Site icon Words Rhymes & Rhythm

BRIGITTE POIRSON POETRY CONTEST 2015: OLAJUWON JOSEPH OLUMIDE WINS AUGUST EDITION

<body><div class&equals;"booster-block booster-read-block">&NewLine; <div class&equals;"twp-read-time">&NewLine; &Tab;<i class&equals;"booster-icon twp-clock"><&sol;i> <span>Read Time&colon;<&sol;span>14 Minute&comma; 41 Second <&sol;div>&NewLine;&NewLine; <&sol;div><p>A student at the Yaba College Of Technology &lpar;YABATECH&rpar;&comma; Olajuwon Joseph Olumide&comma; has won the August Edition of the BRIGITTE POIRSON POETRY CONTEST &lpar;BPPC&rpar; 2015 which was themed <a title&equals;"CALL FOR SUBMISSIONS&colon; BRIGITTE POIRSON POETRY CONTEST 2015 &lbrack;AUGUST&rsqb;" href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;call-for-submissions-brigitte-poirson-poetry-contest-2015-august&sol;" target&equals;"&lowbar;blank">&OpenCurlyDoubleQuote;I AM THE CHANGE”<&sol;a>&period;<&sol;p>&NewLine;<p>The Mass Communication student’s poem &OpenCurlyQuote;I SEE A CHANGED MAN’ narrowly beat &OpenCurlyQuote;I AM ME XII’ by Ajise Vincent &lpar;88&percnt;&rpar; and &OpenCurlyQuote;I AM THE CHANGE’ by Uche F&period; Okpara &lpar;87&percnt;&rpar; to first runner-up and second runner-up positions&period;<&sol;p>&NewLine;<p>Olumide&comma; a native of Ogun State&comma; Nigeria&comma; is an ardent writer&comma; known for his researches into English Language Grammar and Literary Studies<&sol;p>&NewLine;<p>In 2014&comma; he won the &OpenCurlyQuote;WHAT CAN WORDS DO&quest; Facebook poetry contest&period;<&sol;p>&NewLine;<p>Judges evaluated the entries based on structure &lpar;harmony of words&comma; presentation&comma; etc&rpar;&comma; Creativity&sol;Originality&comma; and Relevance to the chosen theme&period;<&sol;p>&NewLine;<p>Olumide is now the 7th winner of the BRIGITTE POIRSON POETRY CONTEST 2015 &lpar;BPPC&rpar; and he takes over from <a title&equals;"BRIGITTE POIRSON POETRY CONTEST 2015&colon; ADEDAYO ADEYEMI AGARAU’S ACHEBE TRIBUTE WINS JULY EDITION" href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;brigitte-poirson-poetry-contest-2015-adedayo-adeyemi-agaraus-achebe-tribute-wins-july-edition&sol;" target&equals;"&lowbar;blank">Adedayo Adeyemi Agarau<&sol;a> who won the <a title&equals;"CALL FOR SUBMISSIONS&colon; BRIGITTE POIRSON POETRY CONTEST 2015 &lbrack;JULY&rsqb;" href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;call-for-submissions-brigitte-poirson-poetry-contest-2015-july&sol;" target&equals;"&lowbar;blank">July Edition of the CONTEST<&sol;a>&period;<&sol;p>&NewLine;<p>A cash of N5&comma;000 will be awarded to him&comma; while all the poems in the TOP 10 category will be automatically entered for the ALBERT JUNGERS POETRY PRIZE 2015&period;<&sol;p>&NewLine;<p>Below are the TOP 10 entries with marks obtained&colon;<&sol;p>&NewLine;<ol>&NewLine;<li>I SEE A CHANGED MAN… by Olajuwon Joseph Olumide &lpar;90&percnt;&rpar;<&sol;li>&NewLine;<li>WHITE CALABASH by Jacobs Adewale &lpar;89&percnt;&rpar; &lbrack;DISQUALIFIED FOR EXCEEDING 30 LINES LIMIT&rsqb;<&sol;li>&NewLine;<li>I AM ME XII by Ajise Vincent &lpar;88&percnt;&rpar;<&sol;li>&NewLine;<li>I AM THE CHANGE by Uche F&period; Okpara &lpar;87&percnt;&rpar;<&sol;li>&NewLine;<li>IF I WAS ALMIGHTY by Adigun Olushola Clinton &lpar;86&percnt;&rpar;<&sol;li>&NewLine;<li>I AM THE CHANGE by Onwa Franklin Chukwuemeka &lpar;85&percnt;&rpar;<&sol;li>&NewLine;<li>I AM THE CHANGE by Madu Chisom Kingdavid &lpar;84&percnt;&rpar;<&sol;li>&NewLine;<li>THE BEACON OF CHANGE by Don Promise Omorodion &lpar;83&percnt;&rpar;<&sol;li>&NewLine;<li>AFTER WE DIE by Abiola Inioluwa Oluwaseun &lpar;82&percnt;&rpar;<&sol;li>&NewLine;<li>A PARASITE RUNNING WILD by Emmanuel Etim Essang &lpar;81&percnt;&rpar;<&sol;li>&NewLine;<&sol;ol>&NewLine;<p><strong>I SEE A CHANGED MAN… by Olajuwon Joseph Olumide &lpar;90&percnt;&rpar;<&sol;strong><&sol;p>&NewLine;<blockquote><p>O’er the years that I weeded vices through my lips with satire<br>&NewLine;Like I’m no flesh&comma; acclaiming myself – a hallowed messiah&semi;<br>&NewLine;A sage prophet that I feigned&comma; a braggart in fuzzy vision –<br>&NewLine;Yes&excl; That drunken state of my folly&comma; woe be unto its