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ERIATA ORIBHABOR POETRY PRIZE 2017 WINNING POEMS by Mesioye, Agarau & Ogwiji

<body><div class&equals;"booster-block booster-read-block">&NewLine; <div class&equals;"twp-read-time">&NewLine; &Tab;<i class&equals;"booster-icon twp-clock"><&sol;i> <span>Read Time&colon;<&sol;span>5 Minute&comma; 16 Second <&sol;div>&NewLine;&NewLine; <&sol;div><h4 style&equals;"text-align&colon; center&semi;">PROBABILITY &lpar;1<sup>st<&sol;sup> Prize&rpar;<&sol;h4>&NewLine;<p> <&sol;p>&NewLine;<h5>We are the two sides of a coin<&sol;h5>&NewLine;<h5>but unsure of the side that grits the ground<&sol;h5>&NewLine;<h5>in music brewed with morrows&period;<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>This city is a dice<&sol;h5>&NewLine;<h5>and we are people of shades like a dice too&period;<&sol;h5>&NewLine;<h5>We are life&comma; and life is a dice&comma; so we throw our body<&sol;h5>&NewLine;<h5>to the wind for the ground to decide our fate of numbers&colon;<&sol;h5>&NewLine;<h5>That we harbour pains in our fingers<&sol;h5>&NewLine;<h5>doesn’t mean we are dirty or that a win won’t rip it off<&sol;h5>&NewLine;<h5>into fire later&comma; never mind if it’s a one now&semi;<&sol;h5>&NewLine;<h5>that we find it difficult to count orphans<&sol;h5>&NewLine;<h5>wanting a feel of home in their tears<&sol;h5>&NewLine;<h5>doesn’t mean we’ll father silences on our tongues<&sol;h5>&NewLine;<h5>for the rest of our lives&comma;<&sol;h5>&NewLine;<h5>never mind if this city gives you a two now&semi;<&sol;h5>&NewLine;<h5>that we slip thru oil into a ditch of our gone shadow<&sol;h5>&NewLine;<h5>doesn’t mean we won’t still fill it with the stories<&sol;h5>&NewLine;<h5>designing our palms with tragedies&comma;<&sol;h5>&NewLine;<h5>never mind if it’s a five now&comma; but<&sol;h5>&NewLine;<h5>do you now see how time changes yesterday&quest;<&sol;h5>&NewLine;<h5>Hope is the cloth of the mind&period;<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>That we walk in a dark room<&sol;h5>&NewLine;<h5>wanting the touch of a nova<&sol;h5>&NewLine;<h5>in our passing smiles<&sol;h5>&NewLine;<h5>doesn’t mean we won’t still be a home<&sol;h5>&NewLine;<h5>with curtains of calm shadows&comma;<&sol;h5>&NewLine;<h5>never mind if it’s a three this time&comma;<&sol;h5>&NewLine;<h5>we just have to throw again<&sol;h5>&NewLine;<h5>cos the space we leave for doubts<&sol;h5>&NewLine;<h5>may be the only time left to breathe in this city of fluttering songs&semi;<&sol;h5>&NewLine;<h5>that elders plant promises that never sprout abundance<&sol;h5>&NewLine;<h5>but the flag of our hunger in fine colours<&sol;h5>&NewLine;<h5>doesn’t mean we won’t be a garden<&sol;h5>&NewLine;<h5>fluttering our blossoming desires<&sol;h5>&NewLine;<h5>when we throw fertile thoughts like a dice&comma; like this city&comma;<&sol;h5>&NewLine;<h5>never mind if it’s a four now<&sol;h5>&NewLine;<h5>for we just have to keep clothing our mind with roses<&sol;h5>&NewLine;<h5>cos zero is never a number on what we throw&comma;<&sol;h5>&NewLine;<h5>cos it’s never a number of this city&comma;<&sol;h5>&NewLine;<h5>for who knows if the wind will add our smiles<&sol;h5>&NewLine;<h5>and result to six when we toss our face<&sol;h5>&NewLine;<h5>with hopes that loop the heart with fine morrows&quest;<&sol;h5>&NewLine;<h5 style&equals;"text-align&colon; right&semi;"><em>by <&sol;em>Mesioye Johnson Affable<&sol;h5>&NewLine;<hr>&NewLine;<h4 style&equals;"text-align&colon; center&semi;">DIFFERENTIATION  &lpar;2<sup>nd<&sol;sup> Prize&rpar;<&sol;h4>&NewLine;<h5>Fix <em>&epsi;<&sol;em>&gt&semi;0 and <em>a<&sol;em>&period;<&sol;h5>&NewLine;<h5>From the definition of differentiation we have<&sol;h5>&NewLine;<h5>&vert;<em>f<&sol;em>&lpar;<em>x<&sol;em>&rpar;−<em>f<&sol;em>&lpar;<em>a<&sol;em>&rpar;<em>x<&sol;em>−<em>a<&sol;em>−<em>f<&sol;em>′&lpar;<em>a<&sol;em>&rpar;&vert;&lt&semi;<em>&epsi;    <&sol;em>a marketplace –bodies carving selves into storehouses&comma; stories burning&comma; feet heavy with