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UNDERSTANDING POETRY: THE PLACE OF PUNCTUATION IN A POEM (by Kukogho Iruesiri Samson)

<body><div class&equals;"booster-block booster-read-block">&NewLine; <div class&equals;"twp-read-time">&NewLine; &Tab;<i class&equals;"booster-icon twp-clock"><&sol;i> <span>Read Time&colon;<&sol;span>11 Minute&comma; 6 Second <&sol;div>&NewLine;&NewLine; <&sol;div>&NewLine;<p>Punctuation in poetry is similar to punctuation in prose and serves almost the same purpose as bar lines in music without which the words and notes won’t flow altogether&period; In order words&comma; punctuation assists in organizing your words into discernible verses&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<ol class&equals;"wp-block-list"><li>encapsulates thoughts and ideas<&sol;li><li>aids in coherence and the presentation of meaning<&sol;li><li>signals when and where to breathe &lpar;very important&rpar;<&sol;li><&sol;ol>&NewLine;&NewLine;&NewLine;&NewLine;<p>Interestingly&comma; many poets use punctuation marks without knowing why they used them&semi; others just write their verses without using any marks at all&comma; not deliberately&comma; just because they do not know how and where to use them&period; A third group of poets place punctuation arbitrarily&comma; without realizing that punctuation actually aid the readers’ interpretation and also determines his&sol;her breathe pauses&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<blockquote class&equals;"wp-block-quote is-style-large is-layout-flow wp-block-quote-is-layout-flow"><p>The fact is that the punctuation marks thrown in affect the reader’s pace&comma; understanding&comma; eye movement and perception&period;<&sol;p><&sol;blockquote>&NewLine;&NewLine;&NewLine;&NewLine;<p>Before we go too far&comma; let’s talk about the TYPES OF VERSES&comma; determined by the POSITION of the punctuation they contain&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<ol class&equals;"wp-block-list"><li><strong>End-stopped line –<&sol;strong> when punctuation occurs at the end of a line&sol;verse&comma; allowing the reader to pause before moving on to the next verse<&sol;li><li><strong>Run-on line&sol;Enjambment –<&sol;strong> when there is no punctuation at the end of the line and&sol;or the idea expressed in the verse is continued in the next<&sol;li><li><strong>Caesura –<&sol;strong> when a punctuation mark comes within the line itself<&sol;li><&sol;ol>&NewLine;&NewLine;&NewLine;&NewLine;<p>Examples&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Once and again on running track &lbrack;Enjambment&rsqb;&NewLine;Bolt beat them all&comma; a tall man black &lbrack;Caesura&rsqb;&NewLine;And did you not all clap with glee &lbrack;Enjambment&rsqb;&NewLine;For all the watching world to see&quest; &lbrack;End-stopped&rsqb;<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<h5 class&equals;"wp-block-heading"><strong>WHICH PUNCTUATION MARKS SHOULD A POET USE&quest;<&sol;strong><&sol;h5>&NewLine;&NewLine;&NewLine;&NewLine;<p>There are several punctuation marks you can use in your poem&period; In this lecture&comma; I will focus on the ones I have used&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>PERIOD &lpar;&period;&rpar; –<&sol;strong> the period is used to show a final end to the thought&sol;sentence and indeed verse&semi; after an abbreviation&period; The reader will most likely stop to think about what has been read so far&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Life is not a joke&period;&NewLine;Those who live know<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>QUESTION MARK &lpar;&quest;&rpar; –<&sol;strong> the question mark is used to indicate a direct question at the end of a verse&period; When it is being read&comma; the reader asks himself the question&comma; and pauses&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Is life a joke&quest;<&sol;em><br><em>Does it not make you cry&quest;<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>EXCLAMATION POINT&sol;MARK &lpar;&excl;&rpar; –<&sol;strong> the exclamation point&sol;mark is used to express a sudden outcry&comma; excitement&comma; finality or just