deception&excl;<&sol;p>&NewLine;<p>While mere mortal deeds soured my heart&comma; I had cast a stone<br>&NewLine;Till I saw a true man of justice above&comma; seated on His throne&period;<br>&NewLine;Light up that hour&comma; let my deliverance canon in the air boom<br>&NewLine;That my soul might transcend beyond vain trance of my past doom&excl;<&sol;p>&NewLine;<p>Like a ray&comma; heavenly vision pierced cataract of my impeded insight&comma;<br>&NewLine;Projecting the parable of a prophet of doom before my timid behold<br>&NewLine;Who belched belligerence at folks of a spherical cosmos&comma; shredded apart&excl;<br>&NewLine;But what seemed more irreparable – his sullen heart&semi; he failed to scold&period;<&sol;p>&NewLine;<p>And though he could unravel every uncanny scribe of ages on the wall&comma;<br>&NewLine;On the field of his implacable mind&comma; viable seed of love was nipped&excl;<br>&NewLine;…Imperiously hurling scathing pebbles – &OpenCurlyQuote;change thy horrid ways’&comma; he ranted&excl;<br>&NewLine;Ne’er would he notice his brutality&comma; starring at him via the world’s mirror&period;<&sol;p>&NewLine;<p>How a supposed lamp to mortal feet in an obscure world turned fire that scorched&excl;<br>&NewLine;Prior to the reckoning day&comma; had not he evoked hell on earth to judge&quest;<br>&NewLine;Thus&comma; see the accusing finger up there&comma; tingling the nucleus of my conscience&semi;<br>&NewLine;And my impetuous mind&comma; cautioned by the reverberation of its insightful voice&colon;<&sol;p>&NewLine;<p>”Though the sons and daughters of Adam are damn desperate&excl;<br>&NewLine;And yes&excl; Their blood boils beyond the queer temperate&semi;<br>&NewLine;Hath thou not lavished cowries of abhorrence in their imperfect market<br>&NewLine;Where just a token of charity could be a barter of making it perfect&quest;<&sol;p>&NewLine;<p>Unlike that old prophet whose undone sacrifices contorted the face of God<br>&NewLine;Ignoring the altar of brotherly reconciliation – the image of Whom he could see&semi;<br>&NewLine;The shackles of my doom&comma; broken&excl; Now&comma; I can see a changed man in me<br>&NewLine;On this hill of transfiguration&comma; sounding gong of change to the ears of the world&excl;<&sol;p><&sol;blockquote>&NewLine;<p><strong>WHITE CALABASH by Jacobs Adewale &lpar;89&percnt;&rpar; &lbrack;DISQUALIFIED FOR EXCEEDING 30 LINES LIMIT&rsqb;<&sol;strong><&sol;p>&NewLine;<blockquote><p>I go numb munching thoughts of moons ago&semi;<br>&NewLine;A season our debacle had room to grow<br>&NewLine;In a clan found before the sulky shore<br>&NewLine;Of a greedy river that quenched thirst no more<&sol;p>&NewLine;<p>Brawny black Iroko of our wealthy woods<br>&NewLine;Flanking&comma; screening our borderline grudgingly fell<br>&NewLine;Like a plucky pail drowning in a cluttered well&period;<br>&NewLine;To survive we bartered our rules&comma; our goods<&sol;p>&NewLine;<p>When distant civilization dispatched deceit of gold<br>&NewLine;Hidden in the belly of earth our ancestral homes hold&colon;<br>&NewLine;Divisive news that murdered altruism&semi;<br>&NewLine;Heads and necks lost union&semi; poor communism-<&sol;p>&NewLine;<p>It ceased to see the light of day&period;<br>&NewLine;We could inhale the reek of ruinous fray<br>&NewLine;Leaching from the heart of the town&semi;<br>&NewLine;Apathy had fed fat the crown<&sol;p>&NewLine;<p>That saw gray counsels as empty barrel&period;<br>&NewLine;Toothless natives stooped in their coliseum of hell&comma;<br>&NewLine;In surveillance as our gods became naked and homeless&semi;<br>&NewLine;Angry machines inhumed their pride- we were hopeless-<&sol;p>&NewLine;<p>And buried in the sand the white calabash<br>&NewLine;That sheltered our heritage from becoming trash&period;<br>&NewLine;Ignominy&excl; Ripe ignominy&excl;&excl; It engulfed all might&semi;<br>&NewLine;Who was drunk enough to caution the crown or start a fight&quest;<&sol;p>&NewLine;<p>I should return&comma; I shall return to my land&comma;<br>&NewLine;Disguise a ransom- change – and defy the hand<br>&NewLine;Wielding hegemony over ancestral toil<br>&NewLine;That rooted our origin on harmonious soil<&sol;p>&NewLine;<p>No&excl; The