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<p><strong>TITLE:</strong> LAGOS DOESN’T SLEEP<br><strong>AUTHOR:</strong> EMMANUEL FAITH<br><strong>GENRE:</strong> POETRY<br><strong>NUMBER OF PAGES:</strong> 38<br><strong>PUBLISHER:</strong> WORDS RHYMES &; RHYTHM <br><strong>DATE OF PUBLICATION: </strong>2020<br><strong>ISBN:</strong> NIL<br><strong>REVIEWER</strong>: SHOOLA OYINDAMOLA</p>



<p>These days, I am entertained by the impoliteness of people, especially youth who are tired of systems, cultures, and norms that are failing and yet staying. In the midst of all this, Emanuel Faith proves that he is one of those appealing voices. In his most recent offering, <em>Lagos Doesn’t Sleep</em>, he shines through as one of those who still observing and appraising. </p>



<p>Emmanuel’s poetry appeals to the Nigerian in me. This is because there is an underlying Nigerianness that intoxicates his words, affecting their tone and meaning. I feel his passion. This Nigerianness is very clear in most of the poems of <em>Lagos Doesn’t Sleep</em>. Take, for example, the poem titled <em>Let Us Pray </em>in which he writes:</p>



<pre class="wp-block-verse"><em>We thank you for our nation Nigeria</em><br><em>For those who make our country proud </em><br><em>For Tiwa, Dike, Okonjo Iweala </em><br><em>And others who sing our good songs aloud </em><br><em>We ask that you send lightning and thunder </em><br><em>To those who snatched our votes with lies </em><br><em>May their household, sons, and daughters </em><br><em>Be immersed in ruins and daily cries</em><br><em>(Page 29)</em></pre>



<p>Emmanuel is a conscious poet. He touches issues like the misery of unemployment; gender injustices and how they add fuel to the fire burning his nation. On the topic of what is failing, the poem <em>Of Melodies and Threonodies: On Mental Health</em> <em>(page 21) </em>he describes the demeaning relationships of “<em>CV starched by the sun’s scorching heat and shoes worn by a starved soul with holed soles and cringing crevices.”</em></p>



<p>Emmanuel’s is rich in the spice of storytelling; <em>Lagos Doesn’t Sleep</em> will entertain you if you love stories. His descriptive use of language engages the reader and, unlike many debut anthologies, he doesn’t make the reader suffer in the pursuit of meaning. </p>



<p>Another unique thing about Emmanuel is that he draws inspiration from what is familiar. As such, <em>Lagos Doesn’t Sleep </em>stands out as a testament to how literature remains the eyes of our current events and a concubine to history. He synonymizes notable productions like the <em>Sex for Grades </em>documentary. On this he writes:</p>



<pre class="wp-block-verse"><em>Yesterday my sister lost her job because she wouldn’t </em><br><em>get down with her MD, </em><br><em>“Use what you have to get what you want or get out,” he'd muttered.</em><br><em>(Page 22)</em></pre>



<p>He writes of Lagos, and what it has become synonymous for – “<em>four am, the streets bubbling like no eyelids closed overnight.” </em>And the five pm, when the inhabitants shed their professional façade<em> </em>– <em>“ladies swap heels for flat shoes.” </em>In poems like <em>Lagos Doesn’t Sleep, </em>we see time as a rat cycle – how the day ending for one person becomes the beginning for another.</p>



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<p>It is interesting to see that there are also love poems in the collection. They are original. In <em>Goodbye, </em>Emmanuel writes:</p>



<pre class="wp-block-verse"><em>And you will learn </em><br><em>Wriggling in sorrow </em><br><em>That one of the hardest ways to love </em><br><em>Is whispering a solemn goodbye.</em><br><em>(Page 34)</em></pre>



<p>As a writer, I am pleased to see that, just like Emmanuel did in the poem above, we are redefining love in art, particularly poetry. I love that we are changing the enchantments of <em>I’d die for you </em>to <em>I’d live for you </em>and that the words still carry the meaning of love. </p>



<p>My conclusion after reading Emmanuel’s <em>Lagos Doesn’t Sleep is that it is </em>very good for writers, particularly poets who are still learning how they can make everyday life and current events their muse and canvas. I also recommend it for every lover of literary arts because it offers important observations, reflections and ponderings. </p>



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 Oyindamola Shoola </a>
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 <div class="be-author-meta be-author-description">SHOOLA OYINDAMOLA was born and raised in Ibadan, Nigeria. She is a published poet, a feminist, a mentor, a blogger and Co-founder and Resource manager of Sprinng Literary Movement. She loves to writes poems, essays and her non-classifiable opinions. She uses her writing skills with her feminist drive to discuss the gender injustices that need to be fixed. Her first collection of poems is titled “Heartbeat”. Her second, To Bee A Honey, was published in 2017.</div>
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REVIEW: FAITH’S CHAPBOOK ‘LAGOS DOESN’T SLEEP’ DRAWS INSPIRATION FROM WHAT IS FAMILIAR