add emphasis&period; It affects how the reader will view the verse or poem&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Life is not a joke&excl;<&sol;em><br><em>Those who live know&period;<&sol;em><br><em>It is sometimes a yoke&excl;”<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>COMMA &lpar;&comma;&rpar; –<&sol;strong> the comma is used to show a separation of ideas or elements within the verse&period; In a poem&comma; you can also use it to eliminate excess words&period; Eg &OpenCurlyDoubleQuote;The sun&comma; rain&comma; road flogged him to death” eliminating &OpenCurlyQuote;and the’ twice&period; It is also used to separate two or more complete&comma; independent clauses in a verse&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Life is a slaver&comma;<&sol;em><br><em>life is a beast<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p>or<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>he came&comma; he saw&comma; he conquered<&sol;em><br><em>but life took his debt&comma; his loan<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>SEMICOLON &lpar;&semi;&rpar; –<&sol;strong> the semicolon is used to connect two independent clauses in a verse or at the end of a verse &lpar;linking two verses&rpar;&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Life is a slaver&semi; it has no pity<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p>Or<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>man is killing himself&semi;<&sol;em><br><em>his hands strangle mother earth<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>COLON &lpar;&colon;&rpar; –<&sol;strong> the colon is used after a word introducing a quotation&comma; an explanation&comma; an example&comma; or a series&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Each life is a script&colon;<&sol;em><br><em>we are born&comma; we rehearse<&sol;em><br><em>we act and we die<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p>You can also use it when indicating time in your verse&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Life left him at 2&colon;03pm<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>DASH &lpar;– &sol;-&rpar; –<&sol;strong> the dash is of two types&comma; endash &lpar;short&rpar; and the emdash &lpar;long&sol;double dash&rpar;&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<ul class&equals;"wp-block-list"><li><strong>The endash<&sol;strong> &lpar;-&rpar; is used to connect numbers or elements of a compound adjective&colon;<&sol;li><&sol;ul>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>he ruled 6 years&comma; 1990 – 1996<&sol;em><br><em>feared Lord of Lagos – Abuja power play<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<ul class&equals;"wp-block-list"><li><strong>The emdash<&sol;strong> &lpar;–&rpar; is a little more complicated&period; It is used&comma; within a verse or at the end&comma; to indicate a break in thought or verse structure&semi; introduce a phrase added for emphasis&comma; definition&comma; or explanation&semi; separate two clauses &lpar;like the semicolon&rpar;&colon;<&sol;li><&sol;ul>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Life is not a joke –<&sol;em><br><em>though the living sometimes laughs<&sol;em><br><em>it is a heavy yoke – many gladly bear it<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>HYPHEN &lpar;-&rpar; –<&sol;strong> the hyphen is the same symbol as the endash but it is used creating compound words&comma; particularly modifiers before nouns&comma; name or syllables of a word&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Life is a power-hungry slaver<&sol;em><br><em>Treating the six-year-old girl<&sol;em><br><em>Like a hell-doomed grandpa<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>PARENTHESES &lpar; &lpar;&rpar; &rpar; –<&sol;strong> the Parenthesis is a curved notations used to contain further thoughts or qualifying remarks<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Life is not a joke<&sol;em><br><em>&lpar;Though it sometimes makes us laugh&rpar;<&sol;em><br><em>It is a heavy yoke”<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p>or<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Life is