baggage –they came<&sol;h5>&NewLine;<h5>to be appropriately chosen <em>δ<&sol;em>&gt&semi;0&period;                                   let <em>δ be the victims&comma; f be the frequency of numbers&comma; x be the weight of salt&comma; a be the grief waiting to break into ash            <&sol;em>in silence&comma; a red-green pointer ticks<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>Multiply both sides by &vert;<em>x<&sol;em>−<em>a<&sol;em>&vert; to get&colon;&vert;<em>f<&sol;em>&lpar;<em>x<&sol;em>&rpar;−<em>f<&sol;em>&lpar;<em>a<&sol;em>&rpar;−&lpar;<em>x<&sol;em>−<em>a<&sol;em>&rpar;<em>f<&sol;em>′&lpar;<em>a<&sol;em>&rpar;&vert;&lt&semi;&vert;<em>x<&sol;em>−<em>a<&sol;em>&vert;<em>&epsi;<&sol;em><&sol;h5>&NewLine;<h5><em>                                    <&sol;em>my mother sing of places metamorphosed into a garden&sol;grave of flowers<&sol;h5>&NewLine;<h5>                                    ash-yellow&period; inside is full of prayers&sol;answers returning to owners&sol;wishes carved like epitaphs                        the epiphany of a morning broken like the fins of a lionfish   wrecks my body          yes<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>Using &vert;&vert;<em>x<&sol;em>&vert;−&vert;<em>y<&sol;em>&vert;&vert;&leq;&vert;<em>x<&sol;em>−<em>y<&sol;em>&vert; we have&colon;<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>&vert;<em>f<&sol;em>&lpar;<em>x<&sol;em>&rpar;−<em>f<&sol;em>&lpar;<em>a<&sol;em>&rpar;&vert;−&vert;<em>x<&sol;em>−<em>a<&sol;em>&vert;⋅&vert;<em>f<&sol;em>′&lpar;<em>a<&sol;em>&rpar;&vert;&lt&semi;&vert;<em>x<&sol;em>−<em>a<&sol;em>&vert;<em>&epsi;&colon;<&sol;em><&sol;h5>&NewLine;<h5><em>a boy in the market holds his mother’s hand<&sol;em><&sol;h5>&NewLine;<h5><em>they dream together&period; his father by the window<&sol;em><&sol;h5>&NewLine;<h5><em>waiting&comma; slowly longing into the road with a smile<&sol;em><&sol;h5>&NewLine;<h5><em> <&sol;em><&sol;h5>&NewLine;<h5><em>the woman –femur&sol;long like surah fathia<&sol;em><&sol;h5>&NewLine;<h5><em>the boy –his button shines into the sun<&sol;em><&sol;h5>&NewLine;<h5><em>he just passed his exams<&sol;em><&sol;h5>&NewLine;<h5><em> <&sol;em><&sol;h5>&NewLine;<h5>Rearrange to get&colon;&vert;<em>f<&sol;em>&lpar;<em>x<&sol;em>&rpar;−<em>f<&sol;em>&lpar;<em>a<&sol;em>&rpar;&vert;&lt&semi;&lpar;&vert;<em>f<&sol;em>′&lpar;<em>a<&sol;em>&rpar;&vert;&plus;<em>&epsi;<&sol;em>&rpar;⋅&vert;<em>x<&sol;em>−<em>a<&sol;em>&vert;   &colon;&sol;place&equals;maiduguri<&sol;h5>&NewLine;<h5>                                                            forget the people in the market<&sol;h5>&NewLine;<h5>and remember this place is a sea –of head –of sinners –of people who are a blasphemy –of debris washed back to shore –of girls wanting to become –of the becoming of boys –of lovers hiding smiles beneath their chest&comma; waiting for sunset’s return –of mothers whose husbands will teach themselves to sing with their teeth&comma; hold the gourds of their wives and drain the blood –the sand will testify<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>since <em>f<&sol;em>′&lpar;<em>a<&sol;em>&rpar; and <em>&epsi;<&sol;em> are both fixed&comma; you can make &vert;<em>f<&sol;em>&lpar;<em>x<&sol;em>&rpar;−<em>f<&sol;em>&lpar;<em>a<&sol;em>&rpar;&vert; as big as you want by making &vert;<em>x<&sol;em>−<em>a<&sol;em>&vert;bigger and bigger&period; Thus&comma; the function is continuous at <em>a<&sol;em>&sol;<em>&epsi; &plus;boom&excl;<&sol;em><&sol;h5>&NewLine;<h5><em> <&sol;em><&sol;h5>&NewLine;<h5><em>in the beginning&comma;<&sol;em><&sol;h5>&NewLine;<h5><em>god created the heavens<&sol;em><&sol;h5>&NewLine;<h5><em>&amp&semi; the earth<&sol;em><&sol;h5>&NewLine;<h5><em> <&sol;em><&sol;h5>&NewLine;<h5><em>&amp&semi; the earth was without form<&sol;em><&sol;h5>&NewLine;<h5><em>&amp&semi; the earth was without form<&sol;em><&sol;h5>&NewLine;<h5><em>&amp&semi; the earth was without form<&sol;em><&sol;h5>&NewLine;<h5><em>&amp&semi; the earth was without