crown must be free&semi;<br>&NewLine;My people need me&comma;<br>&NewLine;I am the ransom for our white calabash&period;<br>&NewLine;And yes&comma; I am the change&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>I AM ME XII by Ajise Vincent &lpar;88&percnt;&rpar;<&sol;strong><&sol;p>&NewLine;<blockquote><p>Yesterday&comma; foes said&comma;<br>&NewLine;I’m the marrow of tomorrow<br>&NewLine;shattered at the village square<br>&NewLine;where dry skulls of fallen dreams<br>&NewLine;are used as drums by blind beggars&period;<&sol;p>&NewLine;<p>Friends said&comma; I am the black smoke<br>&NewLine;from the firewood of fate that was dispelled into oblivion<br>&NewLine;to cling to void air of nothingness&period;<&sol;p>&NewLine;<p>Even the elders said&comma; I’m the forbidden nut<br>&NewLine;rejected by the molars of the squirrel<br>&NewLine;and must be banished to the evil forest<br>&NewLine;to be immortalised by stale stones&period;<&sol;p>&NewLine;<p>Then&comma; I was treated like an aged mortar<br>&NewLine;whose hymen was defiled by the pestle of time<br>&NewLine;and yet did not gestate any good&period;<&sol;p>&NewLine;<p>I was looked down upon like a barren hope<br>&NewLine;whose dreams can’t germinate greatness<br>&NewLine;even on the addition of fertilizers of patience and waters of grace&period;<&sol;p>&NewLine;<p>But today&comma; I’m the flute<br>&NewLine;whose note whispers progress to the aspirations of drunk sluggards&period;<br>&NewLine;I am the mellifluous requiem that exiles sorrows<br>&NewLine;to the tomb where pain is embalmed forever&period;<&sol;p>&NewLine;<p>I am the sieve of justice that separate shafts of lies<br>&NewLine;from wheats of truth&period;<br>&NewLine;I am the balm from care’s factory<br>&NewLine;that relieve aches of warring-kings&period;<&sol;p>&NewLine;<p>I am the present gestating in the clandestine uterus of today<br>&NewLine;so as to procreate a better tomorrow&period;<br>&NewLine;I’m simply me&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>I AM THE CHANGE by Uche F&period; Okpara &lpar;87&percnt;&rpar;<&sol;strong><&sol;p>&NewLine;<blockquote><p>Staring in the mirror on the wall<br>&NewLine;I couldn’t ask if I was the fairest of all&colon;<br>&NewLine;For months unending I have had my doubts<br>&NewLine;Suffering episodes of mental bouts&comma;<br>&NewLine;Like there was a senate chamber full of voices in my head<br>&NewLine;All shouting and fighting for a chance to be heard&period;<br>&NewLine;I struggle to be on the part of the inference<br>&NewLine;To be involved in what efforts made the difference&period;<br>&NewLine;See&comma; I am that black African boy who surpassed the norm&comma;<br>&NewLine;Who was taught never to forget where he came from&period;<br>&NewLine;So I made the heavens my starting point while the earth shall be my limit<br>&NewLine;Navigating my interest to design my fate the way I dim fit&period;<br>&NewLine;I am the odd one in the range<br>&NewLine;Hence I stand out to be the change<br>&NewLine;Born from the cathecasis of metamophorsis<br>&NewLine;Defying the laws of limitation and all its forces&period;<br>&NewLine;For now I am sired in a foreign land<br>&NewLine;Every bit a pride to my fatherland&period;<br>&NewLine;A survivor of many mistakes of what it takes to make a whole<br>&NewLine;Stirring alteration in places that have no good&period;<br>&NewLine;Wondering&comma; I stood before the mirror mumbling some lyrics<br>&NewLine;Like though reciting to myself the laws of physics&period;<br>&NewLine;So I asked&comma; mirror mirror on the wall&comma;<br>&NewLine;Am I not the change after all&quest;<br>&NewLine;In convinction&comma; I knew the change will come<br>&NewLine;Not from nature or any form<br>&NewLine;For it has taken bone and flesh<br>&NewLine;And I am the change come afresh&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>IF I WAS ALMIGHTY by Adigun Olushola Clinton &lpar;86&percnt;&rpar;<&sol;strong><&sol;p>&NewLine;<blockquote><p>If I was God&comma;<br>&NewLine;I’d tear open the chest of men&comma;<br>&NewLine;cleanse their blood and put a new heart in them&period;<&sol;p>&NewLine;<p>I’d peel hatred off our women’s skin<br>&NewLine;and