a heavy yoke<&sol;em><br><em>&lpar;Oftentimes gladly borne&rpar;<&sol;em><br><em>That all men must bear<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>APOSTROPHE &lpar;&OpenCurlyQuote;&rpar; –<&sol;strong> the apostrophe is used to show the omission of a letters from a word&comma; possessive case&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Buhari’s pow’r was nation’l<&sol;em><br><em>GEJ’s clout was region’l<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>QUOTATIONS MARKS &lpar; &OpenCurlyDoubleQuote; ” &rpar; –<&sol;strong> the quotation mark is used to separate the part of a verse that is directly spoken by a persona in the poem or quote attributed to another source and presented word for word&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>The son of man said &OpenCurlyDoubleQuote;I am the way”<&sol;em><br><em>but men needed freedom&comma; not a way<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>ELLIPSES &lpar;…&rpar; –<&sol;strong> the ellipses mark is used to show an omission of letters or words &lpar;especially in a quote&rpar; that do not interfere with the meaning&period; It can also show a transition or time lapse&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>Life dealt me a bitter blow<&sol;em><br><em>Stole my heart&comma; my wealth…<&sol;em><br><em>Now I am a corpse walking<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<p>Or<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"><em>&OpenCurlyDoubleQuote;I am the way… life”<&sol;em><br><em>The son of man said<&sol;em><&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<blockquote class&equals;"wp-block-quote is-style-large is-layout-flow wp-block-quote-is-layout-flow"><p>Punctuation gives the reader a brief release in tension&comma; allowing him&sol;her to pause for a moment and consider what has been read so far&period;<&sol;p><&sol;blockquote>&NewLine;&NewLine;&NewLine;&NewLine;<p>This is why you must be thoughtful in where you break the line because your choices will affect the reader’s experience of the flow and motion of the poem&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>See the poem below&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong><a href&equals;"http&colon;&sol;&sol;brainypoet&period;blogspot&period;com&sol;2015&sol;04&sol;why-does-love-steal-our-tongues-true&period;html&percnt;20" target&equals;"&lowbar;blank" rel&equals;"noreferrer noopener">WHY DOES LOVE STEAL OUR TONGUES<&sol;a> by <em>Kukogho Iruesiri Samson<&sol;em><&sol;strong><&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<blockquote class&equals;"wp-block-quote is-style-large is-layout-flow wp-block-quote-is-layout-flow"><p>he was a little boy reaching for manhood<br>she&comma; little girl arching for womanhood <em>&lbrack;comma&rsqb;<&sol;em><br>his was mixed tale of tears and hope<br>hers&comma; a life upwards Life’s slope <em>&lbrack;apostrophe&rsqb;<&sol;em><&sol;p><p>two stories crossed&colon; one scene&comma; one act <em>&lbrack;colon&comma; comma&rsqb;<&sol;em><br>pretty lass&comma; scrawny lad lacking tact <em>&lbrack;comma&rsqb;<&sol;em><br>him a sapling uprooted&comma; replanted <em>&lbrack;comma&rsqb;<&sol;em><br>her the rose everyone wanted<&sol;p><p>her heart was loud&comma; but lips were mute <em>&lbrack;comma&rsqb;<&sol;em><br>while he was lost in voiceless youth<br>tho’ Cupid’s bow a shot released<em> &lbrack;apostrophe&rsqb;<&sol;em><br>time wept for two lips deceased<&sol;p><p>a week&comma; a month… wore out Time’s soles <em>&lbrack;comma&comma; ellipsis&comma; apostrophe&rsqb;<&sol;em><br>a glance&comma; a smile&comma; two whispering souls&semi; <em>&lbrack;comma&comma; comma&comma; semi-colon&rsqb;<&sol;em><br>and still no telling word was risked<br>until away the lad was whisked<&sol;p><p>she grieved&comma; he mourned &lpar;but time heals all&rpar; <em>&lbrack;comma&comma; parenthesis&rsqb;<&sol;em><br>… one decade plus&comma; the lad stands tall <em>&lbrack;ellipsis&rsqb;<&sol;em><br>once little lass&comma; now jewelled queen&colon;<em> &lbrack;colon&rsqb;<&sol;em><br>a wife serving her king’s whim <em>&lbrack;apostrophe&rsqb;<&sol;em><&sol;p><p>two stories crossed&colon; same scene&comma; same