form<&sol;em><&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5><em>&amp&semi; each spirit roamed the earth in search of its own skin&comma; even that of the innocent boy<&sol;em><&sol;h5>&NewLine;<p style&equals;"text-align&colon; right&semi;"><em><br>&NewLine;by Adedayo Agarau<&sol;em><&sol;p>&NewLine;<hr>&NewLine;<h4 style&equals;"text-align&colon; center&semi;">TELL LADY JUSTICE &lpar;3<sup>rd<&sol;sup> Prize&rpar;<&sol;h4>&NewLine;<h5>Drunken with an intoxicating prejudice&comma;<&sol;h5>&NewLine;<h5>Our gavel staggers from side to side&comma;<&sol;h5>&NewLine;<h5>Chanting songs to the drumbeats of crime&period;<&sol;h5>&NewLine;<h5>I may only be a woman in my prime<&sol;h5>&NewLine;<h5>But I know that the Constitution long began<&sol;h5>&NewLine;<h5>To ally with unrepentant criminals and<&sol;h5>&NewLine;<h5>His fiery wrath is become a friendly warmth-<&sol;h5>&NewLine;<h5>Gathering offenders into an embrace<&sol;h5>&NewLine;<h5>As they toast to the triumph of wrong<&sol;h5>&NewLine;<h5>With chilled wine in the hollowed skulls<&sol;h5>&NewLine;<h5>Of the innocent<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>The jury has inflicted an injury on our soul<&sol;h5>&NewLine;<h5>For like the ears of corn&comma; stuck on either side<&sol;h5>&NewLine;<h5>Of my farmland&comma; they hear not our whispers<&sol;h5>&NewLine;<h5>Nor whimpers of despair and pain<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>The day the wig &lpar;the crown on the head of the Law&rpar;<&sol;h5>&NewLine;<h5>Began to speak the language of brown envelopes<&sol;h5>&NewLine;<h5>Justice eloped with bribery and corruption<&sol;h5>&NewLine;<h5>To seek nuptial bliss in the presence<&sol;h5>&NewLine;<h5>Of currency notes&period;<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>So please tell Lady Justice that<&sol;h5>&NewLine;<h5>The weevils are feasting on the last grains<&sol;h5>&NewLine;<h5>In our silo&period; Tell Lady Justice that<&sol;h5>&NewLine;<h5>The poor man is guilty&comma; his innocence like<&sol;h5>&NewLine;<h5>A feather on her scale&comma; it weighs nothing<&sol;h5>&NewLine;<h5>For poverty is  such a weighty crime<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>Tell Lady Justice to make herself a new blindfold<&sol;h5>&NewLine;<h5>She seems to be examining the faces not the cases&excl;<&sol;h5>&NewLine;<h5>Tell Lady Justice to sharpen her sword with the file<&sol;h5>&NewLine;<h5>On the rough tongue of incorruptible judges-<&sol;h5>&NewLine;<h5>In between whose teeth&comma; fair judgment cannot get stuck&period;<&sol;h5>&NewLine;<h5><&sol;h5>&NewLine;<h5>Tell Lady Justice that the poor men are at her nip&comma;<&sol;h5>&NewLine;<h5>Waiting to suckle the milk of freedom&period;<&sol;h5>&NewLine;<h5>Counsel&comma; please tell her to allow them suckle<&sol;h5>&NewLine;<h5>Until they wean and win their case&comma;<&sol;h5>&NewLine;<h5>Else they’ll shake the thorny hands of fate as aforetime&period;<&sol;h5>&NewLine;<h5 style&equals;"text-align&colon; right&semi;">by O<a href&equals;"https&colon;&sol;&sol;www&period;facebook&period;com&sol;ogwiji&period;ehi">gwiji Ehi-kowochio Blessing<&sol;a><&sol;h5>&NewLine;<hr>&NewLine;<blockquote class&equals;"wp-embedded-content" data-secret&equals;"LVyh9Ul9ts"><p><a href&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;news&sol;eopp-2017-mesioye-wins&sol;">MESIOYE&comma; AGARAU&comma; OGWIJI WIN ERIATA ORIBHABOR POETRY PRIZE 2017<&sol;a><&sol;p><&sol;blockquote>&NewLine;<p><iframe class&equals;"wp-embedded-content" sandbox&equals;"allow-scripts" security&equals;"restricted" style&equals;"position&colon; absolute&semi; visibility&colon; hidden&semi;" title&equals;"&OpenCurlyDoubleQuote;MESIOYE&comma; AGARAU&comma; OGWIJI WIN ERIATA ORIBHABOR POETRY PRIZE 2017” — Words Rhymes &amp&semi; Rhythm" src&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;news&sol;eopp-2017-mesioye-wins&sol;embed&sol;&num;&quest;secret&equals;9kWWcjSJi5&num;&quest;secret&equals;LVyh9Ul9ts" 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