<br>&NewLine;A withered lad with black saggy lips whistled at me<br>&NewLine;I simply shook my drooped big head in envy<br>&NewLine;At how highly elated they easily hardly be<&sol;p>&NewLine;<p>Glossary&colon;<br>&NewLine;<em>Jenta – a ghettos like street in jos<&sol;em><br>&NewLine;<em>&OpenCurlyQuote;Burnout’ – a drink made from fermented corn gruel<&sol;em><br>&NewLine;<em>Garose – a female given name from a major tribe in Plateau<&sol;em><&sol;p><&sol;blockquote>&NewLine;<p><strong>MASQUERADE AT THE SCHOOL GATE <em>by Nwagbo Ebubechukwu Bruno<&sol;em><&sol;strong><&sol;p>&NewLine;<blockquote><p>Mr&period; Kobo&semi; masquerade at the school gate<br>&NewLine;With ekpo&ast; face and Ojuju Calabar’s&ast; fearful gait<br>&NewLine;Deep guttural laughter of a vengeful ghost<br>&NewLine;Smoking furies of evil forest&colon; the chief masquerade of my town and its host<&sol;p>&NewLine;<p>Armed with fat whips like a bloody soldier<br>&NewLine;Asking for a gate fee or &OpenCurlyQuote;about turn’ home&comma; my dear<br>&NewLine;Should you fall for his trap&comma; your bail is not free<br>&NewLine;Roger&ast; &OpenCurlyQuote;Awolowo’s head&ast;’ for the policeman in exploitation spree<&sol;p>&NewLine;<p>Kobo is a kola&ast;-loving god with large gullets as a big boss<br>&NewLine;He swallows our lunch box to launch his abdominal box<br>&NewLine;Even his pen needs to be oiled to mark our scripts<br>&NewLine;We scratch our pockets to scratch for his phony phones<&sol;p>&NewLine;<p>When Mr&period; Kobo sends for you&comma; first count your books and take stocks<br>&NewLine;If anything is missing&comma; then pad your pocket or pad your buttocks<br>&NewLine;Rub his palms or he robs you your buttocks with twenty needles<br>&NewLine;He has no ears for cock and bull stories or nettling riddles&period;<&sol;p>&NewLine;<p>Dashing out of the house today&comma; at the door I crashed<br>&NewLine;But it is better than to be dashed Mr&period; Kobo’s lash<br>&NewLine;I have no cash to wade off the clash<br>&NewLine;A masquerade’s bash is rash and harsh<&sol;p>&NewLine;<p>As I go to school today on high gear<br>&NewLine;Behind my brisk steps there is this burden I bear<br>&NewLine;Every school morning&comma; there is this dread I get<br>&NewLine;I dread the masquerade at the school gate&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>MIRAGE <em>by Jamiu Ahmed Adewale <&sol;em><&sol;strong><&sol;p>&NewLine;<blockquote><p>Ghost of dreams on the horizon&comma;<br>&NewLine;Refraction of light gleaming hues&comma;<br>&NewLine;Where thoughts fade into a spook<br>&NewLine;Of unattainable image of memory&period;<&sol;p>&NewLine;<p>Looking through the mirror of past&comma;<br>&NewLine;That reflects the emptiness of ettle&comma;<br>&NewLine;Peeping via the window of tomorrow&comma;<br>&NewLine;Only to see a man chasing the skyline&period;<&sol;p>&NewLine;<p>Days of wearing an imprudent wings&comma;<br>&NewLine;Soaring against the altitude of time&comma;<br>&NewLine;Running after the shadow of tomorrow&comma;<br>&NewLine;With yesterday’s meaningless stance&period;<&sol;p>&NewLine;<p>The firmament is the universal mirror&comma;<br>&NewLine;That reflect the magical aurora at dawn&comma;<br>&NewLine;Where beautiful colors randiantly glow&comma;<br>&NewLine;But vanish into the vacuum of oneirism&period;<&sol;p>&NewLine;<p>A volume of dusty rubble and malarkey&comma;<br>&NewLine;Vaulted with vanity of unattainable race&comma;<br>&NewLine;The images are mere inverted reflection&comma;<br>&NewLine;Waking up to realize that life is a mirage&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>A PAINTER OF BLOOD AND WATER<em> by Osemwengie Zion<&sol;em><&sol;strong><&sol;p>&NewLine;<blockquote><p>Our journeys are better explained in the butterfly&period;<br>&NewLine;Gently&comma; it flaps its radiant wings against the golden flickers of the sun&comma; bursting of lights&period;<br>&NewLine;It becomes a basket trapping hues of admiration&period;<br>&NewLine;It becomes a rainbow- beautiful body covering a burdened soul&period;<br>&NewLine;It becomes love&period;<br>&NewLine;Soon&comma; it meets mother in the field of grains&comma;<br>&NewLine;Mourning the death of her larvae broken by careless feet&period;<&sol;p>&NewLine;<p>How do you console a mother whose child never grows to know the taste of nectars&quest;<br>&NewLine;How do you console a mother whose wings never serve as shelter for her