act <em>&lbrack;colon&comma; comma&rsqb;<&sol;em><br>a bejewelled queen&comma; fine man with tact <em>&lbrack;comma&rsqb;<&sol;em><br>he an oak – deep-rooted&period; she wanted <em>&lbrack;emdash&comma; endash&comma; full stop&rsqb;<&sol;em><br>but silver ring on a finger taunted&excl; <em>&lbrack;exclamation&rsqb;<&sol;em><&sol;p><p>why does love steal our tongues&quest;&excl; <em><&sol;em><&sol;p><&sol;blockquote>&NewLine;&NewLine;&NewLine;&NewLine;<p>The poem above used detailed internal punctuations but does not follow the norm of using uppercase letters as the beginning of each verse as is done by most traditional poets&period; In this case&comma; the poet deliberately broke rules&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong><a href&equals;"http&colon;&sol;&sol;www&period;poemhunter&period;com&sol;poem&sol;sonnet-138-when-my-love-swears-that-she-is-made&sol;" target&equals;"&lowbar;blank" rel&equals;"noreferrer noopener">WHEN MY LOVE SWEARS THAT SHE IS MADE OF TRUTH<&sol;a> &lpar;Sonnet 138&rpar; by <em>William Shakespeare<&sol;em><&sol;strong><&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<blockquote class&equals;"wp-block-quote is-style-large is-layout-flow wp-block-quote-is-layout-flow"><p>When my love swears that she is made of truth<br>I do believe her&comma; though I know she lies&comma; <em>&lbrack;comma&comma; comma&rsqb;<&sol;em><br>That she might think me some untutored youth&comma; <em>&lbrack;comma&rsqb;<&sol;em><br>Unlearnèd in the world’s false subtleties&period; <em>&lbrack;full stop&rsqb;<&sol;em><br>Thus vainly thinking that she thinks me young&comma; <em>&lbrack;comma&rsqb;<&sol;em><br>Although she knows my days are past the best&comma;<em> &lbrack;comma&rsqb;<&sol;em><br>Simply I credit her false-speaking tongue&semi; <em>&lbrack;semi colon&rsqb;<&sol;em><br>On both sides thus is simple truth suppressed&period;<em> &lbrack;full stop&rsqb;<&sol;em><br>But wherefore says she not she is unjust&quest; <em><&sol;em><br>And wherefore say not I that I am old&quest; <em><&sol;em><br>O&comma; love’s best habit is in seeming trust&comma;<em> &lbrack;comma&comma; apostrophe&comma; comma&rsqb;<&sol;em><br>And age in love&comma; loves not to have years told&period; <em>&lbrack;comma&comma; full stop&rsqb;<&sol;em><br>Therefore I lie with her&comma; and she with me&comma; <em>&lbrack;comma&comma; comma&rsqb;<&sol;em><br>And in our faults by lies we flattered be&period; <em>&lbrack;full stop&rsqb;<&sol;em><&sol;p><&sol;blockquote>&NewLine;&NewLine;&NewLine;&NewLine;<hr class&equals;"wp-block-separator has-css-opacity is-style-dots">&NewLine;&NewLine;&NewLine;&NewLine;<h5 class&equals;"wp-block-heading"><strong>CAN YOU DO WITHOUT PUNCTUATION MARKS&quest;<&sol;strong><&sol;h5>&NewLine;&NewLine;&NewLine;&NewLine;<p>The answer is &OpenCurlyQuote;yes’ with a huge caveat&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>The poet E&period;E&period; Cummings is well known as a grammar rebel that cared not a little about rules of grammar&comma; especially punctuation&comma; in his poetry&period; He successfully altered basic sentence structures to suit his purpose in his famous poems&period; His style broke the rules but his poetry is accepted&period; Below is one of his poems&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>anyone lived in a pretty how town by <em>ee cummings<&sol;em><&sol;strong><&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<blockquote class&equals;"wp-block-quote is-style-large is-layout-flow wp-block-quote-is-layout-flow"><p>anyone lived in a pretty how town<br>&lpar;with up so floating many bells down&rpar;<br>spring summer autumn winter<br>he sang his didn’t he danced his did&period;<br>Women and men &lpar;both little and small&rpar;<br>cared for anyone not at all<br>they sowed their isn’t they reaped their same<br>sun moon stars rain<br>children guessed &lpar;but only a few<br>and down they forgot as up they grew<br>autumn winter spring summer&rpar;<br>that noone loved him more by more<br>when by now and tree by leaf<br>she laughed his joy she cried his grief<br>bird by snow and stir by still<br>anyone’s any was all to her<br>someones married their everyones<br>laughed