adorn them with the furs of a goddess-being&period;<&sol;p>&NewLine;<p>If I only was the Creator&comma;<br>&NewLine;l’d etch love on our children’s heart and tongue<br>&NewLine;that they may speak goodness all life long&period;<&sol;p>&NewLine;<p>I’d write verses of sacred truths<br>&NewLine;on the heads of our youths<br>&NewLine;that humanity<br>&NewLine;might feed fine from future fruits&period;<&sol;p>&NewLine;<p>If I was Almighty&comma;<br>&NewLine;I’d fade colours off human’s skin<br>&NewLine;that white and black might see each as the other’s kin-<br>&NewLine;none would be maid&comma; neither be king&period;<&sol;p>&NewLine;<p>Alas&excl;<br>&NewLine;I am but a small god<br>&NewLine;and I can only change our world<br>&NewLine;right from mine&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>I AM THE CHANGE by Onwa Franklin Chukwuemeka &lpar;85&percnt;&rpar;<&sol;strong><&sol;p>&NewLine;<blockquote><p>I’m sorry I don’t want to be a president&comma;<br>&NewLine;I don’t want to rule or conquer anyone&comma;<br>&NewLine;I want to love&comma; give and live for everyone&comma;<br>&NewLine;I want to bury this pressing dent&period;<&sol;p>&NewLine;<p>Please&comma; don’t make me fight the dancing wind&comma;<br>&NewLine;I’d rather not challenge its whirling song&comma;<br>&NewLine;No&comma; not because I can’t stand its wing&comma;<br>&NewLine;But for it has done nothing wrong&period;<&sol;p>&NewLine;<p>Twist my tongue till it burns to purple&comma;<br>&NewLine;Drill me farther from my white to brown&comma;<br>&NewLine;Not until my song finds a couple&comma;<br>&NewLine;I’ll fight on till I sight a crown&period;<&sol;p>&NewLine;<p>No competitor takes a bribe to win a contest&comma;<br>&NewLine;The victor knows better not to quit&comma;<br>&NewLine;All tribes must align for this tasty conquest&comma;<br>&NewLine;If we must eat from victory’s meat&period;<&sol;p>&NewLine;<p>It’s so easy to break the rules&comma;<br>&NewLine;But how possible is it to pick the pieces&quest;<br>&NewLine;I want to doubt my semi-gold rules&comma;<br>&NewLine;Till I behold how true your praise is&period;<&sol;p>&NewLine;<p>In this time&comma; evil abounds&comma;<br>&NewLine;I am called to set things right&comma;<br>&NewLine;To halt the clock&comma; no roundabouts&comma;<br>&NewLine;In life’s trade&comma; to be the light&period;<&sol;p>&NewLine;<p>I am the trader&comma; who has enough&comma;<br>&NewLine;I try so much to look less rough&comma;<br>&NewLine;So after each trade and tough exchange&comma;<br>&NewLine;I return a piece of me as change&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>I AM THE CHANGE by Madu Chisom Kingdavid &lpar;84&percnt;&rpar;<&sol;strong><&sol;p>&NewLine;<blockquote><p>I’m the Change brought into the spinal navel of Power<br>&NewLine;By wilt-tubers dodging the fingered mists of sixteen-Saharan seasons&comma;<br>&NewLine;Feeding from the pillages and spillages of cold camwoods&comma;<br>&NewLine;Needing teeth of warm sunlight to cleave the fangs of deadwoods&period;<&sol;p>&NewLine;<p>I’m the Change&comma; &lbrace;s&rcub;he who must perch on a pedestal pew<br>&NewLine;Must not test positive in corruption laboratory&period;<br>&NewLine;That’s why the goats are ripening their legs into exile<br>&NewLine;Lodging in havens afar off&comma; vomiting communal yams eaten ages long&period;<br>&NewLine;Now yams stored in the foreign barns are now &OpenCurlyQuote;returning’ home&period;<&sol;p>&NewLine;<p>I’m the Change brought into the spinal navel of Power<br>&NewLine;By yellowed youths with hushed hopes under the bridges<br>&NewLine;And gaunt guardians of unheard urchins peeling in sweet slums&period;<br>&NewLine;To cure Power-miscarriages&comma; exile long queues in F-stations<br>&NewLine;And to offer breaths to deaths that our mortuary-roads have sprung&period;<&sol;p>&NewLine;<p>I’m the change that has come to bring back the girls from the oxters<br>&NewLine;Of sambisa and to freeze the flame-fists of the sambisa beasts&period;<br>&NewLine;Ah&excl; But each day&comma; bullets and bombs rain on us from the beasts&comma;<br>&NewLine;R&period;I&period;P-squeezing souls back to ashes in unripe scenes&quest;<&sol;p>&NewLine;<p>Do