offsprings&quest;<br>&NewLine;How do you tell a mother who hides daily in shades and thickets just to see another second to<br>&NewLine;smile&quest;<&sol;p>&NewLine;<p>Hate kills&period;<br>&NewLine;Love kills&period;<br>&NewLine;Sickness kills&period;<br>&NewLine;Health kills&period;<br>&NewLine;Beauty kills&period;<br>&NewLine;Something must kill a being&period;<&sol;p>&NewLine;<p>In hope of getting to safety under a leaf&comma;<br>&NewLine;It picks tiny fragments of its broken soul and sews them up&period;<br>&NewLine;Then&comma; journeys back but runs into the palms of butterfly hunters&period;<br>&NewLine;Children diving amongst grasses or oldies killing for no return&period;<&sol;p>&NewLine;<p>Evening comes and it sits still in their cup&period;<br>&NewLine;Death would come for beauty soon<br>&NewLine;And mother would weep seas again&period;<br>&NewLine;So&comma; it silently rehearses its death and paints images of blood and water&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>poesicography<em> by Solomon Olajide Oladipupo<&sol;em> <&sol;strong><&sol;p>&NewLine;<blockquote><p>i<br>&NewLine;tonight&comma; i fall for you&colon;<&sol;p>&NewLine;<p>ii<br>&NewLine;like pieces of poetry<br>&NewLine;spread on a poet’s wheel<br>&NewLine;every piece&comma; every bit<br>&NewLine;remoulded&comma; like clay&comma;<br>&NewLine;into metaphors of regeneration<&sol;p>&NewLine;<p>iii<br>&NewLine;like songs&comma; broken<br>&NewLine;dying&comma; slowly&comma; into decrescendos<br>&NewLine;every tune&comma; every hum<br>&NewLine;reawakened&comma; like sunrise<br>&NewLine;into sopranos of a rainbow cock<&sol;p>&NewLine;<p>iv<br>&NewLine;like shadows&comma; left without a trace<br>&NewLine;bound&comma; blindly&comma; into brittle memories<br>&NewLine;every face&comma; every pace<br>&NewLine;rearranged&comma; like the destiny of Esau<br>&NewLine;into brighter shades of portraits<&sol;p>&NewLine;<p>v<br>&NewLine;tonight&comma; i fall into you&colon;<br>&NewLine;for<br>&NewLine;breath<br>&NewLine;for<br>&NewLine;melody<br>&NewLine;for<br>&NewLine;light<&sol;p>&NewLine;<p><em>&ast;Poesicography is a word I coined from three words&colon; poetry&comma; music and photography&comma; to show how they interplay&period;<&sol;em><&sol;p><&sol;blockquote>&NewLine;<p>Osahon takes home the top prize of N7000 cash&comma; a certificate&comma; and books&period; He also takes over from the current BPPC champion from Rachel Ige&comma; who in May became the first female poet to win the contest in its two-and-a-half year history&period;<&sol;p>&NewLine;<p>All the poets in the TOP 10 will receive a certificate and free copies of the anthology at the Words Rhymes &amp&semi; Rhythm Literary Festival 2017&period; Their poems will be automatically entered for the ALBERT JUNGERS POETRY PRIZE &lpar;AJPP&rpar; 2017 and published in the BPPC 2017 anthology&period;<&sol;p>&NewLine;<blockquote><p>&OpenCurlyDoubleQuote;An excellent crop indeeeeed&excl; It’s more awkward than ever to tell the best from the best&excl;”<br>&NewLine;<em>– Brigitte Poirson<&sol;em><&sol;p><&sol;blockquote>&NewLine;<hr>&NewLine;<h5 style&equals;"text-align&colon; right&semi;">The Brigitte Poirson Poetry Contest&comma; a brainchild of Words Rhymes &amp&semi; Rhythm &lpar;WRR&rpar;&comma; is a monthly writing contest aimed at rewarding the under-appreciated talent of young Nigerian poets&period; It was instituted in February 2015 in honor of Brigitte Poirson&comma; a French poet and lecturer&comma; editor&comma; who has over the years worked assiduously to promote and support of African poetry&period; Now in its third season&comma; and being one of the few credible contests for poets&comma; the BPPC has since grown to be one of country’s most popular&comma; especially among the younger poets&period;<&sol;h5>&NewLine;<p style&equals;"text-align&colon; center&semi;">NOTE&colon; Submissions are being received for the JULY 2017 edition<br>&NewLine;<a href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;call-for-submissions-brigitte-poirson-poetry-contest-2017-july-the-forbidden-fruit&sol;">CLICK HERE TO ENTER YOUR POEM<&sol;a><&sol;p>&NewLine; &NewLine; <div class&equals;"booster-block booster-author-block">&NewLine; <div class&equals;"be-author-details layout-square align-left">&NewLine; <div class&equals;"be-author-wrapper">&NewLine; <div class&equals;"booster-row">&NewLine; <div 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