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 </div><blockquote><p>No matter if you’re writing sonnets or lyrics to your next mixtape, these five things are essential to any poem.</p></blockquote>
<p><strong>IMAGERY</strong><br>
The only thing that will make your poetry powerful and enticing is great imagery. This goes along with the line you always hear “show don’t tell.” Only with poetry, it’s ALL show and NO tell. For the love of god, don’t just say that love hurts, give us a metaphor. Show us a weapon, maybe draw some blood. Make it appeal to the five senses.</p>
<blockquote><p>“In the process of welding words together – basically the stringing of ideas, experiences, assumptions and accumulated knowledge, like the beading of a necklace, the poet creates images in the mind of the reader. Where the poet has shared experiences with the audience the meanings embedded in his poems come to life.<br>
— <em>Kukogho Iruesiri Samson,</em> SYMBOLISM &; IMAGERY IN POETRY </p></blockquote>
<p><strong>RHYTHM</strong><br>
Yes, rhythm can include rhyme. No, it doesn’t have to. It’s not even recommended. In fact, the further away you can get from Dr. Seuss, the better. (Of course not all poems that rhyme are obnoxious, but I think you can use fair judgement here.)<br>
There are other ways to make a poem rhythmic without rhyme. Stringing words with similar sounds together in a line works very well.<br>
(this is an example of assonance, the repetition of vowel sounds in nearby words)<br>
Simultaneous hate came with the pain<br>
(this is an example of consonance, the repetition of consonant sounds at the end or middle of words)<br>
the same rhymes are momentously timed</p>
<blockquote><p>“Rhythm is the root pulse of poetry. Some experts believe it is the only real requirement for separating poetry from prose. Our ears enjoy the music. Many times the words simply register as sounds. This is lovely, except the mind can only take so much, “Frog on a log in the bog agog.”<br>
— <em>T.D. Euwaite</em>, POETRY IN A BOTTLE</p></blockquote>
<p><strong>SOUND</strong><br>
The rhythm of a poem goes along with the general sound of it as well as making it easier to remember. There are two sound patterns to know here. One is soft and harmonious, I like to think of it like the sound of angels humming. This is euphony.<br>
In euphony, words are chosen for their soft consonant sounds and melodious quality.<br>
(euphonious letters/sounds: L, O, S, SH, M, N, Y, W, U, PH, A)<br>
Lulled minds like sunny lakes in summertime<br>
The other sounds more like large metal machines clanging about in an empty warehouse. It’s much harsher and the sounds kind of rattle off your tongue. This is cacophony.<br>
In cacophony, words are chosen for their hard sounds and general obnoxiousness.<br>
(cacophonic letters/sounds: K, J, T, Q, V, C, X, G, Z, CH)<br>
Childish tales of gung-ho attitudes never results in progress</p>
<p><strong>DENSITY</strong><br>
Density is what sets poetry apart from prose (normal speech patterns/ the way fiction and nonfiction books are written) Density is how much is said in how little of space. The ability to use metaphors, not conform to traditional grammar styles, and incorporate sounds and rhythms is unique to poetry. All of these allow for greater density.<br>
As you describe an image, you’re actually underlying a metaphor, which expresses an idea about the human condition, while simultaneously persuading the reader to feel a certain way through the sound and rhythm of the words, and all of this is done in the same space. Pros can’t, and never will, be able to do that.</p>
<blockquote><p>“The poem’s weave should be tight and consistent without knots or snarls – this does not mean you can’t make your poem have hidden or intricate meanings. A good poem gives the reader something to reflect on and carry away, something that will abide, long after it was read.”<br>
— <em>Kukogho Iruesiri Samson</em>, INFORMAL TIPS FOR GOOD POETRY</p></blockquote>
<p><strong>LINE</strong><br>
In traditional poetry, you’re a prisoner to the line. The line owns you, telling you “Four lines there, five there, then four again.” So as a poet in the hipster age, of course you don’t want to conform. Unless you’re so against the grain that you actually want to write traditional poetry. But whatever the case may be, the line is a very important part of poetry. In fact, that’s another thing that makes it unique to pros. In prose, you can format the lines however you want and it has no impact on the writing. However, in poetry, that’s not the case.<br>
In poetry, the line is like one sentence. And since poetry doesn’t conform to grammar rules, and no one is obliged to use a period, the end of a line is like a period would be in pros. It creates a natural pause, making a break in the flow. This is a tool you can use to control the rhythm of your poetry. So keeping the way you break your lines up in mind is crucial to writing great poems.</p>
<blockquote><p>“I have seen too many poems with lines broken into rags by ‘poets’ who think that a poem is more beautiful if broken up into a thousand senseless bits. So a poem that should be 8 lines is turned into 100 lines by overzealous breakers. What they do not know is that breaking a line should be deliberate and purposeful…”<br>
— Kukogho Iruesiri Samson, ENJAMBMENT: DON’T DISFIGURE YOUR VERSES!!!</p></blockquote>
<p style="text-align: center;"><strong>NOTE: Originally published at<a href="https://medium.com/@rainbowhowl/the-five-most-important-elements-of-poetry-d776e5b5928#.tmp12pmy5" target="_blank" rel="noopener noreferrer"> ‘The Five Most Important Elements of Poetry’</a> on February 15, 2015 with additional comments by Kukogho Iruesiri Samson.</strong></p>
 
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