not call me yet&comma; &OpenCurlyQuote;The Harbinger of Snailage-ism’ or &OpenCurlyQuote;Baba Go Slow’&period;<br>&NewLine;For I’ve been moving into the deep clouds to fetch the smiles of rainbow&period;<br>&NewLine;Moving in a feline grace to erase the cottoned hazes hanging on<br>&NewLine;The frame of our looted image mirroring Klep-loot-omania-cracy&period;<br>&NewLine;Soon the sweet songs of September showers shall greet our ears&quest;<&sol;p>&NewLine;<p>I’m the Change&comma; but I can’t carry alone the spirited corpse of this nay-tion&period;<br>&NewLine;So all the parallel lines must meet and agree at the funeral of our failures&comma;<br>&NewLine;To bury our sour scrolls of war and ethnic demons in a<br>&NewLine;Catacomb deeper than Hades&semi; welcoming a sunborn of Green Home&period;<&sol;p>&NewLine;<p>If not&comma; sunset will sit in-between the eyeballs of our daybreaks&comma;<br>&NewLine;And we’ll become torn shadows groping in the pant of dusk&comma; endlessly&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>THE BEACON OF CHANGE by Don Promise Omorodion &lpar;83&percnt;&rpar;<&sol;strong><&sol;p>&NewLine;<blockquote><p>For my silence is become treason<br>&NewLine;Amidst the battling tempest&period;<br>&NewLine;The cancer of depravity looms<br>&NewLine;Within the stuttering tongue<br>&NewLine;Sipping into the pores of virtue<br>&NewLine;I beheld the murder of merit<br>&NewLine;Strung along the gallows of decadence<br>&NewLine;But my lips are cleaved by fear<br>&NewLine;My actions slurred to the fight head on<br>&NewLine;I am become what i abhor<br>&NewLine;For though my ship is chaste<br>&NewLine;The water i sail on&comma; is tainted<br>&NewLine;For we wait&comma; in earnest&comma; for the messiah<br>&NewLine;He that bears the beacon of change<br>&NewLine;We grow grey in wait and faint in virtue<br>&NewLine;For what we seek lies within our breathe<br>&NewLine;A plague spread when unchecked<br>&NewLine;But i hold the sceptre of change<br>&NewLine;My deeds are firm in merit<br>&NewLine;In a ranging world of deceit<br>&NewLine;My speech bears the arsenal<br>&NewLine;Speaking against the wiles of corruption<br>&NewLine;I am one but my words are a thousand pellets of positivity<br>&NewLine;Like a flint&comma; am undeterred by peer rejection<br>&NewLine;For the little spark of revolution<br>&NewLine;Will ignite an inferno of change<&sol;p><&sol;blockquote>&NewLine;<p><strong>AFTER WE DIE by Abiola Inioluwa Oluwaseun &lpar;82&percnt;&rpar;<&sol;strong><&sol;p>&NewLine;<blockquote><p>This wailing silence treading through our marrows&semi;<br>&NewLine;The songs of mediocrity hung on slaughtered dreams&semi;<br>&NewLine;These songs are the wrongs which will never embrace our rights<br>&NewLine;Until the heart of corruption is lured to death<br>&NewLine;By the whispers of serenity&period;<&sol;p>&NewLine;<p>We have wandered off the strokes of progress&comma;<br>&NewLine;Hiding behind terrified shadows of hypocritical minds<br>&NewLine;As bones of our patriotic brothers<br>&NewLine;Stand on the corridors of doom&comma; to welcome more souls<br>&NewLine;Perishing by the sword of ignorance&period;<&sol;p>&NewLine;<p>Our curses are counted on the weary facade of our mothers&comma;<br>&NewLine;And our tears are not comforting enough to console our dying wishes&period;<br>&NewLine;These tattered skulls won’t stop being heroes of oblivion&comma;<br>&NewLine;And our hope will die each time our thumbs are slain by ignorance&period;<&sol;p>&NewLine;<p>More dreams shall be aborted by each thrust of fear<br>&NewLine;Until we silence this raging storm&period;<br>&NewLine;We can erupt the confidence dying in marrows of blacks&semi;<br>&NewLine;We can fight till death becomes weary of slaying sacred souls&period;<&sol;p>&NewLine;<p>The scars of corruption seem too deep for us to survive&comma;<br>&NewLine;But we are warriors&comma; longing to hear the voice of freedom&period;<br>&NewLine;Let the orphans rise with the strength<br>&NewLine;Of the fading memories of their beloved&comma;<br>&NewLine;Let the mad men fight with the weapons of insanity<br>&NewLine;Until sanity returns with our staff of liberty&period;<&sol;p>&NewLine;<p>Let