their cryings and did their dance<br>&lpar;sleep wake hope and then&rpar;they<br>said their nevers they slept their dream<br>stars rain sun moon<br>&lpar;and only the snow can begin to explain<br>how children are apt to forget to remember<br>with up so floating many bells down&rpar;<br>one day anyone died i guess<br>&lpar;and noone stooped to kiss his face&rpar;<br>busy folk buried them side by side<br>little by little and was by was<br>all by all and deep by deep<br>and more by more they dream their sleep<br>noone and anyone earth by april<br>with by spirit and if by yes&period;<br>Women and men &lpar;both dong and ding&rpar;<br>summer autumn winter spring<br>reaped their sowing and went their came<br>sun moon stars rain<&sol;p><&sol;blockquote>&NewLine;&NewLine;&NewLine;&NewLine;<p><strong>NOTE&colon;<&sol;strong> he removed the capital letters and almost doesn’t use punctuation at all&period; It is rebellious and may not be accepted in some quarters&comma; put to the test of grammar&comma; it may fail woefully&period; But it still accomplishes a lot as a poem&comma; earning accolades in his time&period;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<p>In conclusion&comma; I would like to state the following&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<ol class&equals;"wp-block-list"><li>learn the rules before you attempt to break them<&sol;li><li>when you break them&comma; be purposeful&comma; know why<&sol;li><li>don’t be afraid to experiment &lpar;rules are meant to be broken&rpar;<&sol;li><&sol;ol>&NewLine;&NewLine;&NewLine;&NewLine;<p>Also&colon;<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<ol class&equals;"wp-block-list"><li>Every verse with more than 1 CLAUSE needs INTERNAL PUNCTUATIONS<&sol;li><li>END punctuations like FULL STOP&comma; and COMMA can be done away with&comma; if you so desire<&sol;li><li>Punctuations within the verses of the poem are VERY important<&sol;li><li>Even where the poem has no punctuation&comma; EXCLAMATION marks&comma; at the end or within a verse&comma; are needed to show the intensity of a verse&period; Same with QUESTION marks where a question is asked<&sol;li><li>Placing the right punctuation marks within your poem not only aids the reader&comma; it also ensures that your emotions are conveyed<&sol;li><&sol;ol>&NewLine;&NewLine;&NewLine;&NewLine;<hr class&equals;"wp-block-separator has-css-opacity is-style-dots">&NewLine;&NewLine;&NewLine;&NewLine;<h5 class&equals;"wp-block-heading">REFERENCES&colon;<&sol;h5>&NewLine;&NewLine;&NewLine;&NewLine;<p><a rel&equals;"noreferrer noopener" href&equals;"http&colon;&sol;&sol;www&period;writingforward&period;com&sol;grammar&sol;grammar-rules&sol;breaking-grammar-rules-in-poetry-writing" target&equals;"&lowbar;blank">BREAKING GRAMMAR RULES IN POETRY WRITING<&sol;a> by <em>Melissa Donovan <&sol;em><br><a rel&equals;"noreferrer noopener" href&equals;"http&colon;&sol;&sol;www&period;absolutewrite&period;com&sol;specialty&lowbar;writing&sol;punctuate&period;htm" target&equals;"&lowbar;blank">TO PUNCTUATE OR NOT TO PUNCTUATE&comma; THEREIN LIES THE QUESTION<&sol;a> by <em>Terrie Relf<&sol;em><br><a rel&equals;"noreferrer noopener" href&equals;"https&colon;&sol;&sol;www&period;writingclasses&period;com&sol;WritersResources&sol;AskTheWriterDetail&period;php&quest;ID&equals;171" target&equals;"&lowbar;blank">SHOULD ALL POETRY LINES END WITH A COMMA OR PERIOD&quest;<&sol;a> by <em>Brandi Reissenweber<&sol;em><br><a rel&equals;"noreferrer noopener" href&equals;"http&colon;&sol;&sol;poetrysocietyofcolorado&period;org&sol;workshops&sol;workshops-2011&sol;punctuation-and-line-breaks-in-poetry" target&equals;"&lowbar;blank">PUNCTUATION AND LINE BREAKS IN POETRY<&sol;a> by Ann L&period; Camy<&sol;p>&NewLine;&NewLine;&NewLine;&NewLine;<pre class&equals;"wp-block-verse"> when i was younger&comma;&NewLine; i never asked who happy people are&period;&NewLine;&NewLine; i knew them&period;&NewLine;&NewLine; there was a tycoon who lived on our crescent&period;&NewLine; who threw parties&NewLine; that fed our entire town to stupor thrice every year&period;&NewLine;&NewLine; there was my old classmate…&NewLine; A-costumed academic