our bones be buried in your memories after the war&comma;<br>&NewLine;But we pledge by our fathers&comma; that even in death&comma;<br>&NewLine;You all shall remember us from the eyes of change&period;<&sol;p><&sol;blockquote>&NewLine;<p><strong>A PARASITE RUNNING WILD by Emmanuel Etim Essang &lpar;81&percnt;&rpar;<&sol;strong><&sol;p>&NewLine;<blockquote><p>I am come&semi; I&comma; the One whom you seek&comma;<br>&NewLine;I am now come unto you…<br>&NewLine;I hail not from the dusty dunes of Daura&comma;<br>&NewLine;Otuoke’s speedboats creeks my imagination&comma; but<br>&NewLine;to the thirty-six kingdoms and their provinces is my life-source strung&semi;<br>&NewLine;I breed in lands unmapped&comma; infecting voices that are but weeny whispers&period;<br>&NewLine;I am come&semi; I the One whom you seek&period;<&sol;p>&NewLine;<p>I am come unto you&comma;<br>&NewLine;I will lord&comma; not from the fiesty fortress of Aso Rock&comma;<br>&NewLine;I dwell not in &OpenCurlyQuote;harrowed’ chambers painted food and blood&comma; but<br>&NewLine;into the soul of every man shall I spurt my seed&comma;<br>&NewLine;inside every artery&comma; vein&semi; as thoughts that to fro flow&comma;<br>&NewLine;from courtly luminaries to puff-puff pedlars who will walk against traffic&semi;<br>&NewLine;I am come&semi; I&comma; the One whom you seek…<&sol;p>&NewLine;<p>I am come unto you&comma;<br>&NewLine;I seek not&comma; the warmth of the worm-eaten umbrella&comma;<br>&NewLine;the broom’s busy brouhaha is the elégún festival&semi;<br>&NewLine;I long not for the holiness of the chartered cathedral&comma;<br>&NewLine;nor do I dance to the music that to Juma’at calls…<br>&NewLine;I hear the whispering whisperers whisper&colon; &OpenCurlyQuote;olóríburúkú ni’ but<br>&NewLine;I proudly smile at that odd worker of giant birds’ nests&comma;<br>&NewLine;I am come&semi; I the One whom you seek…<&sol;p>&NewLine;<p>I am come unto you&comma;<br>&NewLine;far spread my tentacles may be&comma; yet none shall I abduct&comma;<br>&NewLine;a willing heart I only befriend&comma;<br>&NewLine;or blank slates in nests&comma; and cots&semi;<br>&NewLine;I am the song your ancestors sang at the hunt&comma;<br>&NewLine;I stand unsoiled&comma; pure and pristine<br>&NewLine;a parasite running wild in your bloodstream&period;<&sol;p>&NewLine;<p><em>&ast;elégún – a Yoruba <&sol;em><i>masquerade<&sol;i><br>&NewLine;<em>&ast;olóríburúkú ni – she is unfortunate<&sol;em><&sol;p><&sol;blockquote>&NewLine;<p><strong>JUDGE’S COMMENT&colon;<&sol;strong><br>&NewLine;<em>&OpenCurlyDoubleQuote;In the August collection&comma; the poets have soaked their pens in the inky arteries leading to the heart of change&period;The theme could actually be understood in two different ways&period; <&sol;em><&sol;p>&NewLine;<p><em>C<&sol;em><em>hange could be considered as the actor of progress speaking in his own name&period; Or better still&comma; the poets could see themselves as the force behind events&comma; deciding to do their best to improve the situation and amend their ways&period;<&sol;em><&sol;p>&NewLine;<p><em>In all cases&comma; their profuse imagery and profound inspiration have conferred color and pungency to their poems&period;”<&sol;em><br>&NewLine;<strong>— Brigitte Poirson<&sol;strong><&sol;p>&NewLine;<p>The BPPC is sponsored by WRR CEO <a title&equals;"KUKOGHO IRUESIRI SAMSON" href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;kukogho-iruesiri-samson&sol;" target&equals;"&lowbar;blank">Kukogho Iruesiri Samson<&sol;a> in honor of Brigitte Poirson&comma; a French poet and lecturer&comma; editor who has worked tirelessly to promote and support of African poetry&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; left&semi;">NOTE&colon; Submissions are being received for the BRIGITTE POIRSON POETRY CONTEST 2015 &lbrack;AUGUST&rsqb; on the THEME&colon; <a title&equals;"CALL FOR SUBMISSIONS&colon; BRIGITTE POIRSON POETRY CONTEST 2015 &lbrack;SEPTEMBER&rsqb;" href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;call-for-submissions-brigitte-poirson-poetry-contest-2015-september&sol;" target&equals;"&lowbar;blank">&OpenCurlyDoubleQuote;I AM THE CHANGE<&sol;a>”<&sol;p>&NewLine;<p style&equals;"text-align&colon; center&semi;"><strong><a title&equals;"CALL FOR SUBMISSIONS&colon; BRIGITTE POIRSON POETRY CONTEST 2015 &lbrack;SEPTEMBER&rsqb;" href&equals;"http&colon;&sol;&sol;wrr&period;ng&sol;authorpedia&sol;call-for-submissions-brigitte-poirson-poetry-contest-2015-september&sol;" target&equals;"&lowbar;blank">CLICK HERE TO ENTER FOR THE SEPTEMBER EDITION<&sol;a><&sol;strong><&sol;p>&NewLine;&NewLine; &NewLine; <div class&equals;"booster-block booster-author-block">&NewLine; <div class&equals;"be-author-details layout-square align-left">&NewLine; <div class&equals;"be-author-wrapper">&NewLine; <div class&equals;"booster-row">&NewLine; <div class&equals;"booster-column booster-column-two booster-column-mobile">&NewLine; <div class&equals;"be-author-image">&NewLine; <img alt&equals;"" src&equals;"https&colon;&sol;&sol;secure&period;gravatar&period;com&sol;avatar&sol;3de36b6da89639b3d80d015f84d2cfc35212bb0678ceb13c46dc8c712831d196&quest;s&equals;400&amp&semi;d&equals;mm&amp&semi;r&equals;g" class&equals;"avatar avatar-400 photo avatar-img" height&equals;"400" width&equals;"400" loading&equals;"lazy"> <&sol;div>&NewLine; <&sol;div>&NewLine; <div class&equals;"booster-column booster-column-eight booster-column-mobile">&NewLine; <div class&equals;"author-details">&NewLine; <header class&equals;"twp-plugin-title twp-author-title">&NewLine; <h2>About Post Author<&sol;h2>&NewLine; <&sol;header>&NewLine; <h4 class&equals;"be-author-meta be-author-name">&NewLine; <a href&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;author&sol;admin&sol;" class&equals;"booster-url-link">&NewLine; Words Rhymes &amp&semi; Rhythm <&sol;a>&NewLine; <&sol;h4>&NewLine; <div class&equals;"be-author-meta be-author-email">&NewLine; <a href&equals;"mailto&colon;&percnt;20info&commat;wrr&period;ng" class&equals;"booster-url-link">&NewLine; <span class&equals;"booster-svg-icon booster-svg-envelope"><svg class&equals;"booster-svg" aria-hidden&equals;"true" role&equals;"img" focusable&equals;"false" viewbox&equals;"0 0 24 24" xmlns&equals;"http&colon;&sol;&sol;www&period;w3&period;org&sol;2000&sol;svg" width&equals;"24" height&equals;"24"><path fill&equals;"currentColor" d&equals;"M0 3v18h24v-18h-24zm6&period;623 7&period;929l-4&period;623 5&period;712v-9&period;458l4&period;623 3&period;746zm-4&period;141-5&period;929h19&period;035l-9&period;517 7&period;713-9&period;518-7&period;713zm5&period;694 7&period;188l3&period;824 3&period;099 3&period;83-3&period;104 5&period;612 6&period;817h-18&period;779l5&period;513-6&period;812zm9&period;208-1&period;264l4&period;616-3&period;741v9&period;348l-4&period;616-5&period;607z"><&sol;path><&sol;svg><&sol;span>info&commat;wrr&period;ng <&sol;a>&NewLine; <&sol;div>&NewLine; <div class&equals;"be-author-meta be-author-url">&NewLine; <a href&equals;"https&colon;&sol;&sol;wrr&period;ng&sol;about-us&sol;" target&equals;"&lowbar;blank" class&equals;"booster-url-link">&NewLine; <span class&equals;"booster-svg-icon booster-svg-sphere"><svg class&equals;"booster-svg" aria-hidden&equals;"true" role&equals;"img" focusable&equals;"false" viewbox&equals;"0 0 24 24" xmlns&equals;"http&colon;&sol;&sol;www&period;w3&period;org&sol;2000&sol;svg" width&equals;"24" height&equals;"24"><path fill&equals;"currentColor" d&equals;"M 11&period;25 1&period;5 C 5&period;035156 1&period;5 0 6&period;535156 0 12&period;75 C 0 18&period;964844 5&period;035156 24 11&period;25 24 C 17&period;464844 24 22&period;5 18&period;964844 22&period;5 12&period;75 C 22&period;5 6&period;535156 17&period;464844 1&period;5 11&period;25 1&period;5 Z M 17&period;617188 16&period;5 C 17&period;816406 15&period;550781 17&period;941406 14&period;546875 17&period;984375 13&period;5 L 20&period;972656 13&period;5 C 20&period;894531 14&period;535156 20&period;652344 15&period;542969 20&period;253906 16&period;5 Z M 4&period;882812 9 C 4&period;683594 9&period;949219 4&period;558594 10&period;953125 4&period;515625 12 L 1&period;527344 12 C 1&period;605469 10&period;964844 1&period;847656 9&period;957031 2&period;246094 9 Z M 16&period;078125 9 C 16&period;304688 9&period;960938 16&period;441406 10&period;964844 16&period;484375 12 