reports&NewLine; from elementary school through college&period;&NewLine;&NewLine; i never had to ask&period;&NewLine; i knew what happy people are like&period;&NewLine;&NewLine; but&period;&NewLine; few years later&comma;&NewLine; i read in a local paper&comma;&NewLine; that the valedictorian&NewLine; of a prestigious university had –&NewLine; two days after his graduation ceremony –&NewLine; prepared poison like beverage&NewLine; and mailed it to his intestines&period;&NewLine;  &NewLine; i heard that before cockcrow one day&comma;&NewLine; a powerful monarch&NewLine; had gone to seek solace at seabed…&NewLine; to rinse the burden of breath off his lungs&period;&NewLine;  &NewLine; and that a popular comedian&NewLine; had suspended his own body on a wire&NewLine; tethered to a cashew tree in his courtyard&period;&NewLine; leaving his brand&comma; his edifice&comma; and a piece of paper…&NewLine; "i hope i find happiness outside this world… away from this place&period;"&NewLine;  &NewLine; who are happy people&quest;&NewLine; what makes happiness&quest;&NewLine;  &NewLine; every night&comma; when i drive past the slums&comma;&NewLine; i see a family of emaciated orphans&period;&NewLine; who have their bedrooms on tarpaulins and cartons&NewLine; under the old bridge&period;&NewLine; i see them&period; everyday&period;&NewLine; always smiling…&NewLine; tossing their alms-bowls with relish&period;&NewLine;  &NewLine; what makes happiness&quest;&NewLine; who are happy people&quest;<&sol;pre>&NewLine;&NewLine;&NewLine;&NewLine;<hr class&equals;"wp-block-separator has-css-opacity is-style-wide">&NewLine;&NewLine;&NewLine;&NewLine;<p class&equals;"has-text-align-right has-very-light-gray-background-color has-background"><em>Kukogho Iruesiri Samson is an award-winning writer&comma; communications professional&comma; publisher and entrepreneur&period; Kukogho has authored four books including &OpenCurlyQuote;<em>Devil’s Pawn<&sol;em>&OpenCurlyQuote;&comma; winner of the Dusty Manuscript Prize 2018&period; He is the Editor-in-Chief<em> of Cọ́n-scìò Magazine <&sol;em>and CEO of Authorpedia Publishers&period;<&sol;em><&sol;p>&NewLine; &NewLine; <div class&equals;"booster-block booster-author-block">&NewLine; <div class&equals;"be-author-details layout-square align-left">&NewLine; <div class&equals;"be-author-wrapper">&NewLine; <div class&equals;"booster-row">&NewLine; <div class&equals;"booster-column booster-column-two booster-column-mobile">&NewLine; <div class&equals;"be-author-image">&NewLine; <img alt&equals;"" src&equals;"https&colon;&sol;&sol;secure&period;gravatar&period;com&sol;avatar&sol;b75f88cadfa530f44c52ed1f8256fe25878ecc134172c196f36c53adfc34533d&quest;s&equals;400&amp&semi;d&equals;mm&amp&semi;r&equals;g" class&equals;"avatar avatar-400 photo avatar-img" height&equals;"400" width&equals;"400" loading&equals;"lazy"> <&sol;div>&NewLine; <&sol;div>&NewLine; <div class&equals;"booster-column booster-column-eight booster-column-mobile">&NewLine; <div class&equals;"author-details">&NewLine; <header class&equals;"twp-plugin-title twp-author-title">&NewLine; <h2>About Post Author<&sol;h2>&NewLine; <&sol;header>&NewLine; <h4 class&equals;"be-author-meta be-author-name">&NewLine; <a href&equals;"https&colon;&sol;&sol;www&period;wrr&period;ng&sol;author&sol;kukogho&sol;" class&equals;"booster-url-link">&NewLine; Kukogho Iruesiri Samson <&sol;a>&NewLine; <&sol;h4>&NewLine; <div class&equals;"be-author-meta be-author-description">KIS&comma; author of two poetry collections&comma; &OpenCurlyQuote;WHAT CAN WORDS DO&quest;’ and &OpenCurlyQuote;I SAID THESE WORDS’&comma; is an award-winning Nigerian writer&comma; photographer&comma; and media professional with experience in journalism&comma; PR&comma; publishing and media management&period; In 2016&comma; he was listed in Nigerian Writers Awards' list of 100 MOST INFLUENTIAL NIGERIAN WRITERS UNDER 40&period; The same year 2016&comma; he won the Nigerian Writer’s Award for &OpenCurlyQuote;Best Poet In Nigeria 2015&period;’ he had also won the Orange Crush 1st Prize for Poetry in 2012&period; &NewLine;He is the CEO of Words Rhymes &amp&semi; Rhythm 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