L 12 12 L 12 9 Z M 12 7&period;5 L 12 3&period;109375 C 12&period;34375 3&period;210938 12&period;679688 3&period;375 13&period;011719 3&period;609375 C 13&period;636719 4&period;050781 14&period;230469 4&period;726562 14&period;738281 5&period;566406 C 15&period;085938 6&period;148438 15&period;386719 6&period;796875 15&period;640625 7&period;5 Z M 7&period;761719 5&period;566406 C 8&period;269531 4&period;726562 8&period;863281 4&period;050781 9&period;488281 3&period;609375 C 9&period;820312 3&period;375 10&period;15625 3&period;207031 10&period;5 3&period;109375 L 10&period;5 7&period;5 L 6&period;859375 7&period;5 C 7&period;113281 6&period;792969 7&period;414062 6&period;148438 7&period;761719 5&period;566406 Z M 10&period;5 9 L 10&period;5 12 L 6&period;015625 12 C 6&period;058594 10&period;964844 6&period;195312 9&period;960938 6&period;421875 9 Z M 2&period;246094 16&period;5 C 1&period;847656 15&period;542969 1&period;605469 14&period;535156 1&period;527344 13&period;5 L 4&period;515625 13&period;5 C 4&period;558594 14&period;546875 4&period;683594 15&period;550781 4&period;882812 16&period;5 Z M 6&period;015625 13&period;5 L 10&period;5 13&period;5 L 10&period;5 16&period;5 L 6&period;421875 16&period;5 C 6&period;195312 15&period;539062 6&period;058594 14&period;535156 6&period;015625 13&period;5 Z M 10&period;5 18 L 10&period;5 22&period;390625 C 10&period;15625 22&period;289062 9&period;820312 22&period;125 9&period;488281 21&period;890625 C 8&period;863281 21&period;449219 8&period;269531 20&period;773438 7&period;761719 19&period;933594 C 7&period;414062 19&period;351562 7&period;113281 18&period;703125 6&period;859375 18 Z M 14&period;738281 19&period;933594 C 14&period;230469 20&period;773438 13&period;636719 21&period;449219 13&period;011719 21&period;890625 C 12&period;679688 22&period;125 12&period;34375 22&period;292969 12 22&period;390625 L 12 18 L 15&period;640625 18 C 15&period;386719 18&period;707031 15&period;085938 19&period;351562 14&period;738281 19&period;933594 Z M 12 16&period;5 L 12 13&period;5 L 16&period;484375 13&period;5 C 16&period;441406 14&period;535156 16&period;304688 15&period;539062 16&period;078125 16&period;5 Z M 17&period;984375 12 C 17&period;945312 10&period;953125 17&period;816406 9&period;949219 17&period;617188 9 L 20&period;253906 9 C 20&period;652344 9&period;957031 20&period;894531 10&period;964844 20&period;972656 12 Z M 19&period;46875 7&period;5 L 17&period;222656 7&period;5 C 16&period;785156 6&period;121094 16&period;179688 4&period;914062 15&period;457031 3&period;949219 C 16&period;453125 4&period;429688 17&period;355469 5&period;066406 18&period;144531 5&period;855469 C 18&period;648438 6&period;359375 19&period;089844 6&period;910156 19&period;46875 7&period;5 Z M 4&period;355469 5&period;855469 C 5&period;144531 5&period;066406 6&period;046875 4&period;429688 7&period;042969 3&period;949219 C 6&period;320312 4&period;914062 5&period;714844 6&period;121094 5&period;277344 7&period;5 L 3&period;03125 7&period;5 C 3&period;410156 6&period;910156 3&period;851562 6&period;359375 4&period;355469 5&period;855469 Z M 3&period;03125 18 L 5&period;277344 18 C 5&period;714844 19&period;378906 6&period;320312 20&period;585938 7&period;042969 21&period;550781 C 6&period;046875 21&period;070312 5&period;144531 20&period;433594 4&period;355469 19&period;644531 C 3&period;851562 19&period;140625 3&period;410156 18&period;589844 3&period;03125 18 Z M 18&period;144531 19&period;644531 C 17&period;355469 20&period;433594 16&period;453125 21&period;070312 15&period;457031 21&period;550781 C 16&period;179688 20&period;585938 16&period;785156 19&period;378906 17&period;222656 18 L 19&period;46875 18 C 19&period;089844 18&period;589844 18&period;648438 19&period;140625 18&period;144531 19&period;644531 Z M 18&period;144531 19&period;644531 "><&sol;path><&sol;svg><&sol;span>https&colon;&sol;&sol;wrr&period;ng&sol;about-us&sol; <&sol;a>&NewLine; <&sol;div>&NewLine; <&sol;div>&NewLine; <div class&equals;"be-author-profiles">&NewLine; <&sol;div>&NewLine; <&sol;div>&NewLine; <&sol;div>&NewLine; <&sol;div>&NewLine; <&sol;div>&NewLine; <&sol;div>&NewLine; <&sol;body>

Exit mobile version